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The traumatic experiences of persecution and genocide have changed traditional views of literature. The discussion of historical truth versus aesthetic autonomy takes an unexpected turn when confronted with the experiences of the victims of the Holocaust, the Gulag Archipelago, the Cultural Revolution, Apartheid and other crimes against humanity. The question is whether - and, if so, to what extent - literary imagination may depart from historical truth. In general, the first reactions to traumatic historical experiences are autobiographical statements, written by witnesses of the events. However, the second and third generations, the sons and daughters of the victims as well as of the victimizers, tend to free themselves from this generic restriction and claim their own way of remembering the history of their parents and grandparents. They explore their own limits of representation, and feel free to use a variety of genres; they turn to either realist or postmodernist, ironic or grotesque modes of writing.
Science fiction for blokes – that’s what you get. If you’re a bloke and you want action and adventure and the odd joke to liven things up this series is designed to keep you entertained as it follows a group of enhanced humans and aliens through various adventures; all entities are represented as normal people doing reasonably normal things at one moment and travelling through dimensions, Time and galaxies the next.
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This book does not portray any great feats of heroism as might be expected of a war book. Rather, it follows the three agonizing years of a group of terrified individuals who refused to knuckle under to the Germans and their horror-filled occupation of the Ukraine. Though faced with almost insurmountable hardships, this small band--these guerillas--fought back as best as they could. Through the bitter winters, the starvation, the almost hopeless future, they never wavered in their determination to remain free. Their battle was not fought on a large scale, nor were there any clear-cut victories. There were no headlines to herald them when a bridge was blown up or when a train was dynamited from the tracks. Their losses were suffered in silence, as were their victories. Bravery, heroic deeds, suffering, defeat and victory were absorbed in silent gratefulness that at least they still possessed life--a victory in itself, for it was the only thing they were fighting for, No lofty ideals or romantic causes, just life.
Language acquisition is a human endeavor par excellence. As children, all human beings learn to understand and speak at least one language: their mother tongue. It is a process that seems to take place without any obvious effort. Second language learning, particularly among adults, causes more difficulty. The purpose of this series is to compile a collection of high-quality monographs on language acquisition. The series serves the needs of everyone who wants to know more about the problem of language acquisition in general and/or about language acquisition in specific contexts.
From New York Times bestselling and Edgar Award–winning author Adrian McKinty, this thrilling mystery featuring Detective Sean Duffy was a Boston Globe Best Book of the Year. Belfast, 1988. A man is found dead, killed with a bolt from a crossbow in front of his house. This is no hunting accident. But uncovering who is responsible for the murder will take Detective Sean Duffy down his most dangerous road yet, a road that leads to a lonely clearing on a high bog where three masked gunmen will force Duffy to dig his own grave. Hunted by forces unknown, threatened by Internal Affairs, and with his relationship on the rocks, Duffy will need all his wits to get out of this investigation in one piece.
For the last 400 years, since the birth of the Stuart Dynasty in England with James VI in the early 17th century, when the contraction of negative forms of the English sentence began in earnest, (canonical) tag questions have been a great fascination to many users of English. Within the last sixty years, beginning with the birth of the generative paradigm, tag questions have equally been of particular interest to many scholars of linguistics from a variety of perspectives, especially those concerned with the syntax-semantics and socio-pragmatics of the English sentence. With the spread of English to other countries and the emergence of new Englishes in the post-colonial context of the non-native varieties spoken in former British colonies, it is particularly interesting to see how and why tag questions have evolved over time in daily usage in both form and function in different English speech communities around the world. The essays gathered here focus on this evolutionary trend of English tag questions, with special attention on the exoticisms that characterize current usage.