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Body Double
Body Double explores the myriad ways that film artists have represented the creative process. In this highly innovative work, Lucy Fischer draws on a neglected element of auteur studies to show that filmmakers frequently raise questions about the paradoxes of authorship by portraying the onscreen writer. Dealing with such varied topics as the icon of the typewriter, the case of the writer/director, the authoress, and the omnipresent infirm author, she probes the ways in which films can tell a plausible story while contemplating the conditions and theories of their making. By examining many forms of cinema, from Hollywood and the international art cinema to the avant-garde, Fischer considers ...
Body Double
IT'S MY BODY THERE ON THE TABLE 'A rip-roaring plot with scares and bumps on every page . . . A first-class modern thriller' Guardian Forensic Pathologist Maura Isles has dissected her fair share of corpses. But this time it's different, because the victim looks exactly like her. Detective Jane Rizzoli is assigned to investigate, and finds herself tracking a twisted killer across the country. To catch him, Maura is forced to delve into a dark and dangerous family history - her own. Blood ties are the hardest to escape . . . Rizzoli & Isles are back! The nail-biting new thriller in the series, Listen to Me, is out now!
Double De Palma
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The Art of Movies
Movie is considered to be an important art form; films entertain, educate, enlighten and inspire audiences. Film is a term that encompasses motion pictures as individual projects, as well as — in metonymy — the field in general. The origin of the name comes from the fact that photographic film (also called filmstock) has historically been the primary medium for recording and displaying motion pictures. Many other terms exist — motion pictures (or just pictures or "picture"), the silver screen, photoplays, the cinema, picture shows, flicks — and commonly movies.
Are Snakes Necessary?
"It's like having a new Brian De Palma picture." - Martin Scorsese, Academy Award-winning director FROM THE DIRECTOR OF SCARFACE AND DRESSED TO KILL… A FEMALE REVENGE STORY When the beautiful young videographer offered to join his campaign, Senator Lee Rogers should’ve known better. But saying no would have taken a stronger man than Rogers, with his ailing wife and his robust libido. Enter Barton Brock, the senator’s fixer. He’s already gotten rid of one troublesome young woman -- how hard could this new one turn out to be? Pursued from Washington D.C. to the streets of Paris, 18-year-old Fanny Cours knows her reputation and budding career are on the line. But what she doesn’t realize is that her life might be as well…
The Devil's Double Original Book
THE DEVIL’S DOUBLE: is the first of 3 autobiographical books chronicling Latif Yahia’s incredible life story. It vividly describes how Latif was forced to become Uday Hussein’s ‘fidai’ (body double) and gives a unique insight into the extreme extravagance and cruelty of the Saddam regime. Latif survived assassination attempts and witnessed Uday’s psychotic temper, rapes, orgy parties, torture atrocities, and sadistic murders. The book has recently been made into a highly acclaimed movie. THE BLACK HOLE: gives a fascinating account of what happened to Latif in Europe after he escaped from Iraq. How he was treated by western governments and the CIA. How Uday sought revenge on Latif...
The Negro Motorist Green Book
The Negro Motorist Green Book was a groundbreaking guide that provided African American travelers with crucial information on safe places to stay, eat, and visit during the era of segregation in the United States. This essential resource, originally published from 1936 to 1966, offered a lifeline to black motorists navigating a deeply divided nation, helping them avoid the dangers and indignities of racism on the road. More than just a travel guide, The Negro Motorist Green Book stands as a powerful symbol of resilience and resistance in the face of oppression, offering a poignant glimpse into the challenges and triumphs of the African American experience in the 20th century.
Atlas of Emotion
Atlas of Emotion is a highly original endeavour to map a cultural history of spatio-visual arts. In an evocative montage of words and pictures, emphasises that "sight" and "site" but also "motion" and "emotion" are irrevocably connected. In so doing, Giuliana Bruno touches on the art of Gerhard Richter and Annette Message, the film making of Peter Greenaway and Michelangelo Antonioni, the origins of the movie palace and its precursors, and her own journeys to her native Naples. Visually luscious and daring in conception, Bruno opens new vistas and understandings at every turn.
Body Double
The horrifying true story of the brutal murder of one of Janet Leigh's "body doubles" in Psycho, and another murder a decade later -- committed by a real-life Norman Bates. On June 3, 1988, Myra Davis, 71, one of Janet Leigh's "body doubles" in Psycho, was found dead -- raped and strangled in her Beverly Hills home. Her homicide remained unsolved until investigators linked her killing with that of 60-year-old Jean Orlof, who was sexually assaulted and strangled on March 28, 1998. Police arrested local handyman Kenneth Hunt, who, they believed, like Psycho's Norman Bates, targeted older women for his vicious attacks. With the help of DNA evidence, a jury found him guilty of both murders -- and finally ended his trail of terrifying violence.
I Was Monty Double
This memoir offers a fascinating account of the author's experience serving as a double for General Bernard Montgomery during World War II. Filled with intrigue and suspense, this book is a riveting look at the world of espionage and the sacrifices made by those who served their country. This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work is in the "public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
