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The Gothic Byron examines in detail the Gothic element in Byron’s work, arguing that it has traditionally been undervalued. It looks closely at his reading in the novels of Ann Radcliffe, Monk Lewis, and Charlotte Dacre, and then discusses the Gothic elements in his Turkish Tales, plays, and satirical poetry, ending with two essays on Don Juan. Further essays explore the indebtedness of several European and English writers, including Charlotte and Emily Brontë, to the Gothic element in Byron’s poetry.
Published with academic researchers and graduate students in mind, this volume of the 'Shakespeare Survey' presents a number of contributions on the theme of Shakespeare's comedies, as well as the comedy in Shakespeare's other works.
The first fifty volumes of this yearbook of Shakespeare studies are being reissued in paperback.
The Comedy of Errors has been popular on the stage during the last three centuries and has proved itself admirably suited to adaptation as pure farce and musical spectacle. For this updated edition, Ros King has provided a completely new Introduction to the existing text and commentary, in which she argues that the play cannot be regarded merely as a farcical romp based on a classical model, but belongs to the critically misunderstood genre of tragi-comedy. In stressing the seriousness which underlies the story, the Introduction picks out the play's religious imagery for special attention, whilst also engaging fully with the play's deft lightness of touch and its continuing popularity in the theatre. A fresh Reading List guides the reader towards further study.
From Shakespeare to The Simpsons, comedy has long provided both entertainment and social commentary. It may critique cultural values, undermine authority, satirize sacred beliefs, and make room for the marginalized to approach the center. Comedy can be challenging to teach, but in the classroom it can help students connect with one another, develop critical thinking skills, and engage with important issues. The essays in this volume address a rich variety of texts spanning film, television, stand-up, cartoons, and memes as well as conventional literary works from different places and times. Contributors offer theoretical foundations and practical methods for a broad range of courses, includi...
This book examines the often tragic and nearly always disabling metaphor of thetheatrum mundi, world-as-stage, as it plays itself out in the characters of Mary Shelley's novels.
Under an alphabetical list of relevant terms, names and concepts, the book reviews current knowledge of the character and operation of theatres in Shakespeare's time, with an explanation of their origins>