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Available for the first time as a traditional paperback, this revised and updated edition contains new and archival interviews with those closest to Chris Bell and the Big Star circle: their friends, family, former bandmates—even fans, exes, classmates, and coworkers. “Bell’s and Big Star’s existence was short, but the wealth of stories and quotes here provides a healthy sustenance for the truth seekers. A top-notch biography.” —San Francisco Book Review The varied cast of voices—many from the band’s hometown of Memphis—comprises all the members of Big Star, including Chris Bell, the iconic Alex Chilton, Andy Hummel, and Jody Stephens. In the following decades after its 197...
"I want to make an album of real genius, to sit alongside the Stones' 'Exile On Main Street', and Big Star's 'Third'" (Peter Buck, R.E.M. 1991) The definitive biography of Big Star, the most influential band of the last 30 years.
Journalist Andrea Neal reveals a multifaceted, candid view of the self-described Christian, Conservative, and Republican—in that order—from his beginnings in a large Irish Catholic family in Columbus, Indiana, through the scandals of his first election, to his time beside Donald Trump.
The first biography of the artist who “essentially invented indie and alternative rock” (Spin) A brilliant and influential songwriter, vocalist, and guitarist, the charismatic Alex Chilton was more than a rock star—he was a true cult icon. Awardwinning music writer Holly George-Warren’s A Man Called Destruction is the first biography of this enigmatic artist, who died in 2010. Covering Chilton’s life from his early work with the charttopping Box Tops and the seminal power-pop band Big Star to his experiments with punk and roots music and his sprawling solo career, A Man Called Destruction is the story of a musical icon and a richly detailed chronicle of pop music’s evolution, from the mid-1960s through today’s indie rock.
Larrikin Australian actor Randy Storm had it all. Swept up by Hollywood in the 1950s, he had the looks, charm and talent to take on the world. But by the 1990s he is forgotten, burned out after a life of movie star excess. When producer Michael Matthews meets the once great Randy Storm, he is surprised to find a man who is at peace with himself. Both he and researcher Janie Callendar set out to discover the source of this inner peace. Meanwhile, his agent Ariel Margoles finds out that Australia's acclaimed film director Patricia Jordan is making the hottest Hollywood film of the year and she sees a chance for Randy to be a star once more. But just as Randy is about to reach his pinnacle, a secret from his past threatens to bring down his greatest triumph.
Joe and Mike Cantillon: Firebrands of Baseball is a true and inspirational story. The book tells the story of two first-generation Irish-American brothers from a struggling immigrant family. They rose from hardscrabble beginnings in Wisconsin to reach the upper echelons of baseball and achieve their baseball dreams in the major leagues. The inspiration for this book was the author’s interest in his family history; Joe Cantillon was his great-great-uncle and Mike Cantillon was his great-grandfather. This is a touching tribute that documents their contributions to baseball. It is an entertaining look at the Cantillon brothers’ journey during a wild and wooly time in our favorite pastime. A...
"Although Big Star were together less than four years [1971-74] in the mid-1970s and had little commercial success, their influence reaches far and wide. In an era of glam and prog rock, they wrote addictive, radio-friendly pop tunes. Their records literally changed people's lives - including those of artists as diverse as the Bangles, the Replacements, Wilco, the Dream Syndicate, the Shins, the Posies, Teenage Fanclub, Jeff Buckley, and Garbage. Almost everyone has heard their song "In The Street", which, as rerecorded by Cheap Trick, serves as the theme for That '70s Show. But there's so much more to Big Star. Alex Chilton [ex-Box Tops] had believed that he would become a big star; when he didn't, he engaged in a kind of musical self-sabotage. His coleader, Chris Bell, died in a car crash [in 1978] after releasing the devastatingly sad single, "I Am the Cosmos." Their first album [#1 Record] was pure Beatles/Hollies pop; their second [Radio City] turned that sensibility upside down; and their third album [Third / Sister Lovers] sounded like an exceptionally beautiful suicide note. ..."--Back cover.
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