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Women, States and Nationalism
Women, States and Nationalism counters this attitude and examines the many and contradictory ways in which women negotiate their places in 'the nation'. The volume includes theoretical essays that explore the multiple ways in which the very concept of 'nation' is based upon notions of family, sexuality and gender power which are often overlooked of downplayed by 'male-stream' scholarship. It gathers together an outstanding panel of feminist scholars and area studies specialists, who, through a series of focused case studies, analyse diverse issues which include; *gender and sectarian conflict in Northern Ireland *the paradox of Israeli women soldiers *women, civic duty and the military in the USA *the Hindu Right in India *power, agency and representation in Zimbabwe *political identity and heterosexism. This timely volume is a highly valuable resource for students and scholars of Nationalism, Internationalism Studies and Women's Studies.
The Palgrave Handbook of Artistic and Cultural Responses to War since 1914
This handbook explores a diverse range of artistic and cultural responses to modern conflict, from Mons in the First World War to Kabul in the twenty-first century. With over thirty chapters from an international range of contributors, ranging from the UK to the US and Australia, and working across history, art, literature, and media, it offers a significant interdisciplinary contribution to the study of modern war, and our artistic and cultural responses to it. The handbook is divided into three parts. The first part explores how communities and individuals responded to loss and grief by using art and culture to assimilate the experience as an act of survival and resilience. The second part...
Political Myth
First Published in 2002. Routledge is an imprint of Taylor & Francis, an informa company.
Picturing the Beast
Explores how human beings use animals and images of animals to define themselves--and how those depictions interfere with our abilities to understand the true nature of animals.
Beuysian Legacies in Ireland and Beyond
This collection of trans-disciplinary essays addresses the artistic, cultural, and political legacies of Joseph Beuys' expanded concept of art and its societal application, for example, through the Free International University (FIU). Since the 1980s, Beuys' practice has had a strong influence on the Peaceful Revolution, "relational aesthetics" and the "art and reconciliation" movement, attempting to bring about cultural understanding and reconciliation in situations of conflict. His work is pertinent to how we think about diversity and sustainability and may constitute an applied anthropology. (Series: European Studies in Culture and Policy - Vol. 6)
Outsiders Inside
Outsiders Inside provides a basis for Irish women's experiences within the range of white and black ethnicities and links cultural constructs of gendered ethnicity and racism to material conditions of everyday life.
All Dressed Up
In the early twentieth century, publicly staged productions of significant historical, political, and religious events became increasingly popular—and increasingly grand—in Ireland. These public pageants, a sort of precursor to today’s opening ceremonies at the Olympic games, mobilized huge numbers of citizens to present elaborately staged versions of Irish identity based on both history and myth. Complete with marching bands, costumes, fireworks, and mock battles, these spectacles were suffused with political and national significance. Dean explores the historical significance of these pageants, explaining how their popularity correlated to political or religious imperatives in twenti...
Cultural Identities and the Aesthetics of Britishness
This book examines British imperial, colonial and postcolonial national identities within their political and social contexts. By considering the export, adoption and creation of such cultural identities, these essays show how nationhood and nationalism are self-consciously defined tools designed to focus and inspire loyalty. The contributors present these ideas with particular reference to English cultural identity and its interaction with the "Empire". They examine the national, imperial and colonial aesthetic--how architecture, landscape, painting, sculpture and literature were used, appropriated and re-appropriated in the furtherance of social and political agendas, and how this impacted on the making of "Britishness" in all its complexities. It is demonstrated that not only did the dominant aesthetic culture reinforce the dominant political and social ideology, it also re-presented and re-constructed the notion of British national identity.
Russia's Women
By ignoring gender issues, historians have failed to understand how efforts to control women—and women's reactions to these efforts—have shaped political and social institutions and thus influenced the course of Russian and Soviet history. These original essays challenge a host of traditional assumptions by integrating women into the Russian past. Using recent advances in the study of gender, the family, class, and the status of women, the authors examine various roles of Russian women and offer a broad overview of a vibrant and growing field.
History and Memory in Modern Ireland
A 2001 volume of essays about the relationship between past and present in Irish society.
