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Nudes, Prudes and Attitudes
Given that censorship is so dangerous, it is frightening to see people court it so casually. Yet we hear few demands that the government support its moves for censorship with serious evidence for its claims that sexual or violent materials are known to cause anti-social acts. This book aims to show that there is no evidence for these claims, that the arguments against pornography and for censorship are not supported by any scientific or historical evidence, that anti-pornography activism is a distraction from the real needs of women, and that the very nature of the way the arguments are posed rests on sexist and representative beliefs.
Avedon Fashion 1944-2000
Encompasses seven decades of extraordinary images by Richard Avedon, the most influential fashion photographer of the 20th century.
Bad Girls and Dirty Pictures
For well over a decade, half-baked analysis and phony science have been used by some feminists to side-track the women's movement into puritanical campaigns against sexual material and imaginative sexual exploration.Many feminists would say that this widely publicised version of feminism is itself sexist, and that the increasingly vocal anti-pornography campaigns are founded on theoretical dead-ends that have allowed feminists to deviate drastically from the basic goals of women's liberation.Bad Girls & Dirty Pictures puts these anti-sex, anti-porn arguments under the microscope of a more thorough and considered feminist analysis. It examines the flaws in the research that purports to prove ...
Nudes, Prudes and Attitudes
Given that censorship is so dangerous, it is frightening to see people court it so casually. Yet we hear few demands that the government support its moves for censorship with serious evidence for its claims that sexual or violent materials are known to cause anti-social acts. This book aims to show that there is no evidence for these claims, that the arguments against pornography and for censorship are not supported by any scientific or historical evidence, that anti-pornography activism is a distraction from the real needs of women, and that the very nature of the way the arguments are posed rests on sexist and representative beliefs.
Found Footage Horror Films
As the horror subgenre du jour, found footage horror's amateur filmmaking look has made it available to a range of budgets. Surviving by adapting to technological and cultural shifts and popular trends, found footage horror is a successful and surprisingly complex experiment in blurring the lines between quotidian reality and horror's dark and tantalizing fantasies. Found Footage Horror Films explores the subgenre's stylistic, historical and thematic development. It examines the diverse prehistory beyond Man Bites Dog (1992) and Cannibal Holocaust (1980), paying attention to the safety films of the 1960s, the snuff-fictions of the 1970s, and to television reality horror hoaxes and mockumentaries during the 1980s and 1990s in particular. It underscores the importance of The Blair Witch Project (1999) and Paranormal Activity (2007), and considers YouTube's popular rise in sparking the subgenre's recent renaissance.
Freedom of Speech
This book considers the issue of free speech in transitional democracies focusing on the socio-legal developments in the Czech Republic, Hungary, and Poland. In showing how these Central and Eastern European countries have engaged with free speech models imported from the Council of Europe / EU and the USA, the book offers valuable insights into the ways States have responded to challenges associated with transformation from communism to Western democracy. The book first explores freedom of expression in European and American law looking particularly at hate speech, historical revisionism, and pornography. It subsequently enquires into the role and perspectives of those European (mandatory) ...
Everyday Pornography
Public and academic debate about ‘porn culture’ is proliferating. Ironically, what is often lost in these debates is a sense of what is specific about pornography. By focusing on pornography’s mainstream – contemporary commercial products for a heterosexual male audience – Everyday Pornography offers the opportunity to reconsider what it is that makes pornography a specific form of industrial practice and genre of representation. Everyday Pornography presents original work from scholars from a range of academic disciplines (Media Studies, Law, Sociology, Psychology, Women’s Studies, Political Science), introducing new methodologies and approaches whilst reflecting on the ongoing ...
Not in Front of the Children
From Huckleberry Finn to Harry Potter, from Internet filters to the v-chip, censorship exercised on behalf of children and adolescents is often based on the assumption that they must be protected from “indecent” information that might harm their development—whether in art, in literature, or on a Web site. But where does this assumption come from, and is it true? In Not in Front of the Children, Marjorie Heins explores the fascinating history of “indecency” laws and other restrictions aimed at protecting youth. From Plato’s argument for rigid censorship, through Victorian laws aimed at repressing libidinous thoughts, to contemporary battles over sex education in public schools and violence in the media, Heins guides us through what became, and remains, an ideological minefield. With fascinating examples drawn from around the globe, she suggests that the “harm to minors” argument rests on shaky foundations.
Free Speech
Free Speech is a philosophical treatment of a topic which is of immense importance to all of us. Writing with great clarity, wit, and genuine concern, Alan Haworth situates the main arguments for free speech by tracing their relationship to contemporary debates in politics and political philosophy, and their historical roots to earlier controversies over religious toleration. Free Speech will appeal to anyone with an interest in philosophy, politics and current affairs.
From Hegel to Madonna
From Hegel to Madonna presents a genealogical survey of the discourses of negation and affirmation associated with the work of Hegel, Adorno, Deleuze, and Guattari; then, rotating from the philosophical to the political-economic axis, turns to the problem of a general economy of "commodity-fetishism." Drawing on the work of Marx and Freud, Miklitsch mobilizes a new, renewed understanding of "commodity fetishism"--what he calls the commodity-body-sign--in order to examine received notions of consumption and commodification. The aim is to envision a dialectical mode of critique, at once critical and affirmative, that can account for the cultural contradictions of late capitalism. The author also analyzes the phenomenon of Madonna Studies, reading the interest in the pop star as a sign of the academic times, a symptomatic figure not only of cultural studies in all its celebratory, cultural-populist excess but of a critical discourse responsive to postmodern culture in all its politically complex mutability.
