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Law and Religion in a Secular Age
Law and Religion in a Secular Age seeks to restore the connection between spirituality and justice, religion and law, theology and jurisprudence, and natural law and positive law by building a new bridge suitable for pluralistic societies in the secular age. The author argues for a multidimensional view of reality that includes legal, political, moral, and spiritual dimensions of human nature and society. Each of these dimensions of life needs to recognize the existence, influence, and function of the others, which act as a filter or check on the excesses of each other. This multidimensionality of reality clarifies why no legal theory can fully account for law from the legal dimension alone,...
Sword of Luchana
The Sword of Luchana is the first full-length biography of Baldomero Espartero, the most important figure in Spain's modern history.
Great Christian Jurists in Spanish History
The Great Christian Jurists series comprises a library of national volumes of detailed biographies of leading jurists, judges and practitioners, assessing the impact of their Christian faith on the professional output of the individuals studied. Spanish legal culture, developed during the Spanish Golden Age, has had a significant influence on the legal norms and institutions that emerged in Europe and in Latin America. This volume examines the lives of twenty key personalities in Spanish legal history, in particular how their Christian faith was a factor in molding the evolution of law. Each chapter discusses a jurist within his or her intellectual and political context. All chapters have been written by distinguished legal scholars from Spain and around the world. This diversity of international and methodological perspectives gives the volume its unique character; it will appeal to scholars, lawyers, and students interested in the interplay between religion and law.
Visitar les arts del passat. Les exposicions retrospectives d’art a Catalunya, València i Mallorca entre 1867 i 1937
Les obres d’art han estat tradicionalment el resultat d’encàrrecs específics de clients i promotors. A Roma, a partir del segle XVII, es documenten les primeres exposicions públiques de pintures que mostren les capacitats dels artistes en actiu. Al segle XVIII, l’acadèmia organitza a París els Salons amb regularitat, que permeten els inicis de la crítica d’art. Caldrà esperar a la consolidació de la Revolució Industrial, cap a mitjan segle XIX, quan sorgeix la necessitat d’acostar art i indústria, per veure exposicions amb obres d’artistes i artesans ja desapareguts. Aquestes mostres, per distingir-se de les de belles arts o d’artistes vius, es van anomenar «exposici...
