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Understanding Design in Film Production
  • Language: en
  • Pages: 386

Understanding Design in Film Production

  • Type: Book
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  • Published: 2019-02-25
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  • Publisher: Routledge

Great visual storytelling is possible on a minimal budget, but you have to spend a lot of energy thinking and planning. In Understanding Design in Film Production, author Barbara Freedman Doyle demonstrates how to use production design, cinematography, lighting, and locations to create an effective and compelling visual story, even on the tightest of budgets. Featuring in-depth interviews with production designers, set decorators, construction coordinators, cinematographers, costumers, and location managers talking about the techniques of their craft, it provides you with a feel for what everyone on the visual team does, how they think and plan, and how best to utilize the knowledge and skil...

Make Your Movie
  • Language: en
  • Pages: 324

Make Your Movie

This book is about how to work with people in the film industry, about who they are, what they do, and what they need. Most importantly for you, it is also about how to become one of them. Make Your Movie is a straightforward and comprehensive must-read for any aspiring filmmaker with an ounce or two of determination. With a down-to-earth, tell it like it is approach, the author offers insight through relatable, real-world experience and one-on-one interviews with working professionals who are already at the top of their game. Having an insider's understanding of the entire filmmaking process from start to finish, fundraising to distribution, is imperative and will allow you to anticipate and navigate avoidable setbacks. This clear and concise guide candidly describes what you need to know about both, the business and the politics of the industry to get your movie made.

Understanding the Business of Entertainment
  • Language: en
  • Pages: 398

Understanding the Business of Entertainment

  • Categories: Art
  • Type: Book
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  • Published: 2015-05-15
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  • Publisher: CRC Press

Understanding the Business of Entertainment: The Legal and Business Essentials All Filmmakers Should Know is an indispensable guide to the business aspects of the entertainment industry, providing the legal expertise you need to break in and to succeed. Written in a clear and engaging tone, this book covers the essential topics in a thorough but reader-friendly manner and includes plenty of real-world examples that bring business and legal concepts to life. Whether you want to direct, produce, write, edit, photograph or act in movies, this book covers how to find work in your chosen field and examines the key provisions in employment agreements for creative personnel. If you want to make fil...

Air Force Register
  • Language: en
  • Pages: 980

Air Force Register

  • Type: Book
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  • Published: 1979
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  • Publisher: Unknown

None

Hollywood Drive
  • Language: en
  • Pages: 390

Hollywood Drive

  • Categories: Art

Hollywood Drive: What it Takes to Break in, Hang in & Make it in the Entertainment Industry is the essential guide to starting and succeeding at a career in film and TV. Written by a Hollywood insider, Honthaners invaluable experience and advice will give those attempting to enter and become successful in the entertainment industry the edge they need to stand out among the intense competition. Because while film school prepares students to write a script, direct a scene and operate a camera, few newcomers enter the job market understanding how this business truly works and how to land a first jobmuch less succeed in the industry. Hollywood Drive is not merely a book about what it takes to ge...

Who's who in Special Libraries
  • Language: en
  • Pages: 386

Who's who in Special Libraries

  • Type: Book
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  • Published: 2001
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  • Publisher: Unknown

None

Geomodernisms
  • Language: en
  • Pages: 372

Geomodernisms

Modernism as a global phenomenon is the focus of the essays gathered in this book. The term "geomodernisms" indicates their subjects' continuity with and divergence from commonly understood notions of modernism. The contributors consider modernism as it was expressed in the non-Western world; the contradictions at the heart of modernization (in revolutionary and nationalist settings, and with respect to race and nativism); and modernism's imagined geographies, "pyschogeographies" of distance and desire as viewed by the subaltern, the caste-bound, the racially mixed, the gender-determined.

The Creative Screenwriter
  • Language: en
  • Pages: 181

The Creative Screenwriter

Master the craft of screenwriting—12 steps to bring your creative vision to the screen It can be difficult to find a modern resource that teaches you the nuts and bolts of screenwriting while also allowing you the freedom to creatively thrive. This guide distills the craft of screenwriting into 12 key elements, from developing your story to revising and rewriting, plus plenty of inspiration to create your own screenplay with confidence. Discover what to expect within the film industry and how it has evolved. Look behind the scenes at iconic films using a classic structure of screenwriting, along with experimental films from innovative writers that have transcended the rules and paved their...

Make Your Movie
  • Language: en

Make Your Movie

  • Type: Book
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  • Published: 2012
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  • Publisher: Unknown

This book is for anyone interested in the business of breaking into the movies. Learn who the key players are when it comes to getting a movie made and how to navigate the politics of filmmaking from start to finish, from first pitch to filling movie seats.

After Dickens
  • Language: en
  • Pages: 244

After Dickens

After Dickens is both a performative reading of Dickens the novelist and an exploration of the potential for adaptive performance of the novels themselves. John Glavin conducts a historical inquiry into Dickens's relationship to the theatre and theatricality of his own time, and uncovers a much more ambivalent, often hostile, relationship than has hitherto been noticed. In this context, Dickens's novels can be seen as a form of counter-performance, one which would allow the author to perform without being seen or scrutinized. But Glavin also identifies a rich performative potential in Dickens's fiction, and describes new ways to stage that fiction in emotionally powerful, critically acute adaptations. The book as a whole, therefore, offers a reading of Dickens through an unusual alliance between literary criticism and theatrical performance.