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Austrian Writers and the Anschluss
This series of essays attempts to revise the widespread view of Austria as the "first victim of Hitler" and thus place the events of the 1930s and the Anschluss of March 11, 1938 into a more accurate perspective. The articles fall into three groups: those dealing with events leading up to the Anschluss, those concerned with the Anschluss directly, and those presenting the retrospective views of contemporary authors toward the Anschluss. The presentations make clear how the Nazi takeover was prepared and how the political events of the 1930s and the Anschluss still influence contemporary Austrian society adversely.
Exile in New York
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From High Priests to Desecrators
This collection of twelve studies of some of the leading Austrian writers of today, such as Elfriede Jelinek, Peter Handke and Thomas Bernhard, is ample evidence of a distinctive Austrian literary culture, even if its definition proves something of a chimaera. But are these writers high priests, enthroned by the established culture, or desecrators, angrily rejecting it? Some of the contributors to this volume unflinchingly assign their authors to one end of this spectrum or another, while others refuse even to entertain such a provocative schematization. 'The essays in this collection offer a good impression of the formal and thematic range of contemporary Austrian literature and include substantial pieces on Handke, Bernhard, Jelinek, Fried and Mitgutsch, while other contributions reveal the special quality of more idiosyncratic and marginal figures. Editors and contributors wisely avoid attempting to deduce from this variety a distinctive Austrian quality common to these authors, but they are where appropriate aware of the provocation some of them represent in an Austrian context' (Forum for Modern Language Studies).
Vienna Is Different
Assessing the impact of fin-de-siècle Jewish culture on subsequent developments in literature and culture, this book is the first to consider the historical trajectory of Austrian-Jewish writing across the 20th century. It examines how Vienna, the city that stood at the center of Jewish life in the Austrian Empire and later the Austrian nation, assumed a special significance in the imaginations of Jewish writers as a space and an idea. The author focuses on the special relationship between Austrian-Jewish writers and the city to reveal a century-long pattern of living in tension with the city, experiencing simultaneously acceptance and exclusion, feeling “unheimlich heimisch” (eerily at home) in Vienna.
Austria in Literature
From a symposium at the University of California, Riverside, in 1997. Contributions in German were published as a special issue of Modern Austrian literature, 31, 3/4, 1998; English contributions are contained in this volume. Twenty-one essays consider the national image of Austria, both historically and in the current period. They examine the view of Austria projected in the writings of American, Austrian, and German authors, ranging from the late 19th century to the present. Attention is given to factors such as the country's natural beauty, the tradition of the monarchy, and pressing political and social problems. Name index only. Annotation copyrighted by Book News Inc., Portland, OR
Modern Austrian Prose
The sixteen articles compiled here are devoted to individual prose works published after 1970 that reflect the "Austrian tradition" within the field of German literature. The works treated include those of the popular and widely recognisable names of world-renowned writers such as Peter Handke, Thomas Bernhard, Ingeborg Bachmann, and Nobel Prize winner Elias Canetti as well as of less well-known figures. Collectively these authors display a distinctly Austrian point of view: they are the literary voice of modern-day Austria, a country whose cultural and artistic achievements are often too casually subsumed under the more general "German" rubric. The authors and their works clearly demonstrat...
Passages Crossings, Borders, Openings
"This volume documents the triple-series Austrian-American Podium Dialog held at Lafayette College in 2013, 2015, and 2018 to which twelve Austrian authors were invited and paired with scholars from American universities and colleges. After the introductory essays that explain how the symposia came about and what took place, the volume offers seventeen literary texts, in their original German as well as in English translations, that were read during the symposia followed by seven scholarly essays that introduce the Austrian writers and provide insightful interpretations of their diverse literatures. Excerpts from conversations among the writers, scholars and German undergraduate students giv...
Major Figures of Contemporary Austrian Literature
The purpose of this volume is to help make the major figures of the contemporary generation of writers in Austria accessible to an English-speaking audience. The fifteen essays cover the life and works of fifteen authors-Aichinger, Artmann, Bauer, Bernhard, Canetti, Ebner, Fried, Frischmuth, Handke, Innerhofer, Jandl, Jonke, Mayrocker, Roth, and Turrini-with each essay written by a specialist. The contributions are designed to be clear and informative for readers with no background in Austrian or German literature, while at the same time sufficiently analytical to make them useful even to specialists in the field. The book should appeal to general readers as well as to students and scholars working in the area of Austrian and German literature or in English and Comparative Literature."
Silenced Facts
In response to the silence that continues to shroud Austria’s historical past, Austrian literature after 1950 wants to retrace an untold history that left its marks in mental schemata and cultural clichés. The question how literature can refer to the facts silenced by a political unconscious, the question of literary reference and reality description, lies at the core of Austrian literature since the 1950’s. This book traces the development of contemporary Austrian fiction from the 1950s to the 1990s, showing how the Vienna Group’s literary reductionism led to gesture of mere pointing in happening and performance. While strongly indebted to the experimental techniques of the Vienna Group, later Austrian authors such as Thomas Bernhard, Peter Handke, Peter Rosei, and Gerhard Roth employ literary forms and extra-literary media prone to the indexical in an attempt to cut through the net of linguistic and cultural clichés, alluding to the microfascisms latent in common percepts, and indexing a reality that eludes plain description.
