Welcome to our book review site go-pdf.online!
You may have to Search all our reviewed books and magazines, click the sign up button below to create a free account.
Harry Partch
Visionary composer, theorist, and creator of musical instruments, Harry Partch (1901-1974) was a leading figure in the development of an indigenously American contemporary music. A pioneer in his explorations of new instruments and new tunings, Partch created multimedia theater works that combine sight and sound in a compelling synthesis. He is acknowledged as a major inspiration to postwar experimental composers as diverse as György Ligeti, Lou Harrison, Philip Glass, and Laurie Anderson, and his book Genesis of a Music, first published in 1949, is now considered a classic. This book is the first to tell the complete story of Partch's life and work. Drawing on interviews with many of Partc...
Topology and Dynamics of Chaos
The book surveys how chaotic behaviors can be described with topological tools and how this approach occurred in chaos theory. Some modern applications are included. The contents are mainly devoted to topology, the main field of Robert Gilmore's works in dynamical systems. They include a review on the topological analysis of chaotic dynamics, works done in the past as well as the very latest issues. Most of the contributors who published during the 90's, including the very well-known scientists Otto Rössler, René Lozi and Joan Birman, have made a significant impact on chaos theory, discrete chaos, and knot theory, respectively. Very few books cover the topological approach for investigatin...
Through the Years, in Sunshine and Shadows
An inspirational book of poetry to which everyone can relate. Poems from My Life in Sunshine and Shadows is an uplifting read, with many compositions on life, love and happiness. A positive attitude and sunny disposition that will have you chuckling out loud. A wonderful mix of humor and spirituality.
Claude Vivier
In 1983, French-Canadian composer Claude Vivier was murdered in Paris at the age of thirty-four. Based on unrestricted access to Vivier's personal archives, this book is the first to tell his story. Claude Vivier's haunting and expressive music has captivated audiences around the world. But the French-Canadian composer is remembered also because of the dramatic circumstances of his death: he was found murdered in his Paris apartment at the age of thirty-four. Given unrestricted access to Vivier's archives and interviews with Vivier's family, teachers, friends, and colleagues, musicologist and biographer Bob Gilmore tells here the full story of Vivier's fascinating life, from his abandonment ...
The Resurrectionists
The Booker and IMPAC Prize-nominated author of The Keepers of Truth delivers a haunting novel of psychological suspense about a wayward family's search for salvation in an America that has left them behind. The solitude of the Upper Michigan Peninsula is Michael Collins's heart of darkness in this compelling story of the unquiet dead. Almost thirty years ago, when Frank Cassidy was five, his parents burned to death in a remote Michigan town. Now Frank's uncle is dead too, shot by a mysterious stranger who lies in a coma in the local hospital. Frank, working menial jobs to support his unfaithful wife and two children, takes his family north in a series of stolen cars to dispute his cousin's c...
Performing Knowledge
How do musical analysis and performance relate? In a unique collaborative approach to this question, theorist-pianist Daphne Leong partners with internationally renowned performers to interpret twentieth-century repertoire. Imaginative explorations of music by Ravel, Schoenberg, Bart�k, Schnittke, Milhaud, Messiaen, Babbitt, Carter, and Morris illuminate focal issues such as the role of embodiment, the affordances of a score, the cultural understanding of notation, the use of metaphor, and--to round out the viewpoints of theorist and performers with those of composer and listeners--the role of structure in audience reception. Each exploration engages deeply with musical structure, redefine...
Perspectives on the Music of Christopher Fox
Christopher Fox (1955) has emerged as one of the most fascinating composers of the post-war generation. His spirit of experimentalism pervades an oeuvre in which he has blithely created his own version of a range of contemporary musical practices. In his work many of the major expressions of European cultural activity - Darmstadt, Fluxus, spectralism, postminimalism and more - are assimilated to produce a voice which is uniquely resonant and multifaceted. In this, the first major study of his work, musicologists, composers, thinkers and practitioners scrutinize aspects of Christopher Fox's music, each exploring elements that relate to their own distinct areas of practice, tracing Fox's compositional trajectory and situating it within post-war contemporary European music practice. Above all this book addresses the question: How can one person dip his fingers into so many paint pots and yet retain a coherent compositional vision? The range of Fox's musical concerns make his work of interest to anyone who wants to study the development of so-called new music spanning the latter twentieth century into the twenty first century.
Artistic Experimentation in Music
Essential reading for anyone interested in artistic research applied to music This book is the first anthology of writings about the emerging subject of artistic experimentation in music. This subject, as part of the cross-disciplinary field of artistic research, cuts across boundaries of the conventional categories of performance practice, music analysis, aesthetics, and music pedagogy. The texts, most of them specially written for this volume, have a common genesis in the explorations of the Orpheus Research Centre in Music (ORCiM) in Ghent, Belgium. The book critically examines experimentation in music of different historical eras. It is essential reading for performers, composers, teache...
Listening to the Other
Our contemporary, globalised society demands new forms of listening. But what are these new forms? In Listening to the Other, Stefan Östersjö challenges conventional understandings of the ways musicians listen. He develops a transmodal understanding of listening that is situated in the body—a body that is extended by its mediation through musical instruments and other technologies. Listening habits can turn these tools—and even the body itself—into resistant objects or musical Others. Supported by extensive multimedia documentation and drawing on examples from the author’s own artistic projects spanning electronics, intercultural collaboration, and ecological sound art, this volume...
