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Don't Smoke in Bed
“You know I saw an article in Time Magazine a few years ago that stated ‘Asian Men are In,’ and it had a picture of a white woman riding the back of an Asian man. No Kidding. Like he was some kind of human rickshaw. Maybe you should take a picture of Sheryl riding me with a blunt in her mouth an' a dreadlock wig.” Following the success of last year's production of Obama-ology, multi-award-winning African-American playwright Aurin Squire returns to the Finborough Theatre with another world premiere – Don’t Smoke in Bed. Jamaican-American Richard and White-American Sheryl are starting a family together. When they agree to a series of 'bedroom interviews', they believe that their interracial relationship is the focus of the article. As both play up to what they believe are the expectations of the interviewer, they embark on a journey that challenges their relationship to the core as the barriers between psychological and social, sexual and political, public and private, melt and dissolve... Don’t Smoke in Bed is a stunning exploration of social and racial perception in contemporary America.
Obama-ology
When African-American college graduate Warren takes a job with the 2008 Obama campaign, he’s fired up and ready to go – until he lands in the troubled streets of East Cleveland. But somewhere between knocking on doors, fending off cops, and questioning his own racial and sexual identity, he learns that changing society isn’t as easy as he imagined. Obama-ology is a compelling journey into the lives of the black minority of East Cleveland. This invisible underclass – despondent after a lifetime of presidential campaigns with only the educated, white candidate to represent them – have the flame of hope reignited by a passionate young man canvassing for Obama.
Technical Difficulties: Plays for Online Theatre
This collection of socially distant shorts is designed to be performed on the internet as well as the stage. Playful and inventive, TECHNICAL DIFFICULTIES taps into the delights and frustrations of staying connected. HEY STRANGER by Steph Del Rosso. Years after a messy breakup, Eve and Gideon reunite. What could go wrong? Possibly everything. A comedy about mixed signals and bad internet, loneliness and autonomy. And one very precocious high schooler. (1M, 2W.) OYSTER by Elaine Romero. Marisela negotiates a potential opportunity in a border world where kids live in government cages and being bilingual comes at a price. (1W.) INTRO TO FICTION (VIRTUAL) by Ken Urban. During office hours, a pro...
To Whom it May Concern
Synopsis: To Whom It May Concern is an epistolary play about transcendent and oft-kilter ways of love and internet relationships. When a 15- year-old boy writes a letter to a soldier and is confused for an older woman, a series of seductive exchanges begins, leading to an explosive encounter. Cast Size: 2 Males “To Whom It May Concern is an engaging and provocative new drama that allows us to walk in some other fellows' shoes for a couple of hours, yielding significant insights along the way.” —NYTheatre.com “The primary delight of the evening is the script itself. Squire brilliantly employs the epistolary device to tell a story about the perils of unconventional intimacy. The setup is so well executed that by the time they meet face to face, the audience is enthralled.” —Showbusiness Weekly *NOTE: This play contains adult situations and is not suitable for all audiences. All roles should be played by adults.
Meeting the Moment
"Composes the recollections of socially engaged theater makers and performers to discuss the challenges and adaptations of the field. Meeting the Moment explores experiences of a diverse range of progressive theater and performance makers in the U.S., in their own words, since 1965. These performers, often unknown beyond their immediate audience, articulate diverse influences. Curated stories from over 75 interviews and informal exchanges offers insight into the field and point out limitations due to discrimination and unequal opportunity for performance artists over the past 55 years. They also reflect on how artists are educated and supported, what content is deemed valuable and how it is brought to bear, as well as which audiences are welcome and whether cross-community exchange is encouraged. The book's voices from the field point to more diverse and inclusive practices and give hope for the future of the art"--
Letters to a Young Playwright
Adam Szymkowicz is that rarest of things: a full-time playwright. In an era when the business of live theatre seems perpetually on the verge of implosion, most dramatists survive only through soul-sucking day jobs, the largesse of patrons or their own families, or writing for television. Szymkowicz has carved out a distinctive niche for himself without relying on big institutions or the brass ring of a mega-hit Broadway production. Each year, his body of work—over thirty sharp, funny, pop-culture-inflected plays animated by an unabashed romanticism—is staged everywhere from big-city theatres to colleges and high schools. In Letters to a Young Playwright, Szymkowicz dispenses hard-earned, unsentimental, and entertaining advice to early-career dramatists. Modeled on Rilke’s Letters to a Young Poet, it covers topics like writer’s block, self-promotion, and the pluses and minuses of pivoting to Hollywood in insightful and digestible short essays. Perfect for beginning playwrights as well as mid-career writers looking to reinvigorate their craft and career, it contains endlessly useful advice and reflections from one of the most-produced living playwrights in America.
Vivian's Music, 1969
Synopsis: In 1969, a young black girl in Omaha, Nebraska named Vivian Strong was killed by a white cop firing a single bullet to the back of her head, setting off one of the worst race riots of the 1960’s. Nobody knew anything about her, except her age and the circumstances of her death. Through memoir like monologues inspired by real events, two actors portray multiple characters, bringing a fictional account of Vivan’s life to the stage. Cast Size: 1 Female, 1 Male
The Ritual Effect
In the bestselling tradition of Charles Duhigg’s The Power of Habit and Angela Duckworth’s Grit, a renowned social psychologist demonstrates the power of small acts—and how a subtle turning of habits into rituals can add purpose and pleasure to life. Our lives are filled with repetitive tasks meant to keep us on track—what we come to know as habits. Over time, these routines (for example, brushing your teeth or putting on your right sock first) tend to be performed automatically. But when we’re more mindful about these actions—when we focus on the precise way they are performed—they can instead become rituals. Shifting from a “habitual” mindset to a “ritual” mindset can...
Out of Time & Place
Out of Place & Time, Vol. 2, is an anthology of plays by six members of the Women's Project Lab. It's a snapshot of some of the most ambitious work incubating in New York and a diverse compilation of plays for directors and actors seeking exciting contemporary work to explore. With a hilarious and biting intro by Theresa Rebeck that challenges the American theater to celebrate and produce its women playwrights, Vol. 2 showcases writers whose voices sing our world with wit, passion and daring. Bekah Brunsetter's Le Fou teases out the destructive dance between love and vanity. Kara Manning's Sleeping Rough forms a blues ballad for souls displaced between lives. Alexis Clements' Conversation cleverly interrogates the science of speech, while Nadia Davids' At Her Feet plays out another kind of linguistic music, that of six very different Muslim women from Cape Town. Carla Ching's TBA plays with the power of naming, and Andrea Thome's Undone offers a polyphonic love poem to a city crowded with the living and dead.
The Beyonce Effect
Since her late-1990s debut as a member of the R&B trio Destiny's Child, Beyonce Knowles has garnered both praise and criticism. While some consider her an icon of female empowerment, others see her as detrimental to feminism and representing a negative image of women of color. Her music has a decidedly pop aesthetic, yet her power-house vocals and lyrics focused on issues like feminine independence, healthy sexuality and post-partum depression give her songs dimension and substance beyond typical pop fare. This collection of new essays presents a detailed study of the music and persona of Beyonce--arguably the world's biggest pop star. Topics include the body politics of respectability; feminism, empowerment and gender in Beyonce's lyrics; black female pleasure; and the changing face of celebrity motherhood. Instructors considering this book for use in a course may request an examination copy here.
