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For two decades, beginning in the early 1870s, Robert Keller, music editor for N. Simrock Verlag in Berlin, worked with diligence and devotion to usher into print most of Johannes Brahms's major compositions, including all four of his symphonies, the Violin Concerto, the Double Concerto, the Second Piano Concerto, and numerous chamber, choral, and vocal works. This volume collects for the first time the complete extant correspondence between Brahms and Keller, as preserved in the collections of the Library of Congress and the Gesellschaft der Musikfreunde in Vienna. To read their correspondence is to witness a relationship of mutual respect and increasing friendship and to gain an appreciation for the meticulous labor that went into the publication of Brahms's masterpieces. Keller’s admiration for the composer's genius was answered by Brahms's affection for Keller’s diligence and musical expertise. The vicissitudes of the publication process from composer’s manuscript to printed score are documented in fascinating detail. This edition includes a transcription of the letters in the original German.
This work examines both predominately black newspapers in general and four in particular--the Chicago Defender, the Pittsburgh Courier, the Black Dispatch (Oklahoma City), and the Jackson (Mississippi) Advocate--and their coverage of national events. The beginnings of the black press are detailed, focusing on how they reported the anti-slavery movement, the Civil War and the Reconstruction era. Their coverage of the migration of blacks to the industrial north in the early twentieth century and World War I are next examined, followed by the black press response to World War II and the civil rights movement. The survival techniques used by the editors, how some editors reacted when faced with threats of physical harm, and how the individual editorial policies affected the different newspapers are fully explored. Instructors considering this book for use in a course may request an examination copy here.
As part of the great migration of southern blacks to the north, Sunnie Wilson came to Detroit from South Carolina after graduating from college, and soon became a pillar in the local music industry. He started out as a song and dance performer, but found his niche as a local promoter of boxing and musical acts. Part oral history, memoir, and biography, Toast of the Town draws from hundreds of hours of taped conversations between Sunnie Wilson and John Cohassey, as Wilson reflected on the changes in Detroit over the last sixty years. Supported by extensive research, Wilson's reminiscence is complemented by photographs from his own collection, which capture the spirit of the times. An influential insider's perspective, Toast of the Town fills a void in the documented history of Detroit's black business and entertainment community from the 1920s to the present.
This groundbreaking work uncovers the role played by black people in the emergence of the Bah'i faith in North America. Drawing on a wide range of sources including personal essays, letters, and journals, it offers a fascinating glimpse into the lives of some extraordinary individuals.