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Maps to Anywhere
The essays in Maps to Anywhere plot terrain that is at once familiar and subtly strange. Writing on subjects ranging from his family to the origin of the barbershop pole, Bernard Cooper digs into the glimmering surface of the southern California landscape, observing the collision of the American Dream with the realities of everyday life. From the fragments, he discovers landmarks by which he attempts to make sense of contemporary America.
Truth Serum
Cooper offers his most moving and poignant effort yet. In a memoir at once affecting, witty, and dead-on accurate, he gives us the chance to accompany him as he reinvents memory - from Theresa Sanchez, the worldly and sophisticated girl who sat behind him in ninth-grade algebra, to the events surrounding his mother's purchase of a Kenmore freezer, to his experience in 1974 with a psychiatrist who mainlined him with a truth-telling cocktail intended to "reduce the frequency and intensity" of the author's sexual fantasies involving men.
The Bill from My Father
Bernard Cooper's new memoir is searing, soulful, and filled with uncommon psychological nuance and laugh-out-loud humor. Like Tobias Wolff's This Boy's Life, Cooper's account of growing up and coming to terms with a bewildering father is a triumph of contemporary autobiography. Edward Cooper is a hard man to know.Dour and exuberant by turns, his moods dictate the always uncertain climate of the Cooper household. Balding, octogenarian, and partial to a polyester jumpsuit, Edward Cooper makes an unlikely literary muse. But to his son he looms larger than life, an overwhelming and baffling presence. As The Bill from My Father begins, Bernard and his father find themselves the last remaining mem...
Bernard Leach
A biography of one of the most influential potters of the 20th century, an artist who lived in turmoil while creating pots of serenity and beauty. played a pioneering role in creating an identity for artist potters in Britain and around the world. Born in the East (Hong Kong) and educated in the West (England), throughout his life Leach perceived himself as a courier between the disparate cultures. His exquisite pots reflect the inspiration he drew from East and West as well as his response to the basic tenets of modernism - truth to materials, the importance of function to form, and simplicity of decoration. This biography provides a detailed account of Leach's life and its relation to his art. recollections of the artist's family, friends and students to tell Leach's story. Cooper explores Leach's working methods, the themes of his pottery, his writings and philosophy, his recognition in Japan and Britain, and his continuing legacy, bringing into focus a complex man who captured in his work as a potter the still centre that always eluded him in his tumultuous personal life.
My Avant-Garde Education: A Memoir
A wry and beautifully observed memoir about coming of age in the era of conceptual art. Growing up in the suburbs—confused about his sexuality, about his consumer-oriented world, about the death of his older brother—Bernard Cooper falls in love with Pop art and sets off for the California Institute of the Arts, the center of the burgeoning field of conceptual art, in this beguiling memoir. The most famous, and infamous, artists of the time drift through the place, including Allan Kaprow and John Baldessari, not to mention the student who phones the Identi-Kit division of the Los Angeles Police Department and has them make a composite drawing of the Mona Lisa. My Avant-Garde Education is at once an artist's coming-of-age story and a personal chronicle of the era of conceptual art, from a writer "of uncommon subtlety and nuance" (David Ulin, Los Angeles Times). It is a record of the wonders and follies of a certain era in art history, always aware that awakening to art is, for a young person, inseparable from awakening to the ever-shifting nature of the self.
The Bill from My Father
Edward Cooper was a hard man to know. Dour and exuberant by turns, his moods dictated the always-uncertain climate of the Cooper household. Now – balding, octogenarian – he makes an unlikely literary muse. But to his now middle-aged son, he looms larger than life, an overwhelming, baffling presence. Edward Cooper made his name as a divorce attorney in LA whose cases were devoured by the tabloids. Now, he is slowly succumbing to dementia. As Bernard attempts to forge a coherent picture of his family history, he uncovers Edward's lawsuits against other family members, and recalls the itemized invoice his father once sent him for the total cost of his upbringing, for the sum of two million ...
The Languages of Jerusalem
The Old City of Jerusalem, small and densely populated, is a complex microcosm of Israeli society. It is a multilingual community characterized by unequal power relations between the speakers of the two official languages of Israel--Arabs and Jews. The authors begin with a sociolinguistic sketch of the Old City in the present day. They then provide a historical background to their field study, discussing Jewish multilingualism from the period of the Second Temple until modern times, the sociolinguistics of revival and spread of Hebrew. They go on to develop a model of the rules of language choice which arises from their social context. The authors demonstrate that, because of the close association between language use and social structure, the study of language use in a multilingual society is at the same time both powerful and delicate method of studying the dynamics of group interactions.
Guess Again
A collection of short stories where many of the central characters are gay.
Vertigo
Herrmann's collaboration with Hitchcock spanned eleven years and nine films, and his film score for Veritgo is widely recognized as being one of his finest. This in-depth musicological and critical study examines how Bernard Herrmann's score for Alfred Hitchcock's Vertigo plays a crucial role in the articulation and development of the film's narrative and how it affects readings of the film. It considers the development of Herrmann's career up to 1958 and provides a detailed discussion of his musical style. It also examines the context of the film's production; its reception and critical readings are examined.
The Art of Friction
"We live in an Enquirer, reality television–addled world, a world in which most college students receive their news from the Daily Show and discourse via text message," assert Charles Blackstone and Jill Talbot. "Recently, two nonfiction writers have been criticized for falsifying memoirs. Oprah excoriated James Frey on her show; Nasdijj was impugned by Sherman Alexie in Time. Is our next trend in literature to lock down such boundaries among the literati? Or should we address the fictionalizing of nonfiction, the truth of fiction?" The Art of Friction surveys the borderlands where fiction and nonfiction intersect, commingle, and challenge genre lines. It anthologizes nineteen creative wor...
