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Serious Bidness
A selection of letters written by the American art dealer Richard Bellamy (1927-1998)
A Republican Europe of States
Examines the democratic legitimacy of international organisations from a republican perspective, diagnoses the EU as suffering from a democratic disconnect and offers 'demoicracy' as the cure.
Political concepts
This electronic version has been made available under a Creative Commons (BY-NC-ND) open access license. Offers a sophisticated analysis of central political concepts in the light of recent debates in political theory. Introduces students to some of the main interpretations of key political conceps highlighting their strengths and weaknesses. Tackles the principle concepts employed to justify any policy or institution and examines the main domestic purposes and functions of the state. Examines the relationship between state and civil society and finally looks beyond the state to issues of global concern and inter-state relations. Studies the relationship between state and civil society and finally looks beyond the state to issues of global concern and inter-state relations.
Richard Bellamy, Mark Di Suvero
Details the various works at the Storm King Art Center
Citizenship: A Very Short Introduction
Interest in citizenship has never been higher. But what does it mean to be a citizen in a modern, complex community? Richard Bellamy approaches the subject of citizenship from a political perspective and, in clear and accessible language, addresses the complexities behind this highly topical issue.
Eye of the Sixties
In 1959, Richard Bellamy was a witty, poetry-loving beatnik on the fringe of the New York art world who was drawn to artists impatient for change. By 1965, he was representing Mark di Suvero, was the first to show Andy Warhol’s pop art, and pioneered the practice of “off-site” exhibitions and introduced the new genre of installation art. As a dealer, he helped discover and champion many of the innovative successors to the abstract expressionists, including Claes Oldenburg, James Rosenquist, Donald Judd, Dan Flavin, Walter De Maria, and many others. The founder and director of the fabled Green Gallery on Fifty-Seventh Street, Bellamy thrived on the energy of the sixties. With the covert...
Liberalism and Pluralism
In Liberalism and Pluralism the author explores the challenges conflicting values, interests and identities pose to liberal democracy. Richard Bellamy illustrates his criticism and proposals by reference to such topical issues as the citizens charter, constitutional reform, the Rushdie affair and the development of the European Union.
Flexible Europe
The European Union (EU) is often portrayed as sacrificing national diversity for European unity. This book explores the alternative of a flexible EU based on differentiated rather than uniform integration. The authors combine normative theory with empirical research on political party actors to assess the desirability and political acceptability of differentiated integration as a means of accommodating heterogeneity in the EU. They examine the circumstances and institutional design needed for flexibility to promote rather than undermine fairness and democracy within and between member states. Clear, balanced, and accessible, the book provides fresh thinking on the future of the EU.
Eye of the Sixties
In 1959, Richard Bellamy was a witty, poetry-loving beatnik on the fringe of the New York art world who was drawn to artists impatient for change. By 1965, he was representing Mark di Suvero, was the first to show Andy Warhol’s pop art, and pioneered the practice of “off-site” exhibitions and introduced the new genre of installation art. As a dealer, he helped discover and champion many of the innovative successors to the abstract expressionists, including Claes Oldenburg, James Rosenquist, Donald Judd, Dan Flavin, Walter De Maria, and many others. The founder and director of the fabled Green Gallery on Fifty-Seventh Street, Bellamy thrived on the energy of the sixties. With the covert...
Political Constitutionalism
Judicial review by constitutional courts is often presented as a necessary supplement to democracy. This book questions its effectiveness and legitimacy. Drawing on the republican tradition, Richard Bellamy argues that the democratic mechanisms of open elections between competing parties and decision-making by majority rule offer superior and sufficient methods for upholding rights and the rule of law. The absence of popular accountability renders judicial review a form of arbitrary rule which lacks the incentive structure democracy provides to ensure rulers treat the ruled with equal concern and respect. Rights based judicial review undermines the constitutionality of democracy. Its counter-majoritarian bias promotes privileged against unprivileged minorities, while its legalism and focus on individual cases distort public debate. Rather than constraining democracy with written constitutions and greater judicial oversight, attention should be paid to improving democratic processes through such measures as reformed electoral systems and enhanced parliamentary scrutiny.
