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Eva Zeisel was one of the twentieth century's most influential ceramicists and designers of modern housewares. Her distinctive take on modern industrial design was inspired by organic form and brought beauty and playfulness to housewares, earning her designs a beloved place in midcentury homes. This richly illustrated volume—the first-ever complete biographical account of Zeisel's life and work—presents an extensive survey of every line she ever created, all captured in gorgeous new photography, plus 28 short essays from scholars, collectors, curators, and designers. The definitive book on the grande dame of twentieth-century ceramics, this is an essential resource for anyone who appreciates modern design.
This imaginative book offers architecture students over a hundred examples of visual problem solving in architectural design. Photographs of actual buildings, paired with digitally manipulated images in 'before and after' comparisons, demonstrate the sorts of real-life situations that architectural design courses rarely teach students how to address, and show how designers can manipulate form and material to achieve desired effects: emphasizing or diminishing building elements, imposing visual order on a façade, or adding grace notes.
Embellishment is a basic human need. Why was it banished from modern architecture?
Eva Zeisel's recounting of 16 months in a Soviet prison, 1936-37, at the beginning of the Stalinist purges. It includes original NKVD documents related to Zeisel's case, such as questionnaires and interrogation transcriptions. Also contains photos, poems written while she was in prison, 40 year old audio recordings of Eva recalling her time in prison, and video clips of her return visit, in 2000, to the Lomonosov factory in St. Petersburg where she had worked 63 years before.
The Form of Cities offers readers a considered theoretical introduction to the art of designing cities. Demonstrates that cities are replete with symbolic values, collective memory, association and conflict. Proposes a new theoretical understanding of urban design, based in political economy. Demonstrates different ways of conceptualising the city, whether through aesthetics or the prism of gender, for example. Written in an engaging and jargon-free style, but retains a sophisticated interpretative edge. Complements Designing Cities by the same author (Blackwell, 2003).
With a career spanning more than 75 years, Eva Zeisel stands at the forefront of 20th century designers. Her works, mostly in ceramics and glass, are a reflection of an independent vision. In this book, the designer communicates the ideas that have guided and inspired her work throughout her career.