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From fine art to popular digital culture, criminologists are increasingly engaged in the processes of the visual. In this pioneering work, Bill McClanahan provides a concise and lively overview of the origins and contemporary role of visual criminology. Detailing and employing the most prominent approaches at work in visual criminology, this book explores the visual perspective in relation to prisons, police, the environment, and drugs, while noting the complex social and ethical implications embedded in visual research. This original book broadens the horizons of criminological engagement and reveals how visual criminology offers new and critical ways to understand and theorize crime and harm.
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"Bringing together prominent early contributions from this emergent perspective, the volume traces the origins, theory and methodology of a nascent ghost criminology. From the powers of exorcism and erasure marshaled by state agents, street-level struggles over memorialization and memory, to the lingering violence of crime scenes and the ghostly traces of outlaw artists, Ghost Criminology is a book attuned to that which is well-theorized in other disciplines-the spectral, hauntological, apparitional. Each of the writers assembled here shares, as Mark Fisher (2017) put it, a fascination for the outside, "that which lies beyond standard perception, cognition and experience." As such, this collection uses cutting-edge social and cultural theory to tangle with some of criminology's most stubborn revenants-the politics of criminalization, the commodification of crime and violence, the haunting power of the image, as well as the unheard and disregarded cries of the dead"--
A coach is part teacher, part parent, part student, part mentor, and part guru. He must possess a stern hand and a comforting touchand the wisdom to discern when each is needed. Each decision he makes is a part of a perilous high wire act that can propel a team forward or send a season tumbling downward. But when does a coach truly become a coach? Is it after some athletic director looks across the desk, offers his hand, and says, Congratulations, youve got the job? Is it after that first win? That first championship? Or is it when all those nagging questions in the back of the mind finally stop nagging? Scott Illiano, head baseball coach of the West Essex High School Knights, chronicles his...
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Cartooning Texas presents a century of this state's history through a craft that is one of the nation's liveliest art forms. Few states have enjoyed as rich a history of political cartooning as the great state of Texas. William Sydney (O. Henry) Porter and his depiction of railroad graft, turn-of-the century Tobe Bateman and his trademark goat, Pulitzer Prize winner Ben Sargent--these cartoonists have helped readers understand what this country's changes would mean to them. Even the first cartoon known to have lampooned native son Lyndon Johnson appears in these pages. Their sometimes humorous, always pointed lines have appeared in the Austin American-Statesman, the Rolling Stone, the Houston Post, the Dallas Morning News, and other state papers. With deft movements of pen across page, they have portrayed the events and personalities that have shaped public life. Lone Star cartoonists have provided a record that will amuse and educate new generations of Texans as well as those who remember the originals. Maury B. Forman and Robert A. Calvert provide context and explanations for each cartoon and overviews of each decade's main developments in the art.
This edited collection is grounded in a green criminological approach to understand whether the law, both in effect and implications, reflects, refracts, or sublimates the social, political and ecological conditions of our times. Since its initial proposal in the 1990s, green criminology has focused the criminological gaze on a wide array of harms and crimes affecting humans, animals other than humans, ecological systems, and the planet as a whole. As a continuously blossoming field of criminological inquiry, green criminology recognizes and examines behaviours that are both illegal and legal (yet detrimental), and in varying ways has made great efforts to provide insight into harms in a mor...
Gothic Appalachian Literature examines the ways contemporary Appalachian authors utilize gothic tropes to explore the complex history and contemporary problems of the region, particularly in terms of their representation of economic and environmental concerns. It argues that across Appalachian fiction, the plight of characters to save their homes, land and way of life from the destructive forces of extractive industries brings sharply to bare the histories of colonization and slavery that problematize questions of belonging, ownership and possession. Robertson extensively considers contemporary manifestations of the gothic in Appalachian literature, arguing that gothic tropes abound in fiction that focuses on the impacts of extractive industries that connect this micro-region with other parts of the Global North and Global South where the devastating impacts of extractive industries are also experienced socially, economically and environmentally.
For more than two decades Dr. Beaumont S. Bruestle and Professor Harold W. Barrows were leading forces behind the extraordinary University of Tulsa Theatre. Beau Bruestle's memoir recalls those years.