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Ray
“A shorthand epic of extraordinary power . . . A novel of brilliant particulars and dizzying juxtapositions” from the acclaimed southern author of Geronimo Rex (Newsweek). Nominated for the American Book Award, Ray is the bizarre, hilarious, and consistently adventurous story of a life on the edge. Dr. Ray—a womanizer, small-town drunk, vigilante, poet, adoring husband—is a man trying to make sense of life in the twentieth century. In flight from the death he dealt flying over Vietnam, Dr. Ray struggles with those bound to him by need, sickness, lunacy, by blood and by love. “This novel hangs in the memory like a fishhook. It will haunt you long after you have finally put it down. Barry Hannah is a talent to reckon with, and I can only hope that Ray finds an audience it deserves.” —Harry Crews, The Washington Post Book World
Airships
Winner of the PEN/Malamud Award, Airships is a “strong, original, tragic and funny” story collection of “the creative Southern tradition” (Alfred Kazin). One of the most revered short story collections of the past fifty years, Airships remains a vital text in the history of the American short story. The award-winning contemporary classic features twenty wildly original, exuberant, often hilarious stories that celebrate the universal peculiarities of the new American South—a land of high school band contests where good old boys from Vicksburg are reunited in Vietnam, and petty nostalgia and the incessant pain of disappointed love prevail in spite of our worst efforts. Hailed by none other than Larry McMurtry as “the best young writer to appear in the South since Flannery O’Connor,” Barry Hannah’s immense storytelling gifts are on striking display in this essential work. “Hannah takes fiction by surprise—scenes, shocks, sounds and amazements: an explosive but meticulous originality.” —Cynthia Ozick
Long, Last, Happy
Combines the best from the author's four story collections as well as the final manuscript he left behind after his death.
Conversations with Barry Hannah
Between 1972 and 2001, Barry Hannah (1942–2010) published eight novels and four collections of short stories. A master of short fiction, Hannah is considered by many to be one of the most important writers of modern American literature. His writing is often praised more for its unflinching use of language, rich metaphors, and tragically damaged characters than for plot. “I am doomed to be a lengthy fragmentist,” he once claimed. “In my thoughts, I don't ever come on to plot in a straightforward way.” Conversations with Barry Hannah collects interviews published between 1980 and 2010. Within them Hannah engages interviewers in discussions on war and violence, masculinity, religious ...
Perspectives on Barry Hannah
A career-spanning examination of a masterful fiction writer�s output
Why I Write
George Orwell set out ‘to make political writing into an art’, and to a wide extent this aim shaped the future of English literature – his descriptions of authoritarian regimes helped to form a new vocabulary that is fundamental to understanding totalitarianism. While 1984 and Animal Farm are amongst the most popular classic novels in the English language, this new series of Orwell’s essays seeks to bring a wider selection of his writing on politics and literature to a new readership. In Why I Write, the first in the Orwell’s Essays series, Orwell describes his journey to becoming a writer, and his movement from writing poems to short stories to the essays, fiction and non-fiction ...
Nightwatchmen
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Captain Maximus
These stories portray people consumed by yearning, but devoid of hope.
High Lonesome
A darkly comic, fiercely tragic, and strikingly original odyssey into contemporary American life by “the Jimi Hendrix of American short fiction” (Interview). The thirteen masterful tales in this collection by the award-winning author of Airships and Bats Out of Hell explore lost moments in time with intensity, emotion, and an eye to the past. In “Uncle High Lonesome,” a young man recalls an uncle’s drinking binges and the rage unleashed, hinting at dark waters of distress. Fishing is transformed into a life-altering, almost mystical event in “A Creature in the Bay of St. Louis.” And in “Snerd and Niggero,” a deep friendship between two men is inspired by the loss of a woman they both loved. Viewed through memory and time’s distance, Barry Hannah’s characters are brightly illuminated figures from a lost time, whose occasionally bleak lives are still uncommonly true. “Barry Hannah’s writing is raw and exhilarating, tortured, radiant, vicious, aggressive, funny, and streaked with rage, pain and bright poetic truth.” —The Philadelphia Inquirer on Airships
Barry Hannah Collection
Correspondence, manuscripts, and typescripts.
