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Byron and Translation
This collection of essays offers an image of Byron not only as a poet – for which he is best known – but as a translator of foreign literature and culture. To recover this underexplored element of Byron’s work, the contributors examine his translated pieces in both textual and extra-textual contexts, including analysis of manuscripts, composition history, publishing history, and other literary and historical factors. They explore the motives behind Byron’s choice to translate in the first place, as well as reconstructing the translational methods he applied, and his ideas on translation and the role of the translator in general. The book focuses too on Byron’s ‘geographical mobil...
The Cambridge Introduction to Byron
A clear, jargon-free and comprehensible survey of a diverse and voluminous canonical British author.
Byron
First published in 1972. John D. Jump, a leading authority on Byron and the Romantic period, here gives an account of Byron’s literary achievement in relation to the age of revolutions in which he lived and in relation to his own character and personal circumstances. Professor Jump focuses upon the major poems and also discusses Byron’s prose, principally his letters and journals. In doing so he covers all of the important aspects of Byron’s work.
Byron and the Discourses of History
In her study of the relationship between Byron’s lifelong interest in historical matters and the development of history as a discipline, Carla Pomarè focuses on drama (the Venetian plays, The Deformed Transformed), verse narrative (The Siege of Corinth, Mazeppa) and dramatic monologue (The Prophecy of Dante), calling attention to their interaction with historiographical and pseudo-historiographical texts ranging from monographs to dictionaries, collections of apophthegms, autobiographies and prophecies. This variety of discourses, Pomarè suggests, not only served as a source of the historical information Byron cherished, providing the subject matter for countless episodes in his works, b...
Byron
Lord Byron (1788-1824) was a poet and satirist, as famous in his time for his love affairs and questionable morals as he was for his poetry. Looking beyond the scandal, Byron leaves us a body of work that proved crucial to the development of English poetry and provides a fascinating counterpoint to other writings of the Romantic period. This guide to Byron’s sometimes daunting, often extraordinary work offers: an accessible introduction to the contexts and many interpretations of Byron’s texts, from publication to the present an introduction to key critical texts and perspectives on Byron’s life and work, situated in a broader critical history cross-references between sections of the guide, in order to suggest links between texts, contexts and criticism suggestions for further reading. Part of the Routledge Guides to Literature series, this volume is essential reading for all those beginning detailed study of Byron and seeking not only a guide to his works but also a way through the wealth of contextual and critical material that surrounds them.
Byron, Poetics and History
Jane Stabler offers the first full-scale examination of Byron's poetic form in relation to historical debates of his time. Responding to recent studies of publishing and audiences in the Romantic period, Stabler argues that Byron's poetics developed in response to contemporary cultural history and his reception by the English reading public. Drawing on extensive new archive research into Byron's correspondence and reading, Stabler traces the complexity of the intertextual dialogues that run through his work. For example, Stabler analyses Don Juan alongside Galignani's Messenger - Byron's principal source of news about British politics while in Italy - and refers to hitherto unpublished letters between Byron's publishers and his friends to reveal a powerful impulse among his contemporaries to direct his controversial poetic style to their own conflicting political ends. This fascinating study will be of interest to Byronists and, more broadly, to scholars of Romanticism in general.
Byron and Scott
Literary historians have repeatedly observed that while Scott as a poet was the first British literary lion of the nineteenth century, his fame was supplanted by Byron as a poet starting in 1812. But that is as far as they take the relationship seriously, for the two writers are traditionally thought of as very different, even as political and temperamental opposites. But in fact, the two writers met each other in 1815, liked each other, and cherished their friendship the rest of their lives. The story of their relationship in personal terms was not over. Nor was the literary relationship, this study ventures. Scott embarked on an entirely new career in 1814, inventing the historical novel. ...
Byron and Latin Culture
Byron and Latin Culture consists of twenty-three papers, most of which were given at the 37th International Byron Conference at Valladolid, Spain, in July 2011. An introduction by the editor describes in detail the huge influence which the major Latin poets had on Byron: his borrowings, imitations, parodies, and echoes have never been catalogued in such detail, and it becomes clear that many ideas central to Don Juan, in particular, derive from Ovid, Virgil, Petronius, Martial and the other great classical writers. There are substantial sections on the ways Byron was influenced by, and in turn influenced, the literature and art of France, Spain, Italy, and other nations. Contributors include John Clubbe, Richard Cardwell, Madeleine Callaghan, Alice Levine, Itsuyo Higashinaka, Olivier Feignier, Katherine Kernberger, and Stephen Minta.
The Oxford Handbook of Lord Byron
The Oxford Handbook of Lord Byron offers the latest in critical thinking about the poet that defined the Romantic era across Europe and beyond. The volume presents forty-four groundbreaking essays that enable readers to assess Lord Byron's central position in Romantic traditions and his profound and far-reaching influence on British, European, and world culture. The chapters are organized into five sections-'Works', 'Biographical Contexts', 'Literary and Cultural Contexts', 'Afterlives', and 'Reading Byron Now'-that guide readers through the most important issues and frameworks for interpreting Byron. 'Works' presents original readings of Byron's key works and many of his lesser-known ones, ...
The Ambiguity of Taste
An exploration into the role of food in the aesthetic revolution of Romanticism
