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Ellsworth Kelly
Essay by Harry Cooper.
Nina Katchadourian
This catalogue of an exhibition at the Blanton Museum of Art at the University of Texas at Austin presents a mid-career survey of the work of Brooklyn-based artist Nina Katchadourian.
Strange Pilgrims
Strange Pilgrims is the catalogue accompanying an exhibition at The Contemporary Austin that features fourteen artists whose experiential practices lead viewers on an open-ended journey through strange and unfamiliar spaces.
Blanton Museum of Art: Latin American Collection
The Blanton Museum of Art's Latin American catalogue will be the first publication in the museum's history to present a complete and in-depth study of the institution's notable Latin American collection. The Blanton's holdings comprise one of the oldest, largest, and most comprehensive collections of modern and contemporary Latin American art in the country, and include works by many artists not represented elsewhere in U.S. collections. The collection contains more than 1,800 modern and contemporary paintings, prints, drawings, and sculptures, reflecting the great diversity of Latin American art and culture. More than six hundred artists from Mexico, South and Central America, and the Carib...
Not to be Sold for More Than $100
Among LeWitt's great contributions to art was the invention of his own economic model Not to Be Sold For More Than $100 presents a comprehensive overview of conceptualist pioneer Sol LeWitt's numbered R Series drawings, which he created from approximately 1971 to 1979. As early as 1967, LeWitt had started making cut, folded and torn works, which he intended would always sell for $100. "His wall drawings were already selling for thousands of dollars, so he wanted to have some artwork that everybody could buy," notes Jason Rulnick. This body of work consists of over 800 folded, torn and cut paper works, including cut maps, reproductions, and manipulated silver gelatin photographs. Thanks to extensive research throughout various private and public collections around the world, this volume includes over 100 color plates, along with an index/description of all 870 known works, information that has been made available through the artist's day books and journals uncovered (in the studio) by Veronica Roberts. In the high-flying commerciality of the contemporary art world, LeWitt's intention and foresight for this body of work resonates more than ever today.
Queer X Design
The first-ever illustrated history of the iconic designs, symbols, and graphic art representing more than 5 decades of LGBTQ pride and activism. Beginning with pre-liberation and the years before the Stonewall uprising, spanning across the 1970s and 1980s and through to the new millennium, Queer X Design celebrates the inventive and subversive designs that have powered the resilient and ever-evolving LGBTQ movement. The diversity and inclusivity of these pages is as inspiring as it is important, both in terms of the objects represented as well as in the array of creators; from buttons worn to protest Anita Bryant, to the original 'The Future is Female' and 'Lavender Menace' t-shirt; from the...
Black Artists in British Art
Black artists have been making major contributions to the British art scene for decades, since at least the mid-twentieth century. Sometimes these artists were regarded and embraced as practitioners of note. At other times they faced challenges of visibility - and in response they collaborated and made their own exhibitions and gallery spaces. In this book, Eddie Chambers tells the story of these artists from the 1950s onwards, including recent developments and successes. Black Artists in British Art makes a major contribution to British art history. Beginning with discussions of the pioneering generation of artists such as Ronald Moody, Aubrey Williams and Frank Bowling, Chambers candidly discusses the problems and progression of several generations, including contemporary artists such as Steve McQueen, Chris Ofili and Yinka Shonibare. Meticulously researched, this important book tells the fascinating story of practitioners who have frequently been overlooked in the dominant history of twentieth-century British art.
Ellsworth Kelly: Postcards
A comprehensive survey of rarely seen collages from the master of abstraction Over the course of more than 50 years, renowned American artist Ellsworth Kelly made approximately 400 postcard collages, some of which served as exploratory musings and others as studies for larger works in other mediums. They range from his first monochrome in 1949 through his last postcard collages of crashing ocean waves, in 2005. Together, these works show an unbounded space of creative freedom and provide an important insight into the way Kelly saw, experienced and translated the world in his art. Many postcards illustrate specific places where he lived or visited, introducing biography and illuminating detai...
Charles White
Charles White (1918–1979), one of the twentieth century’s most accomplished and innovative draftsmen, was also highly regarded as an educator and activist. His life spanned the Great Depression and the WPA era as well as the civil rights movement and the early days of feminism, movements that he not only actively participated in but also shaped. This catalog celebrates the artist’s remarkable career and legacy and the generous gift of artworks to The University of Texas from Susan G. and Edmund W. Gordon, lifelong friends of White and his wife, Frances. In addition to essays on each of the twenty-three works of art owned by The University of Texas and an interview with Edmund Gordon and his son, Ted Gordon, the catalog includes first-person tributes to White from artists, writers, actors, activists, and students whose lives he touched, including fellow artists Margaret Burroughs and Alice Neel; singer Harry Belafonte; poet Langston Hughes; and former students David Hammons, Kent Twitchell, and Kerry James Marshall.
