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Queer Culture in Romania, 1920–2018
This book is an in depth, extensive study of Romanian queer cultural products. It brings an essential contribution to the literature on Central and South Eastern European gender studies, post-communism studies, media, and cultural studies, as well as transnational queer studies. The book looks at Romanian queer culture ”from inside”, and from the acknowledgment that the research process is guided by the sensitivity of the approached topics, by the lack of archival footprints, and by a solid dose of media archaeology, especially when looking at the beginning of Romanian LGBT+ activism in the 90s. The book starts from contemporary Romanian cultural products that are focusing on queer topics and/or produced by queer creators. It looks back at the memories of seminal queer and trans activists in extensive interviews conducted for this volume, and fragmented literary and media sources that cover the most part of the 20th century. About the translation This book has been translated from Romanian by Andreea Moise. The Introduction and Chapter 6 were translated by Maria Cohut.
Женщины в искусстве. Перформансы, картины и события, изменившие мир вокруг нас
Во все времена женщины играли ведущую роль в общественной жизни. Они формировали культуру и искусство на протяжении многих веков. Если еще пять лет назад тематика слабого пола в искусстве выглядела непривычно, сегодня с приходом популярности феминизма, она стала неотъемлемой частью картины мира многих женщин и мужчин. Меняется подход к рекламным кампаниям, меняется содержание ...
Proceedings on 18th International Conference on Industrial Systems – IS’20
This book proposes theoretically developed and practically tested solutions for manufacturing and business improvements achieved in the period between two conferences. It enables presentation of new knowledge and exchange of practical experience in industrial systems engineering and management. It brings together prominent researchers and practitioners from faculties, scientific institutes, and different enterprises or other organizations .This is the 18th edition of the conference. The Department of Industrial Engineering and Management at the Faculty of Technical Sciences in Novi Sad organizes a scientific conference on industrial systems engineering and management field of science and practice, once in three years.
Trauma, Trust, and Memory
Trauma is one of the most important topics discussed throughout the clinical, social and cultural field. Social traumatization, as we meet it in the aftermath of genocide, war and persecution, is targeted at whole groups and thus affects the individual's immediate holding environment, cutting it off from an important resilience factor; further on, social trauma is implemented in a societal context, thus involving the surrounding society in the traumatic process. Both conditions entail major consequences for the impact and prognosis of the resulting individual posttraumatic disorders as well as for the social and cultural consequences. The volume connects clinical and epidemiological studies on the sequelae of social trauma to reflections from social psychology and the humanities. Post-war and post-dictatorial societies are in particular marked by the effects of massive, large group traumatization, and if these are not acknowledged, explored, and mourned, the unprocessed cumulative trauma that has become deeply embedded in the collective memory leads to periodical reactivations. To address social trauma, an interdisciplinary approach is required.
Gender Check
After 1989, a serious body of knowledge has been produced in the former socialist states as well as in the West that theorizes the notion of gender and gender relations established in state-socialism and in the post-communist era. However, the existing volumes rarely (if ever) pay attention to the construction of femininity and masculinity in visual arts. The Gender Check reader presents, for the first time, an extensive collection of texts that explicitly analyse visual arts created before and after 1989 in the 'other' Europe in terms of gender and feminist theories. Museum für Moderne Kunst Wien, 2010. Zacheta National Gallery of Art, Warsaw, 2010.
Social Trauma – An Interdisciplinary Textbook
This book explores the intersection of clinical and social aspects of traumatic experiences in postdictatorial and post-war societies, forced migration, and other circumstances of collective violence. Contributors outline conceptual approaches, treatment methods, and research strategies for understanding social traumatizations in a wider conceptual frame that includes both clinical psychology and psychiatry. Accrued from a seven year interdisciplinary and international dialogue, the book presents multiple scholarly and practical views from clinical psychology and psychiatry to social and cultural theory, developmental psychology, memory studies, law, research methodology, ethics, and educati...
Gender Check
Gender Check is the first comprehensive exhibition featuring art from Eastern Europe since the 1960s based on the theme of gender roles. 20 years after the fall of the Berlin Wall, the curator Bojana Peji?, along with a team of experts from 24 different countries, has put together a selection of over 400 works including paintings, sculpture, installations, photography, posters, films and videos. With over 200 artists, the exhibition paints an exceptionally diverse picture of a chapter in art history that until recently had been largely unknown and that could also act as an important addition to contemporary gender discourse. Published on the occasion of the exhibition in 2009/10 at Museum Moderner Kunst Stiftung Ludwig, Vienna, and at Zacheta National Gallery of Art, Warsaw. English text.
After Criticism
It has recently become apparent that criticism has fallen on hard times. Either commodification is deemed to have killed it off, or it has become institutionally routine. This book explores contemporary approaches which have sought to renew criticism's energies in the wake of a 'theatrical turn' in recent visual arts practice, and the emergence of a 'performative' arts writing over the past decade or so. Issues addressed include the 'performing' of art's histories; the consequences for criticism of embracing boredom, distraction and other 'queer' forms of (in)attention; and the importance of exploring writerly process in responding to aesthetic experience. Bringing together newly commissioned work from the fields of art history, performance studies, and visual culture with the writings of contemporary artists, After Criticism provides a set of experimental essays which demonstrate how 'the critical' might live on as a vital and efficacious force within contemporary culture.
