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The Atlas of British Columbia is the first major cartographic study of the province to be published since 1956. Created through close co-operation between government, the private sector, and the unviersity, it is the successor to the British Columbia Atlas of Resources which, for twenty years, has been the standard reference work used by schools, industry, government, and the general public. The most recent data available have been used to give an accurate, comprehensive picture of British Columbia's economy as it is today. Comparative studies show the development orf the province's manpower and natural resources as well as the rapid growth of industry and technology since the beginning of the century. In party, the emphasis of the atlas reflects thousands of specific requests for up-to-date resource information rercorded over the last ten years.
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In Faces in the Forest Michael Blackstock, a forester and an artist, takes us into the sacred forest, revealing the mysteries of carvings, paintings, and writings done on living trees by First Nations people. Blackstock details this rare art form through oral histories related by the Elders, blending spiritual and academic perspectives on Native art, cultural geography, and traditional ecological knowledge. Faces in the Forest begins with a review of First Nations cosmology and the historical references to tree art. Blackstock then takes us on a metaphorical journey along the remnants of trading and trapping trails to tree art sites in the Gitxsan, Nisga'a, Tlingit, Carrier, and Dene traditional territories, before concluding with reflections on the function and meaning of tree art, its role within First Nations cosmology, and the need for greater respect for all of our natural resources. This fascinating study of a haunting and little-known cultural phenomenon helps us to see our forests with new eyes.
We sailed a very old wooden ketch six thousand miles from Vancouver Island to New Zealand, a feat we felt was singularly impressive since we had, virtually, to learn how to sail and navigate along the way with no charts and inadequate sextant knowledge. A journey of faith, into the unknown that really became an adventure, exciting and sometimes terrifying. Become inspired, as we were, to escape the rat race, to drop everything and do something outrageous and rewarding and perhaps, like me, you will see the hand of God upon whose palm you journey. This is the story of the "Rainbow," a converted Royal Navy ship's pinnace built in Newcastle on Tyne in 1891 that became the magic carpet for a couple of young people who were willing to forgo a life of safety and security to find themselves through a voyage to 'the Real World'.
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