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"Featuring 30 color and 188 black-and-white photographs, the book is organized geographically into eastern, central, western, and northern regions of the state. Each regional division begins with a descriptive tour of the land, the life, and the art that characterize the richness of Wisconsin's cultural landscape. Each section also includes artists' narratives, twenty-six in all, transcribed from interviews Krug and Parker conducted in their travels. Here the artists speak for themselves, relating how they began making art, and how, through art, their interests, values, and personal fulfillment are all interwoven."--BOOK JACKET.
There's not much reason to go to Spanish Fort nowadays, unless you're drawn there by its past. Today, it's little more than a ghost town with a handful of residents, a half dozen or so ramshackle, weatherbeaten frame houses, an abandoned schoolhouse and a padlocked general store with a sign proclaiming that the Spanish Fort Coon Hunters Association used to gather there for weekly hunts every Saturday morning. But in 1879, young Joe Justin set up shop in a little one-room frame building and put up a sign that read, H. J. Justin, Boot Maker. The opening of his crude, one-man shop marked Spanish Fort's final brush with history. The trail town would fade into oblivion, but it would be remembered...
Seattle's project of 'downtown revitalization' is often touted as a civic endeavour that serves the community as a whole. Gibson questions that assumption. He examines the trade-off between the gain produced by redevelopment and the loss of public space.
The very best columns from a body of outstanding comic writing by the irreplaceable, irrepressible Miles Kington. For decades the columns of Miles Kington were a refreshing spot of lunacy in the dull acres of the world's news. From the arguments between gods past and present (as recorded in the minutes of United Deities meetings), to unlikely agony aunts, all-purpose Shakespeare plays, and interviews with ‘sock psychologists’, nothing is too trivial or unlikely to attract Kington’s attention and wit. Selected here are over a hundred pieces, each a powerful antidote to doom and destruction with their irreverent, absurd and sometimes surreal attitude to life. They are amongst the best jo...
Rocking the Boat is a celebration of strong, committed women who helped to build the American labor movement. Through the stories of eleven women from a wide range of backgrounds, we experience the turmoil, hardships, and accomplishments of thousands of other union women activists through the period spanning the Great Depression, the New Deal, World War II, the McCarthy era, the civil rights movement, and the women's movement. These women tell powerful stories that highlight and detail women's many roles as workers, trade unionists, and family members. They all faced difficulties in their personal lives, overcame challenges in their unions, and individually and collectively helped improve wo...
A seventy year old man still feels like there are things to do and time to do it in. NO ONE gets out of this World alive but why sit and wait, life is still good and there are many things to do. The author wrote a number of short stories taken from his personal experiences and wanted to publish them. Instead he decided to write an auto biography and inserting these short stories as they really happened.
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"The Cruise of the 'Lively Bee', or a Boy's Adventures in the War of 1812" by John De Morgan is a historical adventure novel that transports readers to the era of the War of 1812. The story follows the exciting exploits of a young boy as he embarks on a thrilling maritime journey during this pivotal moment in history. Set against the backdrop of the War of 1812, the novel offers a vivid portrayal of the challenges and dangers faced by sailors and privateers during this conflict. Readers can expect to encounter thrilling sea battles, daring escapades, and encounters with historical figures of the time. The book not only serves as an engaging adventure story but also provides valuable insights...
The Cunning of Recognition is an exploration of liberal multiculturalism from the perspective of Australian indigenous social life. Elizabeth A. Povinelli argues that the multicultural legacy of colonialism perpetuates unequal systems of power, not by demanding that colonized subjects identify with their colonizers but by demanding that they identify with an impossible standard of authentic traditional culture. Povinelli draws on seventeen years of ethnographic research among northwest coast indigenous people and her own experience participating in land claims, as well as on public records, legal debates, and anthropological archives to examine how multicultural forms of recognition work to ...