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Bel Canto
  • Language: en
  • Pages: 356

Bel Canto

In this well documented and highly readable book, James Stark provides a history of vocal pedagogy from the beginning of the bel canto tradition of solo singing in the late sixteenth and early seventeenth centuries to the present. Using a nineteenth-century treatise by Manuel Garcia as his point of reference, Stark analyses the many sources that discuss singing techniques and selects a number of primary vocal 'problems' for detailed investigation. He also presents data from a series of laboratory experiments carried out to demonstrate the techniques of bel canto. The discussion deals extensively with such topics as the emergence of virtuoso singing, the castrato phenomenon, national differences in singing styles, controversies regarding the perennial decline in the art of singing, and the so-called secrets of bel canto. Stark offers a new definition of bel canto which reconciles historical and scientific descriptions of good singing. His is a refreshing and profound discussion of issues important to all singers and voice teachers.

The Technics of Bel Canto
  • Language: en
  • Pages: 48

The Technics of Bel Canto

In this little classic, the great Italian singing master Giovanni Battista Lamperti teaches the skills of the Bel Canto technique that dominated the Italian opera in its heyday.

Coffin's Overtones of Bel Canto
  • Language: en
  • Pages: 257

Coffin's Overtones of Bel Canto

This book and the accompanying chromatic vowel chart present many exercises that will make the voice stronger and more musical according to the precepts of Bel Canto. Vowel-pitch relationships have been notated in 117 exercises for teachers and singers, using acoustical phonetics, register, and musical notation. The exercises will develop the musical-muscular skills of both male and female singers.

Bel Canto
  • Language: en
  • Pages: 350

Bel Canto

Winner of The Women’s Prize for Fiction and the PEN/Faulkner Award for Fiction. The poignant – and at times very funny – novel from the author of The Dutch House and Commonwealth.

Bel Canto in Its Golden Age - A Study of Its Teaching Concepts
  • Language: en
  • Pages: 296

Bel Canto in Its Golden Age - A Study of Its Teaching Concepts

Many of the earliest books, particularly those dating back to the 1900s and before, are now extremely scarce and increasingly expensive. We are republishing these classic works in affordable, high quality, modern editions, using the original text and artwork.

Méthode de chant théorique et pratique
  • Language: en
  • Pages: 129

Méthode de chant théorique et pratique

Renowned teacher presents the "vocal alphabet," or basic instructions and exercises that formed the voices of her own students, who included Melba and Calvé. Topics include breathing, attack, registers, voice management, and projection.

Twenty-four Vocalises for Soprano, Op. 3
  • Language: en
  • Pages: 64

Twenty-four Vocalises for Soprano, Op. 3

Expertly arranged Vocal Method by Mathilde Castrone Marchesi from the Kalmus Edition series. This is from the 20th Century and Romantic eras.

Bel Canto
  • Language: en
  • Pages: 129

Bel Canto

Renowned teacher presents the "vocal alphabet," or basic instructions and exercises that formed the voices of her own students, who included Melba and Calvé. Topics include breathing, attack, registers, voice management, and projection.

Bel Canto
  • Language: en
  • Pages: 356

Bel Canto

A history of vocal pedagogy from the beginning of the bel canto tradition of solo singing in the late 16th century and dealing extensively with such topics as the emergence of virtuoso singing, national singing styles, and the 'secrets' of bel canto.

Bel Canto
  • Language: en
  • Pages: 276

Bel Canto

  • Type: Book
  • -
  • Published: 2013-01-31
  • -
  • Publisher: Unknown

Bel canto, or 'beautiful singing, ' remains one of the most elusive performance styles vocalists strive to master. During the eighteenth and early nineteenth centuries, composers routinely left the final shaping of recitatives, arias, and songs to performers, and singers treated scores freely so that inexpressively notated music could be turned into passionate declamation. In other words, vocalists saw their role more as one of re-creation than of simple interpretation. Familiarity with the range of strategies prominent singers of the past employed to unlock the eloquent expression hidden in scores enables modern performers to take a similar re-creative approach to enhancing the texts before...