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The Business of Speed
Lucsko offers a rich and heretofore untold account of the culture and technology of the high-performance automotive aftermarket in the United States, offering a fresh perspective on the history of the automobile in America.
White Boy
How does a Jewish boy who spent the bulk of his childhood on the basketball courts of Brooklyn wind up teaching in one of the city's pioneering black studies departments? Naison's odyssey begins as Brooklyn public schools respond to a new wave of Black migrants and Caribbean immigrants, and established residents flee to virtually all-white parts of the city or suburbs. Already alienated by his parents' stance on race issues and their ambitions for him, he has started on a separate ideological path by the time he enters Columbia College. Once he embarks on a long-term interracial relationship, becomes a member of SDS, focuses his historical work on black activists, and organizes community gro...
Pine-Thomas Productions
Dubbed "The Dollar Bills," William H. Pine and William C. Thomas made 1940s Hollywood take notice with their B movies for Paramount that gave solid entertainment while cutting costs to the bone. In the 1950s, with television looming, Pine-Thomas Productions began making bigger-budget films with stars including James Cagney and Jane Wyman, and incorporating trends like 3-D. "The public is Hollywood's boss," Pine said, and the company gave moviegoers what they wanted. Written with the assistance of the Pine and Thomas families, this book draws on Thomas' never-published memoir, interviews with colleagues and relatives, and rarely seen photographs to document the story of Pine-Thomas and its founders. An annotated filmography covers their 76 feature films and five shorts. Appendices give biographical sketches of such actors as Robert Lowery, Jean Parker and John Payne, as well as the directors, cinematographers and other crew members who made movies at top speed with more ingenuity than money.
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Documenting the American Student Abroad
1 in 10 undergraduates in the US will study abroad. Extoled by students as personally transformative and celebrated in academia for fostering cross-cultural understanding, study abroad is also promoted by the US government as a form of cultural diplomacy and a bridge to future participation in the global marketplace. In Documenting the American Student Abroad, Kelly Hankin explores the documentary media cultures that shape these beliefs, drawing our attention to the broad range of stakeholders and documentary modes involved in defining the core values and practices of study abroad. From study abroad video contests and a F.B.I. produced docudrama about student espionage to reality television ...
Gender, Whiteness, and Power in Rodeo
The lure of cowgirls and cowboys has hooked the American imagination with the lure of freedom and adventure since the turn of the twentieth century. The cowboy and cowgirl played in the imagination and made rodeo into a symbolic representation of the Western United States. As a sport that is emblematic of all things "Western," rodeo is a phenomenon that has since transcended into popular culture. Rodeo's attraction has even spanned oceans and lives in the imaginations of many around the world. From the modest start of this fantastic sport in open fields to celebrate the end of a long cattle drive or to settle a friendly "who's the best" bet between neighboring ranches, rodeo truly has grown ...
Imagining Wild Bill
Wild Bill’s ever-evolving legend When it came to the Wild West, the nineteenth-century press rarely let truth get in the way of a good story. James Butler “Wild Bill” Hickok’s story was no exception. Mythologized and sensationalized, Hickok was turned into the deadliest gunfighter of all, a so-called moral killer, a national phenomenon even while he was alive. Rather than attempt to tease truth from fiction, coauthors Paul Ashdown and Edward Caudill investigate the ways in which Hickok embodied the culture of glamorized violence Americans embraced after the Civil War and examine the process of how his story emerged, evolved, and turned into a viral multimedia sensation full of the ex...
Surveillance in America
Surveillance in America provides a historical exploration of FBI surveillance practices and policies since 1920 based on recently declassified FBI files. Using the new information available through these documents, Ivan Greenberg sheds light on the activities and beliefs of top FBI officials as they develop and implement surveillance practices. Paying particular attention to the uses of the media, Greenberg provides a thorough reconsideration of the Watergate scandal and the role of W. Mark Felt as "Deep Throat." He exposes new evidence which suggests that Felt led a faction at the FBI that worked together to bring down President Nixon. The book concludes with an in-depth treatment of surveillance practices since the year 2000. He considers the question of "surveillance as harassment" and looks at the further erosion of privacy. stemming from Obama's counter-terror policies which extend those of the Bush Administration's second term. The startling increase in surveillance since the events of September 11th, reveal the extent to which America is losing the battle for civil liberties.
