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Vivid and Repulsive as the Truth
The self-described "most famous unknown author in the world," Djuna Barnes (1892 - 1982) is increasingly regarded as an important voice of feminism, modernism, and lesbian culture. Best remembered for her 1936 novel Nightwood, Barnes began her career by writing poetry, short stories, and articles for avant-garde literary journals as well as popular magazines. She took the grotesque nature of reality as her recurrent theme, a pessimistic world view frequently brightened by her sparkling wit. A longtime resident of Greenwich Village, Barnes drew inspiration from the bustling streets of Lower Manhattan, and this eclectic compilation of her early journalism, fiction, and poetry recaptures the vi...
On the Marsh
'He does write beautifully, especially of his greatest love - our wild birds ... On The Marsh is a delightful read.' Christopher Hart, Daily Mail How the rewilding of eight acres of Norfolk marshland inspired a family and brought nature even closer to home. When writer Simon Barnes heard a Cetti's warbler sing out as he turned up to look at a house for sale, he knew immediately that he had found his new home. The fact that his garden backed onto an area of marshy land only increased the possibilities, but there was always the fear that it might end up in the wrong hands and be lost to development or intensive farming. His wife saw through the delicate negotiations for the purchase. Once they...
Julian Barnes
This comprehensive introduction places the work of Julian Barnes into historical and theoretical context. Including a timeline of key dates, this guide explores his characteristic literary techniques, offers extensive readings of all ten novels and provides an overview of the varied critical reception his work has provoked.
Djuna Barnes's Nightwood
Ranging over depression-era politics, the failures of the League of Nations, popular journalism and the Modernist culture exemplified by such writers as James Joyce and T.S. Eliot, this is a comprehensive exploration of the historical contexts of Djuna Barnes's masterpiece, Nightwood. In Djuna Barnes's Nightwood: 'The World' and the Politics of Peace, Bonnie Roos reads Barnes's novel against the backdrop of Herbert Bayard Swope's popular New York newspaper The World to demonstrate the ways in which the novel wrestles with such contemporaneous issues as the Great Depression and its political fallout, the failures of the League of Nations and the collapse of peace between the two World Wars. Roos argues that Nightwood allegorizes the role of liberal newspapers - epitomised by the sensationalism of The World - in driving a US policy that hastened the arrival of war.
Mary Barnes
For thirty years Mary Barnes was a schizophrenic. This is the story of her resurrection. In 1966, Mary Barnes was a hopeless schizophrenic, and Joseph Berke was a young doctor rebelling against the restrictions of American psychiatry. This is the story of Barnes's resurrection, Berke's devotion, and the remarkable friendship that blossomed between them. With love and courage, they recount a tale of mutual dedication to healing without the use of psychoactive medication, chronicling how Barnes emerges from the turmoil of madness as a renowned painter. Her artistic development is beautifully illustrated in this volume as a visual analogy for the revolutionary psychic work in which she and Berk...
The Sense of an Ending
A monumental novel capturing how one man comes to terms with the mutable past. 'A masterpiece... I would urge you to read - and re-read ' Daily Telegraph **Winner of the Man Booker Prize for Fiction** Tony Webster and his clique first met Adrian Finn at school. Sex-hungry and book-hungry, they would navigate the girl-less sixth form together, trading in affectations, in-jokes, rumour and wit. Maybe Adrian was a little more serious than the others, certainly more intelligent, but they all swore to stay friends for life. Now Tony is retired. He's had a career and a single marriage, a calm divorce. He's certainly never tried to hurt anybody. Memory, though, is imperfect. It can always throw up surprises, as a lawyer's letter is about to prove.
The Pedant In The Kitchen
The Pedant's ambition is simple. He wants to cook tasty, nutritious food; he wants not to poison his friends; and he wants to expand, slowly and with pleasure, his culinary repertoire. A stern critic of himself and others, he knows he is never going to invent his own recipes (although he might, in a burst of enthusiasm, increase the quantity of a favourite ingredient). Rather, he is a recipe-bound follower of the instructions of others. It is in his interrogations of these recipes, and of those who create them, that the Pedant's true pedantry emerges. How big, exactly, is a 'lump'? Is a 'slug' larger than a 'gout'? When does a 'drizzle' become a downpour? And what is the difference between slicing and chopping?This book is a witty and practical account of Julian Barnes' search for gastronomic precision. It is a quest that leaves him seduced by Jane Grigson, infuriated by Nigel Slater, and reassured by Mrs Beeton's Victorian virtues. The Pedant in the Kitchen is perfect comfort for anyone who has ever been defeated by a cookbook and is something that none of Julian Barnes' legion of admirers will want to miss.
