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A Social History of Modern Tehran
Tehran, the capital of Iran since the late eighteenth century, is now one of the largest cities in the Middle East. Exploring Tehran's development from the nineteenth to the mid-twentieth century, Ashkan Rezvani Naraghi paints a vibrant picture of a city undergoing rapid and dynamic social transformation. Rezvani Naraghi demonstrates that this shift was the product of a developing discourse around spatial knowledge, in which the West became the model for the social practices of the state and sections of Iranian society. As traditional social spaces, such as coffee houses, bathhouses, and mosques, were replaced by European-style cafes, theatres, and sports clubs, Tehran and its people were irreversibly altered. Using an array of archival sources, Rezvani Naraghi stresses the agency of everyday inhabitants in shaping urban change. This enlightening history not only allows us to better understand the contours of contemporary Tehran, but to develop a new way of imagining, talking about, and building 'the city'.
Iranian Music and Popular Entertainment
The word motreb finds its roots in the Arabic verb taraba, meaning ‘to make happy.’ Originally denoting all musicians in Iran, motrebi came to be associated, pejoratively, with the cheerful vulgarity of the lowbrow entertainer. In Iranian Music and Popular Entertainment, GJ Breyley and Sasan Fatemi examine the historically overlooked motrebi milieu, with its marginalized characters, from luti to gardan koloft and mashti, as well as the tenacity of motreb who continued their careers against all odds. They then turn to losanjelesi, the most pervasive form of Iranian popular music that developed as motrebi declined, and related musical forms in Iran and its diasporic popular cultural centre...
Iranian Foreign Policy Since 2001
Examining Iranian foreign policy, with a focus on the years since 2001, this book analyses the defining feature of Iran’s international and regional posture, its strategic loneliness, and the implications of this for the Islamic Republic’s foreign policy. Iranian Foreign Policy since 2001 offers an in-depth analysis of the key drivers behind Iran’s foreign policy; power, strategic culture, and ideology. In addition, the authors examine Iran’s relations with key countries and regions, including its often tenuous relations with China, Russia and America, as well as its bilateral relations with non-state actors such as Hezbollah. The common thread running throughout the volume is that Iran is alone in the world: regardless of its political manoeuvrings, the Islamic Republic’s regional and international posture is largely one of strategic loneliness. Assimilating contributions from the US, Canada, Europe and Iran, this book provides an international perspective, both at the theoretical and practical levels and is essential reading for those with an interest in Middle Eastern Politics, International Relations and Political Science more broadly.
The Thousand and One Borders of Iran
A country marked by controversy, Iran’s social, cultural and political dynamics are too often reduced to a few misleading clichés. Islamism is widely considered to shape all social relations in Iranian society and, while Iranian society is indeed Islamic, this term’s multiple meanings in everyday life and practices go far beyond the naïve and monolithic idea we are used to. The Thousand and One Borders of Iran analyses travel as a social practice, exploring how diasporas, margins and so-called peripheries are central in the construction of a national identity and thus revealing the complexities of Iranian history and society. Written by a leading anthropologist, it draws upon fieldwork...
Reading Across Borders
The dynamic and interconnected ways Afghans and Iranians invented their modern selves through literature.
The Daēva Cult in the Gāthās
Addressing the question of the origins of the Zoroastrian religion, this book argues that the intransigent opposition to the cult of the daēvas, the ancient Indo-Iranian gods, is the root of the development of the two central doctrines of Zoroastrianism: cosmic dualism and eschatology (fate of the soul after death and its passage to the other world). The daēva cult as it appears in the Gāthās, the oldest part of the Zoroastrian sacred text, the Avesta, had eschatological pretentions. The poet of the Gāthās condemns these as deception. The book critically examines various theories put forward since the 19th century to account for the condemnation of the daēvas. It then turns to the rel...
Social Histories of Iran
A social history of modern Iran 'from below' focused on subaltern groups and contextualised by developments within Middle Eastern and global history.
The Global Bourgeoisie
This essay collection presents a global history of the middle class and its rise around the world during the age of empire. It compares middle-class formation in various regions, highlighting differences and similarities, and assesses the extent to which bourgeois growth was tied to the increasing exchange of ideas and goods and was a result of international connections and entanglements. Grouped by theme, the book shows how bourgeois values can shape the liberal world order.
Kirman and the Qajar Empire
Despite its apparently peripheral location in the Qajar Empire, Kirman was frequently found at the centre of developments reshaping Iran in the 19th century. Over the Qajar period the region saw significant changes, as competition between Kirmani families rapidly developed commercial cotton and opium production and a world renowned carpet weaving industry, as well as giving strength to radical modernist and nationalist agitation in the years leading up to the 1906 Constitutional Revolution. Kirman and the Qajar Empire explores how these Kirmani local elites mediated political, economic, and social change in their community during the significant transitional period in Iran’s history, from ...
The Making of Persianate Modernity
Traces the emergence of literary history, showing how Iranians and South Asians drew from their shared heritage to produce a 'Persianate modernity'.
