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Humankind has a special relationship with rain. The sensory experience of water falling from the heavens evokes feelings ranging from fear to gratitude and has inspired many works of art. Using unique and expertly developed art-historical case studies – from prehistoric cave paintings up to photography and cinema – this book casts new light on a theme that is both ecological and iconological, both natural and cultural-historical. Barbara Baert’s distinctive prose makes Looking Into the Rain. Magic, Moisture, Medium a profound reading experience, particularly at a moment when disruptions of the harmony among humans, animals, and nature affect all of us and the entire planet. Barbara Baert is Professor of Art History at KU Leuven. She teaches in the field of Iconology, Art Theory & Analysis, and Medieval Art. Her work links knowledge and questions from the history of ideas, cultural anthropology and philosophy, and shows great sensitivity to cultural archetypes and their symptoms in the visual arts.
The "Be the Boss" edition, which also in its 2nd edition guides you to leadership success, is published by a government-funded publisher involved in EU programs and a partner of the Federal Ministry of Education. It offers you the concentrated expertise of renowned experts (overview in the book preview), as well as tailored premium content and access to travel deals with discounts of up to 75%. At the same time, you are doing good and supporting sustainable projects. Because in an era where talent competition intensifies, effective HR work is crucial for business success. 'Effective Human Resources Work - Power Recruiting, Talent Intelligence, Retention Management' offers leaders a comprehen...
The recent exhibitions dedicated to Botticelli around the world show, more than ever, the significant and continued debate about the artist. Botticelli Past and Present engages with this debate. The book comprises four thematic parts, spanning four centuries of Botticelli’s artistic fame and reception from the fifteenth century. Each part comprises a number of essays and includes a short introduction which positions them within the wider scholarly literature on Botticelli. The parts are organised chronologically beginning with discussion of the artist and his working practice in his own time, moving onto the progressive rediscovery of his work from the late eighteenth to the turn of the twentieth century, through to his enduring impact on contemporary art and design. Expertly written by researchers and eminent art historians and richly illustrated throughout, the broad range of essays in this book make a valuable contribution to Botticelli studies.
When we think of breaking images, we assume that it happens somewhere else. We also tend to think of iconoclasts as barbaric. Iconoclasts are people like the Taliban, who blew up Buddhist statues in 2001. We tend, that is, to look with horror on iconoclasm. This book argues instead that iconoclasm is a central strand of Anglo-American modernity. Our horror at the destruction of art derives in part from the fact that we too did, and still do, that. This is most obviously true of England's iconoclastic century between 1538 and 1643. That century of legislated early modern image breaking, exceptional in Europe for its jurisdictional extension and duration, stands at the core of this book. That'...
The Mediality of Sugar probes the potential of reading sugar as a mediator across some of the disciplinary distinctions in early twenty-first century research in the arts, literature, architecture, and popular culture. Selected artistic practices and material cultures of sugar across Europe and the Americas from the sixteenth to the twenty-first century are investigated and connected to the transcontinental and transoceanic history of the sugar plants cane and beet, their botanical and cultural dissemination, and global sugar capital and trade under colonialism and in decoloniality. The collection contributes to the vision of a Transnational and Postdisciplinary Sugar Studies.
This volume has its starting point in the veritable explosion of serialized formats in all of forms representation, from painting to printing, beginning in the mid nineteenth century and the well-known fascination with series in biology, mathematics, music, art, or literature. The new media culture of the late nineteenth century, very much shaped by these serialized formats, sees itself confronted with questions of truthfulness in new and profound ways, just as perhaps the accelerated rhythm, anonymity, and broadened accessibility of new media today have created new possibilities for the dissemination of misinformation and, conversely, give us cause to interrogate anew our notions of truthfu...
What do the work processes of a neurosurgeon and a painter have in common? Applying the notions of Design, Gestaltung, and Formatività, this book sheds new light on processes of formation and transformation in the material world we live in. Scholars from the fields of history, philosophy, psychology, media, and cultural studies question established processes of giving form, while artists, designers, engineers, and scientists describe their creative processes. This book provides its readers with an overview of the spectrum of "philosophies of making" and invites them to refl ect on their own creative process, its possibilities and associated responsibilities to the environment, and ultimately to express these in action. There has never been a more urgent need to develop a new relationship between matter and form. Discussing and expanding the definitions of Design, Gestaltung und Formatività Leading international theorists write about the relationship between matter and form A collection of new texts and first English translation of key texts
Die Autoren des Bandes fragen nach der Rolle der Bilder bei der Herausbildung einer Identitat des Jesuitenordens. Die Schaffung einer "jesuitischen Identitat" wird in den verschiedenen Beitragen als ein Ideal des Ordens verstanden, das uber alle ordensinternen Heterogenitaten hinweg zu vermitteln versucht wurde. Charakteristisch fur die Jesuiten war eine Kultur des Wandels in einer sich wandelnden Welt, einer permanenten individuellen Akkommodation und Neuerfindung, die mit einer Vielzahl von Identitaten verbunden war. Vor allem die enorme Mobilitat der Ordensmitglieder im Raum und in ihren Aufgaben und Handlungen ging mit Spannungen einher, die eine Neu- oder Umordnung tradierter Wissens- u...
RES 63/64 includes "Source and trace" by Christopher S. Wood; "Timelessness, fluidity, and Apollo's libation" by Milette Gaifman; "A liquid history: Blood and animation in late medieval art" by Beate Fricke; "Guercino's 'wet' drawing" by Nicola Suthor; "The readymade metabolized: Fluxus in life" by David Joselit; and other papers.
The first-ever comprehensive account of John Herschel's life, work and legacy, shedding new light on the history of Victorian science.