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The Loss of So Many
The Loss of So Many is a catalogue featuring the works by American artist David Mellen for his solo exhibition The Loss of So Many at BOSI Contemporary. The catalogue features an essay by writer Karolina Chojnowska and a collection of works in the show.
Quality of life
Exhibition Catalogue published in the occasion of the exhibition "QUALITY OF LIFE" (June 19 - July 19), a group exhibition featuring artworks from Aliza Nisenbaum, Claudia Cortinez & Carlos Vela-Prado, Daniel Bejar, Ethan Breckenridge, and Reka Reisinger.Curated by Allison Galgiani, in collaboration with the Rema Hort Foundation and held at BOSI Contemporary.
Transparency
This catalogue accompanies the exhibition Transparency: Salvatore Emblema (1929-2006) held at BOSI Contemporary from November 14 to January 11. Growing up in Terzigno, a town on Mt. Vesuvius overlooking Pompei, informed his basic artistic impulses. Always a purist with an interest in raw materials, Emblema concerned himself with nature, texture, shadow, and most importantly, light. His use of stretched sackcloth, or burlap, embodied all these interests and quickly became his canvas of choice. An Italian post-war artist, Emblema remains relatively unknown to an American audience despite his artistic achievements that span decades of movements.
in, side - throughtout
Exhibition Catalogue published in the occasion of the exhibition "in, side - throughout" (September 17 - October 18, Extended until October 25), a group exhibition curated by Naomi Lev, featuring artworks from Aimée Burg, Tamar Ettun, and Mónika Sziládi and held at BOSI Contemporary.
New Photogenic Drawings
Catalog published on the occasion of the exhibition "New Photogenic Drawings" held at BOSI Contemporary, New York, NY from March 28 to April 21. The two artists present their last production of photograms.
Contemporary Terrorism Studies
'Contemporary Terrorism Studies' is a comprehensive and accessible introduction to terrorism studies, examining key issues and debates, and featuring dedicated sections on terrorism and counter-terrorism. - When do individuals radicalise? - Can terrorism be rational? - How can we define terrorism? - What is the role of women in terrorism? - Can states be terrorist? World leading experts answer these questions in Contemporary Terrorism Studies, the first textbook to provide a multi-disciplinary, methodologically plural, and richly diverse introduction to terrorism studies. Contemporary Terrorism Studies covers the main approaches in terrorism studies, and is structured into three comprehensiv...
Vital Shift in Central Observer
Exhibition Catalogue published in the occasion of the exhibition "Vital Shift in Central Observer" (February 18 - March 21), a two-person show featuring sculptures by Tao Kulczycki and the two new series of paintings by Ian Swanson and held at BOSI Contemporary.
Sprouted
Exhibition catalogue of Sprouted, a solo exhibition by Brazilian Art Gardener Andre Feliciano at BOSI Contemporary. As a self-proclaimed art gardener working in the field of photography, Feliciano aims to materialize the present while cultivating the future. Featuring photographic works and a new large-scale installation, this exhibit explores the symbolic relationship between photography and society. Feliciano's playful, engaging creations nurture photographic culture both mentally and physically.
Dean Dempsey Solo Show
Dean Dempsey is a multidisciplinary artist living and working in New York City. His work poetically explores the liminal space between opposing forces. The following is an accompanying catalogue for his first solo exhibition at BOSI Contemporary that features a new body of work created predominantly while at a residency in Munich. Dempsey expands his oeuvre to incorporate videos and paintings in addition to photography. Eliminating himself as subject, he steps behind the camera lending a voyeuristic eye to this evocative images.
Space and Subjectivity in Contemporary Brazilian Cinema
This collection explores the emergence of new spatialities and subjectivities in Brazilian films produced from the 1990s onwards, a period that became known as the retomada, but especially in the cinema of the new millennium. The chapters take spatiality as a powerful tool that can reveal aesthetic, political, social, and historical meanings of the cinematographic image instead of considering space as just a formal element of a film. From the rich cross-fertilization of different theories and disciplines, this edited collection engages with the connection between space and subjectivity in Brazilian cinema while raising new questions concerning spatiality and subjectivity in cinema and providing new models and tools for film analysis.
