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A comprehensive social history of British crime film by the UK's principal expert on crime film and fiction Presenting a stunning social history of Britain through classic crime film, Barry Forshaw, one of the UK's leading experts on crime fiction and fiction, focuses on how crime films have portrayed our changing attitudes towards class, politics, sex, delinquency, violence and censorship. Focusing on these key issues, British Crime Film examines strategies used by film makers in order to address more radical notions of society's decline. Spanning post-war crime cinema, from Green for Danger to Get Carter, from The Lady Killers to Layer Cake, from The Long Good Friday to Lock, Stock and Two Smoking Barrels, British Crime Film contextualizes the movies and identifies important and neglected works which will delight and intrigue film fans of this well-loved genre.
Are you a lover of crime fiction looking for new discoveries or hoping to rediscover old favourites? Then look no further. There are few contemporary crime fiction guides that cover everything from the golden age to current bestselling writers from America, Britain and all across the world, but the award-winning Barry Forshaw, one of the UK's leading experts in the field, has provided a truly comprehensive survey with definitive coverage in this expanded new edition of the much admired Rough Guide to Crime Fiction. Every major writer is included, along with many other more esoteric choices. Focusing on a key book (or books) by each writer, and with essays on key crime genres, Crime Fiction: ...
The Rough Guide to Crime Fiction takes the reader on a guided tour of the mean streets and blind corners that make up the world�s most popular literary genre. The insider�s book recommends over 200 classic crime novels from masterminds Raymond Chandler and Patricia Highsmith to modern hotshots James Elroy and Patricia Cornwall. You�ll investigate gumshoes, spies, spooks, serial killers, forensic females, prying priests and patsies from the past, present, and future. Complete with extra information on what to read next, all movie adaptions, and illustrated throughout with photos and diagrams �all the evidence that counts
In the Man Who Left Too Soon, top crime fiction journalist Barry Forshaw gives us a fascinating insight into the life and works of this difficult, brilliant and multifaceted man. His best-selling books are violent, terrifying, brilliantly written and have sold millions of copies around the world, but Stieg Larsson was not there to witness any of their international success. That his fame is entirely posthumous demonstrates the dizzying speed with which his star has risen. However, when one looks a little deeper at the man behind these phenomenal novels, it becomes clear that Larsson's life would have been remembered as extraordinary even if his Millennium Trilogy had never been published. Larsson was a workacholic: a keen politcal activist, photographer, graphic desinger, a respected journalist and editor of numerous science fiction magazines...and at night, to relax after work, he wrote thrillers. As the world now knows, he had completed his third book, The Girl Who Kicked the Hornet's Nest, by the time of his death at just 50 years of age.
Euro Noir examines the astonishing success of European fiction and drama which is often edgier, grittier and more compelling than some of its British or American equivalents, and provides a highly readable guide for those wanting to look further than the obvious choices. Euro Noir provides the perfect shopping list for what to watch or read before that trip to Paris, Rome or Berlin.
Barry Forshaw is acknowledged as a leading expert on crime fiction from European countries, but his principal area of expertise is in the British crime arena, as demonstrated in such books as British Crime Writing, The Rough Guide to Crime Fiction and British Crime Film. After the success of earlier entries in the series, Nordic Noir and Euro Noir, he returns to the British Isles to produce the ultimate reader's guide to modern British crime fiction (taking in the best from England, Scotland, Wales, and Ireland). The word 'Noir' is used in its loosest sense as every major living British and Irish writer is considered, often through a concentration on one or two key books, and exciting new ta...
The War of the Worlds was one of a handful of high-prestige science fiction productions in a low-budget era, and initiated modern cinema's reliance on screen-filling special effects. Barry Forshaw analyses and celebrates this key science fiction film of the 1950s, exploring its literary origins and numerous film progeny.
The Sherlock Holmes Book, the latest in DK's award-winning Big Ideas Simply Explained series, tackles the most "elementary" of subjects--the world of Sherlock Holmes, as told by Sir Arthur Conan Doyle. The Sherlock Holmes Book is packed with witty illustrations, clear graphics, and memorable quotes that make it the perfect Sherlock Holmes guide, covering every case of the world's greatest detective, from A Study in Scarlet to The Adventure of Shoscombe Old Place, placing the sorties in a wider context. Stories include at-a-glance flowcharts that show how Holmes reaches his conclusions through deductive reasoning, and character guides provide handy reference for readers and an invaluable resource for fans of the Sherlock Holmes films and TV series. The Sherlock Holmes Book holds a magnifying glass to the world of Sir Arthur Conan Doyle's legendary detective.
Sex and Film is a frank, comprehensive analysis of the cinema's love affair with the erotic. Forshaw's lively study moves from the sexual abandon of the 1930s to filmmakers' circumvention of censorship, the demolition of taboos by arthouse directors and pornographic films, and an examination of how explicit imagery invaded modern mainstream cinema.
It's one of the most successful—and surprising—of phenomena in the entire crime fiction genre: detectives (and proto-detectives) solving crimes in earlier eras. Barry Forshaw has written a lively, wide-ranging and immensely informed history of the genre, which might be said to have begun in earnest with Ellis Peters' crime-solving monk Brother Cadfael in the 1970s and Umberto Eco's The Name of the Rose in 1980 (with another monkish detective), but which has now taken readers to virtually every era and locale in the past. Forshaw has produced the perfect reader's guide to a fascinating field; every major writer is considered, often through a concentration on one or two key books, and exciting new talents are highlighted.