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Frances Burney and Narrative Prior to Ideology
Frances Burney and Narrative Prior to Ideology works between Burney’s Journals and Letters and her fiction more thoroughly than any study of her in the past twenty-five years. By doing so, it offers significant reinterpretations of Burney’s four novels: Evelina, Cecilia, Camilla, and The Wanderer.
A Celebration of Frances Burney
On the two hundred and fiftieth anniversary of the birth of the writer Frances Burney (1752–1840), a window to her memory was placed in the arched recess of stained glass that graces Poets’ Corner. Novelist, playwright and diarist, Frances Burney is one of the few women accorded such an honour. She joins the likes of Jane Austen, Charlotte Brontë and George Eliot who might in some ways be seen as her literary heirs. Burney’s journey to recognition on the stage of the world has been a long one, crowned finally with triumph. The service marked the mid-point of a two-day conference in which various aspects of Burney’s life and achievement were canvassed. Her journals and letters, her n...
Encyclopedia of British Humorists
First Published in 1996. Routledge is an imprint of Taylor & Francis, an informa company.
Henry Fielding
An accurate and comprehensive study of the political aspects of Fielding’s art has been sorely needed. As a result of decades of work by literary scholars and a series of great historians, such a study is finally possible. This volume addresses that need, and, in the light of a recent revival of interest in Fielding’s work, it arrives most opportunely. The author offers here a wide-ranging focus and a firm grip on the shifting complexities of Fielding’s political situations—the loyalties and enmities, factional alignments and fractious rhetoric—that allow a satisfactory understanding of Fielding’s political writing. Political writing in Fielding’s day, as in ours, was topical, ...
Joseph Addison
Joseph Addison: Tercentenary Essays is a collection of fifteen essays by a team of internationally recognized experts specially commissioned to commemorate the three hundredth anniversary of Addison's death in 2019. Almost exclusively known now as the inventor and main author of The Spectator, probably the most widely read and imitated prose work of the eighteenth century, Addison also produced important and influential work across a broad gamut of other literary modes--poems, verse translations, literary criticism, periodical journalism, drama, opera, travel writing. Much of this work is little known nowadays even in specialist academic circles; Addison is often described as the most neglec...
The Orphan in Eighteenth-Century Law and Literature
Cheryl Nixon's book is the first to connect the eighteenth-century fictional orphan and factual orphan, emphasizing the legal concepts of estate, blood, and body. Examining novels by authors such as Eliza Haywood, Tobias Smollett, and Elizabeth Inchbald, and referencing never-before analyzed case records, Nixon reconstructs the narratives of real orphans in the British parliamentary, equity, and common law courts and compares them to the narratives of fictional orphans. The orphan's uncertain economic, familial, and bodily status creates opportunities to "plot" his or her future according to new ideologies of the social individual. Nixon demonstrates that the orphan encourages both fact and ...
Novel Relations
Ruth Perry describes the eighteenth-century transformation of the English family as a function of major social changes. She uses social history, literary analysis and anthropological kinship theory to examine texts by Austen, Richardson, Burney, and many others. This important study will be of interest to social and literary historians.
Frances Burney and Narrative Prior to Ideology
Frances Burney and Narrative Prior to Ideology works between Burney’s Journals and Letters and her fiction more thoroughly than any study of her in the past twenty-five years. By doing so, it offers significant reinterpretations of Burney’s four novels: Evelina, Cecilia, Camilla, and The Wanderer. It describes Burney’s eluding the major modern–isms through which critics have tried to read her: Feminism (with its “gendering” of beauty and reversal of gender roles); Capitalism and its Marxist critique (here the details of Burney’s housekeeping become important); Professionalism (as a response to status inconsistency and class conflict); and Ian Watt’s “Formal Realism” (Burn...
After the Death of Literature
Schwartz speculates that Johnson - who revered hard facts, a wide cultural base, and common sense - would have exhibited scant patience with the heavily academic approaches currently favored in the study of literature. He considers it probable that the combatants in the early struggles of the culture wars are losing energy and that, in the wake of Alvin Kernan's declaration of the death of literature, new battlegrounds are developing. Ironically admiring the orchestration and staging of battles old and new - "superb" he calls them - he characterizes the entire culture war as a "battle between straw men, carefully constructed by the combatants to sustain a pattern of polarization that could be exploited to provide continuing professional advancement."
