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This book provides a thorough introduction to the writing system of ancient Egypt and the language of hieroglyphic texts. It is designed as a textbook for university and college classes, and is also suitable for individuals learning ancient Egyptian on their own. It contains 26 lessons, exercises (with answers), a list of hieroglyphic signs, and a dictionary. It also includes a series of 25 essays on the most important aspects of ancient Egyptian history, society, religion and literature. The combination of grammar lessons and cultural essays allows users not only to read hieroglyphic texts but also to understand them. The book gives readers the foundation they need to understand the texts on monuments and to read the great works of ancient Egyptian literature in the original. It can also serve as a complete grammatical description of the classical language of ancient Egypt for specialists in linguistics and other related fields.
DigiCat Publishing presents to you this special edition of "Egyptian Birds" (For the most part seen in the Nile Valley) by Charles Whymper. DigiCat Publishing considers every written word to be a legacy of humankind. Every DigiCat book has been carefully reproduced for republishing in a new modern format. The books are available in print, as well as ebooks. DigiCat hopes you will treat this work with the acknowledgment and passion it deserves as a classic of world literature.
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An Egyptian mask jumps onto Layla Noel's face during a college tour of a museum. This act propels Layla into an ancient knowledge quest conducted by Thoth the Atlantean. Having learned the ancient mysteries, she is then steered into alerting the world of the predicted Armageddon, which is slated to begin according to Aztec calendars on December 21, 2012. Layla, guided by a cosmic Mask of Time, becomes a beacon that shows the world how to survive earth's most extreme catastrophic event in 950,000 years. Does earth as we know it, survive? Does humanity heed the lessons taught? It is the love of history that brings four friends together in college. On a class tour of the De Young Museum in San ...
Appealing to Monster Theory and the ancient Near Eastern motif of "Chaoskampf," Safwat Marzouk argues that the paradoxical character of the category of the monster is what prompts the portrayal of Egypt as a monster in the book of Ezekiel. While on the surface the monster seems to embody utter difference, underlying its otherness there is a disturbing sameness. Though the monster may be defeated and its body dismembered, it is never completely annihilated. Egypt is portrayed as a monster in the book of Ezekiel because Egypt represents the threat of religious assimilation. Although initially the monstrosity of Egypt is constructed because of the shared elements of identity between Egypt and Israel, the prophet flips this imagery of monster in order to embody Egypt as a monstrous Other. In a combat myth, YHWH defeats the monster and dismembers its body. Despite its near annihilation, Egypt, in Ezekiel's rhetoric, is not entirely obliterated. Rather, it is kept at bay, hovering at the periphery, questioning Israel's identity.
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The hellenistic royal families, from Alexander the Great to the last Cleopatra, took part in dynastic in-fighting that was vicious, colourful and instructive. In this they anticipated by centuries the better known excesses under Roman potentates such as Claudius and Nero. This new enhanced and revised edition of a major study explores the intricate quarrels and violence within the ruling hellenistic families. A main theme is the role of 'amphimetric' disputes, competition between a ruler's offspring from different women, and especially between the women themselves. The book also includes a full exploration of the role of courtesans in the political and sexual intrigues of the hellenistic courts.
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