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Introducing a new approach to playing and composing music. It doesn¿t require the use of a computer or an internet hookup; all that the interested player will need is a guitar, a copy of The Hexadic System book ¿ and a regular deck of playing cards.
Afterword by Frank O'Hara Morton Feldman (1926-1987) is among the most influential American composers of the 20th Century. While his music is known for its exteme quiet and delicate beauty, Feldman himself was famously large and loud. His writings are both funny and illuminating, not only about his own music but about the entire New York School of painters, poets and composers that coalesced in the 1950s, including his friends Jackson Pollack, Philip Guston, Mark Rothko, Robert Rauschenberg, Frank O Hara, and John Cage.
Set in depleted, post-recession suburbia, with its endlessly interlocking cul-de-sacs, mega-parking lots and big box stores, The Infinite Tides tells the story of star astronaut Keith Corcoran's return to earth. Keith comes home from a lengthy mission aboard the International Space Station to find his wife and daughter gone, and a house completely empty of furniture, as if Odysseus had returned to Ithaca to find that everyone he knew had forgotten about him and moved on. Keith is a mathematical and engineering genius, but he is ill equipped to understand what has happened to him, and how he has arrived at the center of such vacancy. Then, he forges an unlikely friendship with a neighboring Ukrainian immigrant, and slowly begins to reconnect with the world around him. As the two men share their vastly different personal and professional experiences, they paint an indelible and nuanced portrait of modern American life. The result is a deeply moving, tragicomic and ultimately redemptive story of love, loss and resilience, and of two lives lived under the weight of gravity.
Lenny Kaye - Richard Thompson - Zoot Horn Rollo (Bill Harkleroad) - Wayne Kramer - James Williamson - Michael Rother - Richard Pinhas - Tom Verlaine - Cheetah Chrome - Lydia Lunch - Keith Levene - Rowland S. Howard - Fred Frith - Glenn Branca - Bob Mould - Lee Ranaldo - Johnny Marr - J Mascis - Jason Pierce - David Pajo - Kim Deal and Kelley Deal - John Frusciante - Michio Kurihara - Christian Fennesz - Ben Chasny.
The study of religion and popular culture is an increasingly significant area of scholarly inquiry. Surprisingly, however, Christopher Partridge's The Lyre of Orpheus is the first general introduction to the subject of religion and popular music. His aim in this book is to introduce a range of theoretical and methodological perspectives to be used in the study of religion and popular music and popular music subcultures. He addresses a range of issues from postcolonialism to postmodernism, from sex to drugs, from violence to the demonic, and from misogyny to misanthropy. Part One provides a general overview of the history of popular music scholarship and the key approaches that have been taken. Part Two looks at approaches from the perspectives of theology and religious studies, examining key themes relating to particular genres and subcultures. Part Three narrows the focus and examines key artists and bands mentioned in Part Two, including Elvis, Bob Dylan, Madonna and Björk. Written to be accessible to the undergraduate, The Lyre of Orpheus will also appeal to general readers interested in the role of religion in our culture.
The Butthole Surfers remain one of the most enigmatic bands in the history of rock music. Most of their records have no information of any kind, and often with the suggestion that you play them at 69 rpm.... They lived like nomads through much of the 1980s, and built their reputation upon tours that never ended, and shows that resembled hedonistic acid tests. They left a heap of former band members in their wake, and have often alienated as many fans as they've attracted. Here for the first time is the complete story of one of the most controversial and dangerous bands to have emerged from the ashes of the punk rock movement. 'Let's Go to Hell' compiles the scattered memories into the first comprehensive overview of the band. Featuring exclusive interviews, tons of rare and unpublished photographs, and analysis of the band's vast recorded (and unrecorded) efforts, 'Let's Go to Hell' finally tells the story that was thought (and often hoped) would never be told...
White Glove Test: Louisville Punk Flyers 1978-1994 is a rich visual history of an ephemeral and overlooked art form: the DIY concert poster. Beautiful, funny and profane, the collection of more than 700 flyers compiled here vividly represent the golden age of this fugitive street art, revealing a neglected facet of punk's expressive force. As a lavishly detailed document of Louisville's vibrant and diverse music scene, this book offers an insider's view of one seminal community's rise from bold beginnings to eminent, international status.
Joanna Newsom, Will Oldham (a.k.a. 'Bonnie Prince Billy'), and Devendra Banhart are perhaps the best known of a generation of independent artists who use elements of folk music in contexts that are far from traditional. These (and other) so called ’new folk’ artists challenge our notions of 'finished product' through their recordings, intrinsically guided by practices and rhetoric inherited from punk. This book traces a fractured trajectory that includes Harry Smith's Anthology of American Folk Music, Bob Dylan, psych-folk of the sixties (from Vashti Bunyan to John Fahey), lo-fi and outsider recordings (from Captain Beefheart and The Residents to Jandek, Daniel Johnston and Smog), and re...
CMJ New Music Report is the primary source for exclusive charts of non-commercial and college radio airplay and independent and trend-forward retail sales. CMJ's trade publication, compiles playlists for college and non-commercial stations; often a prelude to larger success.
The classic work on the music of Afrofuturism, from jazz to jungle More Brilliant than the Sun: Adventures in Sonic Fiction is one of the most extraordinary books on music ever written. Part manifesto for a militant posthumanism, part journey through the unacknowledged traditions of diasporic science fiction, this book finds the future shock in Afrofuturist sounds from jazz, dub and techno to funk, hip hop and jungle. By exploring the music of such musical luminaries as Sun Ra, Alice Coltrane, Lee Perry, Dr Octagon, Parliament and Underground Resistance, theorist and artist Kodwo Eshun mobilises their concepts in order to open the possibilities of sonic fiction: the hitherto unexplored intersections between science fiction and organised sound. Situated between electronic music history, media theory, science fiction and Afrodiasporic studies, More Brilliant than the Sun is one of the key works to stake a claim for the generative possibilities of Afrofuturism. Much referenced since its original publication in 1998, but long unavailable, this new edition includes an introduction by Kodwo Eshun as well as texts by filmmaker John Akomfrah and producer Steve Goodman aka kode9.