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The Athenaeum
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Athenaeum
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Untold Stories
'I'm your half-brother and I'm here to stay. This is my home.' With these words Wilmot Abraham sought refuge with his white relations. Wilmot was the best-known Aboriginal in the Warrnambool district of Victoria, a man who maintained the old way of life long after his people were dispossessed. Local farmers spoke of him as 'the last of his tribe'. Few were aware that his father had been a white lad working as a boundary rider on the Western District frontier; and only the Aboriginal community knew that Wilmot had barely escaped with his life from the violent seizure of his mother's people's country. In Untold Stories, Jan Critchett presents a series of moving Aboriginal biographies from the ...
The Art of the Collection
The Art of the Collection is a celebration of the State Library of Victoria's Picture Collection-the oldest visual documentary collection in Australia. Acting on its mandate to collect and preserve Victoria's documentary heritage, the Library acquires paintings, maps, diaries and documents that showcase all facets of Victorian life, past and present. The Library has an extensive collection of art works and a permanent display of 150 works in the Cowen Gallery. The works illustrate Victoria's landscape, early Melbourne scenes, and significant events and figures in the European exploration and settlement of Australia. The works range from early eighteenth and nineteenth century portraits, busts to contemporary portraits and scenes of Melbourne and Victoria from the 1800s until now. Works of some of our most celebrated and talented Australian artists are in the collection and showcased in this book: Eug ne von Gu rard, John Glover, Frederick McCubbin, Albert Tucker, Ian Fairweather, Lina Bryans, Jan Senbergs, Juan Davila and Howard Arkley to name but a few.
“The” Athenaeum
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Our Country
This lavishly illustrated book celebrates Australia's unification from regional provinces to a federation. Filled with a sense of their time in history, Australia's great painters have been compared with America's Hudson River artists who expressed a similar awe about their surroundings and whose pictures gave its people a feeling of nationhood. Different in mood and scale from the earlier Heidelberg paintings, perhaps the best known of the Australian art movements, the sweeping Federation landscapes defined Australianness. The images contain natural components unique to the world's largest island -- giant eucalyptuses, expansive oceans and beaches, grand rivers, rugged mountain ranges -- and the luminous light of Australia which bathes the land.
Athenaeum
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Arthur Streeton, 1867-1943
This illustrated, annotated catalogue was prepared to accompany a retrospective exhibition curated by the author, who is the assistant curator of Australian art at the National Gallery of Victoria. Presents 83 of Streeton's works and provides biographical details, a discussion of Streeton's style and method, as well as giving information about each painting. The exhibition was one of a series honouring notable historical figures in Australian art. Includes a chronology and references. Also available in paperback.
The Art of Grahame King
Grahame Kings life as an artist began with his mastery of the new art of colour reproduction as a photolithographic colour etcher in Melbourne in the 1930s. At the same time, study at the National Gallery Art School with George Bell assisted his development as a painter. After war service and travels abroad, King returned to Melbourne with his wife, the sculptor Inge King. The two held a number of joint exhibitions of paintings and sculptures in Australia throughout the 1950s and then, from c.1962 Grahame King turned his attention, increasingly, towards the art of lithography becoming a master in this field of printmaking. He has also devoted himself to promoting the art of lithography and printmaking generally through the Print Council of Australia. He is often called Australias patron saint of printmaking. The book examines his seven decades working as an artist in Melbourne and is lavishly illustrated with colour reproductions throughout.
