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Kristin Bedford: Cruise Night
Scenes from the Mexican American lowrider life: a clothbound photobook documenting a vibrant LA car culture Known for her quiet portraits of American cultural movements, Los Angeles-based photographer Kristin Bedford's new work, Cruise Night, is an intimate and unstaged exploration of Los Angeles' Mexican American lowrider car culture. From 2014 to 2019 Bedford attended hundreds of lowrider cruise nights, car shows, quinceañeras, weddings and funerals. Her images offer a new visual narrative around the lowrider tradition and invite outsiders to question prevalent societal stereotypes surrounding this urban Mexican American culture. Bedford's photos explore the nuances of cars as mobile canvases and the legendary community that creates them. With bright color photography and a unique female vantage point, Cruise Nightis an original look at a prolific American movement set against the Los Angeles cityscape.
Colt
From the world’s finest collection, the 100 most significant Colt revolvers are presented in this handsome volume. The Colt Single Action Revolver "won the West" by being the gun of choice on the American frontier, used by everyone from settlers and Native Americans to law-enforcement officers and outlaws. As a result of their shared history, the Colt revolver and the American West will forever be connected. Over its twenty-five-year history, the Autry National Center has compiled the finest assemblage of more than 500 Colt revolvers in the world, including the Colt Industries corporate collection. The Autry’s curator has selected the 100 most important examples to document and celebrate...
Home Lands
The storybook history of the American West is a male-dominated narrative of drifters, dreamers, hucksters, and heroes—a tale that relegates women, assuming they appear at all, to the distant background. Home Lands: How Women Made the West upends this view to remember the West as a place of homes and habitations brought into being by the women who lived there. Virginia Scharff and Carolyn Brucken consider history’s long span as they explore the ways in which women encountered and transformed three different archetypal Western landscapes: the Rio Arriba of northern New Mexico, the Front Range of Colorado, and the Puget Sound waterscape. This beautiful book, companion volume to the Autry National Center’s pathbreaking exhibit, is a brilliant aggregate of women’s history, the history of the American West, and studies in material culture. While linking each of these places’ peoples to one another over hundreds, even thousands, of years, Home Lands vividly reimagines the West as a setting in which home has been created out of differing notions of dwelling and family and differing concepts of property, community, and history. Copub: Autry National Center of the American West
Independent Spirits
A rich compendium of Western art by women, this book also contains essays which examine the many economic, social, and political forces that have shaped the art over years of pivotal change. The women profiled played an important role in gaining the acceptance of women as men's peers in artistic communities. Their independent spirit resonates in studios and galleries throughout the country today. Photos.
Seeking El Dorado
From the 18th century, African Americans, like many others, have migrated to California to seek fortunes or, often, the more modest goals of being able to find work, own a home, and raise a family relatively free of discrimination. Not only their search but also its outcome is covered in Seeking El Dorado. Whether they settled in major cities or smaller towns, African Americans created institutions and organizations—churches, social clubs, literary societies, fraternal orders, civil rights organizations—that embodied the legacy of their past and the values they shared. Blacks came in search of the same jobs as other Americans, but the search often proved frustrating. Throughout the 19th and 20th centuries, African American leadership in the state consistently focused on achieving racial justice. The essays in this book speak of triumph and hardship, success, discrimination, and disappointment. Seeking El Dorado is a major contribution to black history and the history of the American West and will be of interest to both scholars and general readers.
The World of the American West
The World of the American West is an innovative collection of original essays that brings the world of the American West to life, and conveys the distinctiveness of this diverse, constantly changing region. Twenty scholars incorporate the freshest research in the field to take the history of the American West out of its timeworn "Cowboys and Indians" stereotype right up into the major issues being discussed today, from water rights to the presence of the defense industry. Other topics covered in this heavily illustrated, highly accessible volume include the effects of leisure and tourism, western women, politics and politicians, Native Americans in the twentieth century, and of course, oil. With insight both informative and unexpected, The World of the American West offers perspectives on the latest developments affecting the modern American West, providing essential reading for all scholars and students of the field so that they may better understand the vibrant history of this globally significant, ever-evolving region of North America.
American West
The American West used to be a story of gunfights, glory, wagon trails, and linear progress. Historians such as Frederick Jackson Turner and Hollywood movies such as Stagecoach (1939) and Shane (1953) cast the trans-Mississippi region as a frontier of epic proportions where 'savagery' met 'civilization' and boys became men.During the late 1980s, this old way of seeing the West came under heavy fire. Scholars such as Patricia Nelson Limerick and Richard White forged a fresh story of the region, a new vision of the West, based around the conquest of peoples and landscapes.This book explores the bipolar world of Turner's Old West and Limerick's New West and reveals the values and ambiguities as...
When I Remember I See Red
"Published on the occasion of the exhibition When I Remember I See Red: American Indian Art and Activism in California, organized by the Crocker Art Museum"--Copyright page.
Peace and Friendship
For over 35 years, the dominant histories of the American West have been narratives of horrific conflicts. As dark and as bloody as western grounds have often been however, there were also important episodes of concord, instances of barriers breached, accords reached, and of people overcoming their differences as opposed to being overcome by them. Peace and Friendship highlights the instances of cohabitation, deepening our understanding of how the West came to be: through colonization, violence, misunderstanding, and, surprisingly, at times, peace.
