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The essays in Maps to Anywhere plot terrain that is at once familiar and subtly strange. Writing on subjects ranging from his family to the origin of the barbershop pole, Bernard Cooper digs into the glimmering surface of the southern California landscape, observing the collision of the American Dream with the realities of everyday life. From the fragments, he discovers landmarks by which he attempts to make sense of contemporary America.
Cooper offers his most moving and poignant effort yet. In a memoir at once affecting, witty, and dead-on accurate, he gives us the chance to accompany him as he reinvents memory - from Theresa Sanchez, the worldly and sophisticated girl who sat behind him in ninth-grade algebra, to the events surrounding his mother's purchase of a Kenmore freezer, to his experience in 1974 with a psychiatrist who mainlined him with a truth-telling cocktail intended to "reduce the frequency and intensity" of the author's sexual fantasies involving men.
A biography of one of the most influential potters of the 20th century, an artist who lived in turmoil while creating pots of serenity and beauty. played a pioneering role in creating an identity for artist potters in Britain and around the world. Born in the East (Hong Kong) and educated in the West (England), throughout his life Leach perceived himself as a courier between the disparate cultures. His exquisite pots reflect the inspiration he drew from East and West as well as his response to the basic tenets of modernism - truth to materials, the importance of function to form, and simplicity of decoration. This biography provides a detailed account of Leach's life and its relation to his art. recollections of the artist's family, friends and students to tell Leach's story. Cooper explores Leach's working methods, the themes of his pottery, his writings and philosophy, his recognition in Japan and Britain, and his continuing legacy, bringing into focus a complex man who captured in his work as a potter the still centre that always eluded him in his tumultuous personal life.
The Advocate is a lesbian, gay, bisexual, transgender (LGBT) monthly newsmagazine. Established in 1967, it is the oldest continuing LGBT publication in the United States.
Bernard Cooper's new memoir is searing, soulful, and filled with uncommon psychological nuance and laugh-out-loud humor. Like Tobias Wolff's This Boy's Life, Cooper's account of growing up and coming to terms with a bewildering father is a triumph of contemporary autobiography. Edward Cooper is a hard man to know.Dour and exuberant by turns, his moods dictate the always uncertain climate of the Cooper household. Balding, octogenarian, and partial to a polyester jumpsuit, Edward Cooper makes an unlikely literary muse. But to his son he looms larger than life, an overwhelming and baffling presence. As The Bill from My Father begins, Bernard and his father find themselves the last remaining mem...
The author of the acclaimed Gay Fiction Speaks brings us new interviews with twelve prominent gay writers who have emerged in the last decade. Hear Us Out demonstrates how in recent decades the canon of gay fiction has developed, diversified, and expanded its audience into the mainstream. Readers will recognize names like Michael Cunningham, whose Pulitzer Prize–winning novel The Hours inspired the hit movie; and others like Christopher Bram, Bernard Cooper, Stephen McCauley, and Matthew Stadler. These accounts explore the vicissitudes of writing on gay male themes in fiction over the last thirty years—prejudices of the literary marketplace; social and political questions; the impact of AIDS; commonalities between gay male and lesbian fiction... and even some delectable bits of gossip.
A wry and beautifully observed memoir about coming of age in the era of conceptual art. Growing up in the suburbs—confused about his sexuality, about his consumer-oriented world, about the death of his older brother—Bernard Cooper falls in love with Pop art and sets off for the California Institute of the Arts, the center of the burgeoning field of conceptual art, in this beguiling memoir. The most famous, and infamous, artists of the time drift through the place, including Allan Kaprow and John Baldessari, not to mention the student who phones the Identi-Kit division of the Los Angeles Police Department and has them make a composite drawing of the Mona Lisa. My Avant-Garde Education is at once an artist's coming-of-age story and a personal chronicle of the era of conceptual art, from a writer "of uncommon subtlety and nuance" (David Ulin, Los Angeles Times). It is a record of the wonders and follies of a certain era in art history, always aware that awakening to art is, for a young person, inseparable from awakening to the ever-shifting nature of the self.
"We live in an Enquirer, reality television–addled world, a world in which most college students receive their news from the Daily Show and discourse via text message," assert Charles Blackstone and Jill Talbot. "Recently, two nonfiction writers have been criticized for falsifying memoirs. Oprah excoriated James Frey on her show; Nasdijj was impugned by Sherman Alexie in Time. Is our next trend in literature to lock down such boundaries among the literati? Or should we address the fictionalizing of nonfiction, the truth of fiction?" The Art of Friction surveys the borderlands where fiction and nonfiction intersect, commingle, and challenge genre lines. It anthologizes nineteen creative wor...
A collection of short stories where many of the central characters are gay.
This book is not about old age, but essentially it is about old people, known and loved or lost and bemused. The heart of the book is the hearing and re-telling of the faith stories of fifteen of the oldest old, all of whom are living in residential care settings. The stories outline the lives they have lived and the impact they have made on their listeners.