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This book tells the story of the German Democratic Republic from “the inside out,” using the lens of generational change to deconstruct an intriguing array of social identities that had little to do with the “official GDR” version authoritarian rulers regularly sought to impose on their citizens. The author compares the “identities” of five societal subgroups (GDR writers and intellectuals; pastors and dissidents; women; youth; and working-class men), exploring the policies defining their lives and status before/during/after the 1989 Wende, as well as the diverging “exit, voice and loyalty” dilemmas encountered by each. The “dialectical” components treated in this work ce...
The first English-language scholarly book to provide an overview of the Angela Merkel's career and influence.
Explains the extraordinary collapse of Communist East Germany
Rock music challenges hegemonic orders based on class, gender, nation, ethnicity/race or generation. This volume investigates how rock has played an integral part in the formation of identities and life-styles since the 1950’s. Rock music is used as a wide concept, including different genres, e.g. rock ‘n’ roll, pop, punk, hip hop and blues. Unlike most other books on rock music, this volume focuses on how rock music becomes a part of everyday life and the formation of identities in a variety of European states such as England, Finland, Sweden and Wales, the USA, and also states that used to be on the other side of the Iron Curtain—such as GDR and Czechoslovakia. Thus, it includes a comparative perspective based on temporal as well as spatial aspects that further deepen the understanding of how rock music and society are intertwined. Rockin’ the Borders is an interdisciplinary volume; the authors represent a variety of backgrounds: History, Ethnology, Folklore, Sociology and Sociology of Music, thus presenting us with an interesting mix of theoretical perspectives and methods.
The bringing down of the Berlin Wall is one of the most vivid images and historic events of the late twentieth century. The reunification of Germany has transformed the face of Europe. In one stunning year, two separate states with clashing ideologies, hostile armies, competing economies, and incompatible social systems merged into one. The speed and extent of the reunification was so great that many people are still trying to understand the events. Initial elation has given way to the realities and problems posed in reuniting two such different systems. The Rush to German Unity presents a clear historical reconstruction of the confusing events. It focuses on the dramatic experiences of the ...
In 1998, Longerich published "Politik der Vernichtung" ("Politics of Destruction"), a stunning reexamination of the Holocaust. Now finally available in English, this masterful history uses an unrivaled range of sources to lay out in clear detail the steps taken by the Nazis that would lead ultimately to the Final Solution.
Against the backdrop of the sudden and unexpected fall of communism, Harvard history teacher Charles Maier traces the demise of East Germany". . . . an historian whose writing talks both to political scientists and to lay readers . . . combines probing historical examination with disciplined and informed political analysis".Richard H. Ullman, Princeton Universtiy.
Looks at portrayals of Havana in literature, music, and the visual arts in the post-Soviet era, as the city is reinvented as a destination for international tourists and business ventures.
Enriched by the methods and insights of social history, the history of mentalites, linguistics, anthropology, literary theory, and art history, intellectual and cultural history are experiencing a renewed vitality. The far-ranging essays in this volume, by an internationally distinguished group of scholars, represent a generous sampling of these new studies."
"Transcending Dystopia features pioneering research on the role music played in its various connections to and contexts of Jewish communal life and cultural activity in Germany from 1945 to 1989. As the first history of the Jewish communities' musical practices during the postwar and Cold War eras, it tells the story of how the traumatic experience of the Holocaust led to transitions and transformations, and the significance of music in these processes. As such, it relies on music to draw together three areas of inquiry: the Jewish community, the postwar Germanys and their politics after the Holocaust (occupied Germany, the Federal Republic, the Democratic Republic, and divided Berlin), and ...