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Fashionable Traditions captures the complex reality of Asian, handmade textile production and consumption. Contributors to this collection reveal the entangled relationships between local artisans, external interventions, and consumers to offer a vivid account of the socio-eco...
Indonesia has experienced a quick succession of new governments and fundamental reforms since the collapse of Suharto's dictatorial regime in 1998. Established patterns in the distribution of wealth, power and knowledge have been disrupted, altered and re-asserted. The contributors to this volume have taken the unique opportunity this upheaval presents to uncover social tensions and fault lines in this society. Focusing in particular on disadvantaged sectors of Balinese society, the contributors describe how the effects of a national economic and political crisis combined with a variety of social aspirations at a grass roots level to elicit shifts in local and regional configurations of power and knowledge. This is the first time that many of them have been able to disseminate their controversial research findings without endangering their informants since the demise of the New Order regime.
Textiles play a decisive role in history: attire not only indicates status, gender, ethnicity, and religion but illustrates how such boundaries are continuously being negotiated, shifted, and recreated. Fashionable Traditions captures the complex reality of Asian handmade textile production and consumption. From traditionalist discourse and cultural authenticity to fashion and market trends, the contributors to this collection demonstrate the multilayered influence of often contradictory forces. In-depth, ethnographic case studies reveal the entangled relationships between local artisans, external interventions, and consumers, while acknowledging the broader frameworks in which such relationships are situated. Together these stories offer a vivid account of the socio-economic, political, and cultural dynamics in various parts of Asia and emphasize that fashion is neither a Western prerogative nor do its roots reside solely in the West.
One of the world's most intensively studied societies, Bali has hosted scholars and writers as renowned as Margaret Mead, Gregory Bateson, Miguel Covarrubias, Fred Barth, and Hildred and Clifford Geertz. Staying Local in the Global Village is part of a continuing tradition in which Balinese and foreign scholars reflect on the processes of transformation that link Bali to Indonesia and the world beyond. The chapters in this volume are based on research carried out in the early 1990s, when Suharto's New Order still enjoyed widespread legitimacy in Indonesia. Even then, political consensus in Bali was weakened by the inhabitants' view of themselves as an exploited minority of Hindus in a nation...
The Japanese family is shifting in fundamental ways, specifically in terms of attitudes towards family and societal relationships, and also the role of the family in society. Changing Japanese Family explores these significant changes which include an ageing population, delayed marriages, a fallen birth rate, which has fallen below the level needed for replacement, and a decline in three-generational households and family businesses. The authors investigate these changes and the effects of them on Japanese society, whilst also setting the study in the context of wider economic and social changes in Japan. They offer interesting comparisons with international societies, especially with Southern Europe, where similar changes to the family and its role are occuring. This fascinating text is essential reading for those with an enthusiasm in Japanese studies but will also engage those with a concern in Japanese culture and society, as well as appealing to a readership with a wider interest in the sociology of the family.
As Japan enters the 21st century with a new emperor, this title continues to be an indispensable guide through often enigmatic and historical idiosyncrasies of Japanese culture and politics that are often confusing to the outsider. This title includes information on the latest social developments, customs, rituals, business culture, medicine and arts.
The second half of the 20th century witnessed a series of mass migration in Asia due to war, politics and economic turbulence. Combined with recent global economic changes, the result is that Asia is now the world region producing the most international migrants and receiving the second most migrants. Asian migration has thus been of central concern to both academic researchers and policy communities. This book (together with its forthcoming second volume) provides a full span discussion of Asian migration from historical perspectives to updated analyses of current migration flows and diasporas. The book covers six sub-regional areas through focused themes: • Northeast Asia: Coping with Di...
A Literary mirror is the first English-language work to comprehensively analyse Indonesian-language literature from Bali from a literary and cultural viewpoint. It covers the period from 1920 to 2000. This is an extremely rich field for research into the ways Balinese view their culture and how they respond to external cultural forces. This work complements the large number of existing studies of Bali and its history, anthropology, traditional literature, and the performing arts. A Literary Mirror is an invaluable resource for those researching twentieth-century Balinese authors who wrote in Indonesian. Until now, such writers have received very little attention in the existing literature. An appendix gives short biographical details of many significant writers and lists their work.
'Arts in the Margins of World Encounters' presents original contributions that deal with artworks of differently marginalized people—such as ethnic minorities, refugees, immigrants, disabled people, and descendants of slaves—, a wide variety of art forms—like clay figures, textile, paintings, poems, museum exhibits and theatre performances—, and original data based on committed, long-term fieldwork and/or archival research in Brazil, Martinique, Rwanda, India, Indonesia, Japan, Australia, and New Zealand. The volume develops theoretical approaches inspired by innovative theorists and is based on currently debated analytical categories including the ethnographic turn in contemporary art, polycentric aesthetics, and aesthetic cannibalization, among others. This collection also incorporates fascinating and intriguing contemporary cases, but with solid theoretical arguments and grounds. 'Arts in the Margins of World Encounters' will appeal to students at all levels, scholars, and practitioners in arts, aesthetics, anthropology, social inequality, and discrimination, as well as researchers in other fields, including post-colonialism and cultural organizations.