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"[These volumes] are endlessly absorbing as an excursion into cultural history and national memory."--Arthur Schlesinger, Jr.
It’s a cinematic image as familiar as John Wayne’s face: a wagon train circling as a defensive maneuver against Indian attacks. This book examines actual and fictional wagon-train battles and compares them for realism. It also describes how fledgling Hollywood portrayed the concept of westward migration but, as the evolving industry became more accurate in historical detail, how filmmakers then lost sight of the big picture.
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« Le Bruit des oranges touchera certainement le coeur de ceux et celles qui ont connu cette période sombre du Québec où certaines gens de l'église avaient un pouvoir sans borne et détruisait ainsi l'enfance à sa souche. Je recommande fortement la lecture de ce livre. Lyne Richard rappelle ainsi comment l'amour, le vrai, est indispensable pour l'enfant qui sera demain, un adulte. Bravo madame Richard! » Denis Lévesque - CHRM (Matane) « (...) la poète insiste sur l'intériorité de ses personnages. Elle donne à sa narratrice une voix puissante, qu'elle rehausse parfois en utilisant habilement une deuxième voix intérieure qui crie d'un souffle, et sans ponctuation, le fond d'une p...
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Kirby Randolph was a tough mountain man. He had promised himself that he would get the wagon train to Santa Fe because Aurélie St. Clair was in one of the wagons. She was half Indian, the most beautiful and the toughest girl he had ever seen. This is the story of men and women who kept the Santa Fe Trail open in the 1880s, from Westport, Kansas, to Santa Fe, New Mexico.
Since the early days of the silent era, Native Americans have been captured on film, often in unflattering ways. Over the decades, some filmmakers have tried to portray the Native American on screen with more balanced interpretations—to varying degrees of success. More recent films such as The New World, Flags of Our Fathers, and Frozen River have offered depictions of both historical and contemporary Native Americans, providing viewers with a range of representations. In Native Americans in the Movies: Portrayals from Silent Films to the Present, Michael Hilger surveys more than a century of cinema. Drawing upon his previous work, From Savage to Nobleman, Hilger presents a thorough revisi...