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The Sickness
A profound and philosophical exploration of the nature and meaning of illness, Alberto Barrera Tyszka's tender, refined novel interweaves the stories of four individuals as they try, in their own way, to come to terms with sickness in all its ubiquity. Dr. Miranda is faced with a tragedy: his father has been diagnosed with terminal cancer and has only a few weeks to live. He is also faced with a dilemma: How does one tell his father he is dying? Ernesto Duran, a patient of Dr. Miranda’s, is convinced he is sick. Ever since he separated from his wife he has been presenting symptoms of an illness he believes is killing him. It becomes an obsession far exceeding hypochondria. The fixation, in turn, has its own creeping effect on Miranda’s secretary, who cannot, despite her best intentions, resist compassion for the man. A profound and philosophical exploration of the nature and meaning of illness, Alberto Barrera Tyszka’s tender, refined novel interweaves the stories of four individuals as they try, in their own way, to come to terms with sickness in all its ubiquity.
Crimes
Unexplained blood stains appear in a young couple's apartment; a disembodied hand is found in a rubbish dump; political prisoners resort to horrific measures in order to make a point. In this brilliant new collection of stories, Alberto Barrera Tyszka casts an eye on the violence that afflicts Latin America, and in particular its intimate effects on the individuals who suffer and inflict it. Mixing the surreal with the quotidian, the banal with the unspeakable, Tyszka has created a fragmentary panorama of man's misdeeds against his own kind. These windingly elliptical stories are ceaselessly surprising, and will bury themselves into your subconscious long after the final page is turned.
The Last Days of El Comandante
Winner of the Tusquets prize in 2015 and previously translated into French, German, Dutch, Polish, and Portuguese, Alberto Barrera Tyszka's Patria o muerte is now available in English.
From the Devil ́s Skin
London, Autumn 1856. The Vylles are living in relative peace and harmony in a humble north London neighbourhood. However, on a given night some thieves break into their home to commit a terrible crime. From here on, the life of the Vylle siblings will be heading towards a desperate fight for survival in a 19th Century cold London Winter. Lack of work and hunger will make everything seem to be lost, until a sudden visit of a strange merchant changes it all, the price to pay could be too high, though.
The Forgery
An artist races to finish his forgery of a masterpiece while held captive in surreal, menacing splendor. José Federico Burgos is a failed painter turned forger trapped in surreal, an architectural masterpiece hidden behind high walls, an impish vagabond, and some very resourceful, very intimidating twins—Forgery pays homage to greats like Juan Rulfo and Luis Barragán, traversing late 20th Century Guadalajara with the exuberance and eccentricity of an 18th Century picaresque.
The Sickness
Ernesto Durán is convinced he is sick. It becomes an obsession far exceeding hypochondria, and when Dr Andrés Miranda gives up responding to his letters and e-mails, Durán resolves to stalk him. The fixation has its own creeping effect on Karina, Miranda's lonely secretary, who cannot resist becoming involved. Meanwhile, Dr Miranda has troubles of his own: he has diagnosed his father's illness, but cannot summon the courage to tell him. In trying to find the perfect opportunity to break the news gently, Miranda ensures only that their relationship descends into farce. Profound and philosophical, The Sickness is a tender and intimate celebration of life's little absurdities and unlikely alliances.
On Lighthouses
Equal parts personal memoir and literary history, Jazmina Barrera's "collection" of lighthouses explores the allure of loneliness and asks how we use it to create meaning
Restoring Architecture
There are few cities in the New World that hold as many 16th and 17th century buildings as does Cartagena, Colombia. As a result, it has been designated as part UNESCO's World Heritage programme. The Colombian architect Álvaro Barrera was given responsibility for conservation of old Cartagena and half of the two-story houses in the walled district of the city have been restored to a new level of beauty. Restorations by Barrera respect the essence of the colonial period, even as he has adapted structures for 21st century use. His feeling for materials and colours enables him to harmonise the original structures with his contemporary designs. This book will become an standard reference for anyone who is interested in architectural restoration and preservation in an age of innovation.
