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Essays on the Awareness of Loss in Contemporary Albanian Literature: Voices that Come fom the Abyss is the first scholarly monograph on the concept of loss in Albanian poetry and life writing of the twentieth and twenty-first centuries. It represents the first academic contribution to an international audience dedicated to three women writers that personified loss in communist Albania and two eminent poets who wrote representative and outstanding poetry on the meaning of loss in Albanian literature. Through the work of these three politically persecuted women writers and two modern poets, this book analyzes loss in relation to pain, grief, memory, death, freedom, and love inquiring on the me...
Addressing the relationship between law and the visual, this book examines the importance of photography in Central, East, and Southeast European show trials. The dispensation of justice during communist rule in Albania, East Germany, and Poland was reliant on legal propaganda, making the visual a fundamental part of the legitimacy of the law. Analysing photographs of trials, this book examines how this message was conveyed to audiences watching and participating in the spectacle of show trials. The book traces how this use of the visual was exported from the Soviet Union and imposed upon its satellite states in the immediate aftermath of the Second World War. It shows how the legal actors a...
This book explores scholarly challenges within the fields of Anglophone language, literature, and culture. The section focusing on language details issues falling within two areas: namely, language contact and the language-culture relationship, and stylistic and syntactic perspectives on the English language. The literature part investigates twentieth-century American, English, and Australian literature, dealing with both poetry and prose and discussing topics of identity, gender, metafiction, postmodern conditions, and other relevant theoretical issues in contemporary literature. The culture part treats theoretical approaches in cultural studies that are vital in today’s cultural context, especially in Central European universities, the Irish language and culture, and contemporary cultural phenomena inspired by the growing ubiquity of technological intrusions into various fields of cultural production.
The Poetics of the Avant-garde in Literature, Arts, and Philosophy presents a range of chapters written by a highly international group of scholars from disciplines such as literary studies, arts, theatre, and philosophy to analyze the ambitions of avant-garde artists. Together, these essays highlight the interdisciplinary scope of the historic avant-garde and the interconnectedness of its artists. Contributors analyze topics such as abstraction and estrangement across the arts, the imaginary dialogue between Lev Yakubinsky and Mikhail Bakhtin, the problem of the “masculine ethos” in the Russian avant-garde, the transformation of barefoot dancing, Kazimir Malevich’s avant-garde poetic experimentations, the ecological imagination of the Polish avant-garde, science-fiction in the Russian avant-garde cinema, and the almost forgotten history of the avant-garde children’s literature in Germany. The chapters in this collection open a new critical discourse about the avant-garde movement in Europe and reshape contemporary understandings of it.
This book focuses on contemporary Albanian poetry, given the important role it has continuously played in Albanian literature as a whole. It analyses particular literary periods and their representative poets from a comparative perspective. It raises meaningful questions that point to particularly interesting features of Albanian literature that call for in-depth study, taking into account research conducted in this field over the years by both Albanian and foreign scholars. However, this books focus on comparative literature and the perspectives that this academic practice offers for so-called small, marginal literatures in the realm of European literatures allows for a different and unique...
An indispensable resource for readers investigating how religion has influenced societies and cultures, this three-volume encyclopedia assesses and synthesizes the many ways in which religious faith has shaped societies from the ancient world to today. Each volume of the set focuses on a different era of world history, ranging through the ancient, medieval, and modern worlds. Every volume is filled with essays that focus on religious themes from different geographical regions. For example, volume one includes essays considering religion in ancient Rome, while volume three features essays focused on religion in modern Africa. This accessible layout makes it easy for readers to learn more about the ways that religion and society have intersected over the centuries, as well as specific religious trends, events, and milestones in a particular era and place in world history. Taken as a a whole, this ambitious and wide-ranging work gathers more than 500 essays from more than 150 scholars who share their expertise and knowledge about religious faiths, tenets, people, places, and events that have influenced the development of civilization over the course of recorded human history.
In Melchior Wankowicz: Poland’s Master of the Written Word, Aleksandra Ziolkowska-Boehm examines the life and writing of famous Polish writer Melchior Wankowicz, author of legendary work “The Battle of Monte Cassino”. Acclaimed by his readers and critics alike, Melchior Wankowicz was famous for creating his theory of reportage, i.e. the “mosaic method” where the events of many people were implanted into the life of one person. Melchior Wankowicz put into words the beautiful, tragic and heroic events of Polish history that provided a form of sustenance for a people that thrive on patriotism and love of their country. Wankowicz’s books shaped national consciousness, glorified the heroism of the Polish soldier. Later in his life, Wankowicz personally set an example by standing up to the Communist party that brought him to trail for his work. In this book, Ziolkowska-Boehm offers a critical examination of Wankowicz’s work informed by her experiences as his private secretary. Her access to the author’s personal archives shed new light on the life and work of the man considered by many to be “the father of Polish reportage.”
This book explores how family sagas may configure family memory. Readers of this book will not only learn more about the genre of family saga but also be encouraged to reflect on their own family memories.
Encounters with Paul Celan's Poetry: The Other's Time consists of encounters: with poetry, with its readers, and with the other that poetry seeks to encounter. What does it mean, when Celan insists that every real encounter, every true encounter happens in memory of the poetic encounter, the secret of the encounter? This book presents close readings of various poems, often attempting textual and intellectual dialogue with philosophers who read Celan or who were read by Celan, such as Jacques Derrida, Werner Hamacher, Edmund Husserl, Hans-Georg Gadamer, and Maurice Merleau-Ponty.