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Queen of the Courtesans
Fanny Murray was an incomparable Georgian beauty and the most desired courtesan of the 1750s. The daughter of an impoverished musician from Bath, she took London society by storm, not only as the most prized 'purchaseable beauty' of her day, but also as a fashion icon and muse to poets, writers and artists. She counted princes, aristocrats and politicians among her friends and lovers, but relished the company of rogues, fraudsters and ne'er-do-wells. Barbara White presents evidence to suggest that Fanny Murray participated spiritedly in the sexual antics of the notorious 'Monks of Medmenham', the most infamous of the Hell-fire Clubs. After she retired from prostitution, Fanny Murray reinvent...
Being White, Being Good
Contemporary scholars who study race and racism have emphasized that white complicity plays a role in perpetuating systemic racial injustice. Being White, Being Good seeks to explain what scholars mean by white complicity, to explore the ethical and epistemological assumptions that white complicity entails, and to offer recommendations for how white complicity can be taught. The book highlights how well-intentioned white people who might even consider themselves as paragons of antiracism might be unwittingly sustaining an unjust system that they say they want to dismantle. What could it mean for white people 'to be good' when they can reproduce and maintain racist system even when, and espec...
Racecraft: The Soul of Inequality in American Life
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Tradition and Apocalypse
In the two thousand years that have elapsed since the time of Christ, Christians have been as much divided by their faith as united, as much at odds as in communion. And the contents of Christian confession have developed with astonishing energy. How can believers claim a faith that has been passed down through the ages while recognizing the real historical contingencies that have shaped both their doctrines and their divisions? In this carefully argued essay, David Bentley Hart critiques the concept of "tradition" that has become dominant in Christian thought as fundamentally incoherent. He puts forth a convincing new explanation of Christian tradition, one that is obedient to the nature of Christianity not only as a "revealed" creed embodied in historical events but as the "apocalyptic" revelation of a history that is largely identical with the eternal truth it supposedly discloses. Hart shows that Christian tradition is sustained not simply by its preservation of the past, but more essentially by its anticipation of the future. He offers a compelling portrayal of a living tradition held together by apocalyptic expectation--the promised transformation of all things in God.
Renoir
Reprint. Originally published: New York: Harry N. Abrams, 1984.
White Mist
NATIONAL BESTSELLER May Appleby has always wondered where she came from. She loves her adoptive parents, but wants to know where she gets her dark skin and her long black hair. Could she be of native Indian heritage? Her friend Lee, who has always been proud of his own native background, believes she is. Then one day a mysterious white mist transports May and Lee back in time, to the land of their ancestors: the shores of Lake Michigan in the 1830s. The white man is settling the land, wiping out the forest--and threatening the very existence of May and Lee's tribe. By the time they discover the secret meaning of their journey to the past and the message they must bring back to the present, it may be too late. May and Lee may be trapped in the past forever.
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