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The Selected Stories of Xu Zechen
This book contains six works that each reflect the different styles of the author in each period of his work, paying attention to men of low status, memories of childhood, campus life, and the living conditions of Beijing’s drifters. Told in a straightforward manner, all the stories in this book are told in the first person and can be regarded together as a spiritual autobiography. Xu Zechen won the sixth Lu Xun Literature Award for short stories, and short stories have always been the focus and intention of his creation.
Nothing But the Now
Nothing but the Now is a collection of seven stories, most of them about chance encounters in the world, the consequences of greed and temptation, the inescapable past, and moral dilemmas that seem to be tailored to each character’s flaws and foibles. The book explores the larger and more fundamental issues of life, death, love, and desire, and further interrogates the inter-relationships between the individual, the other, and the world. Each character in the stories must struggle to understand the meaning of his or her encounters and translate them into gains in their lives if they are to truly grow and arrive at themselves.
Contested Modernities in Chinese Literature
This book is a significant gathering of ideas on the subject of modern Chinese literature and culture of the past several years. The essays represent a wide spectrum of new approaches and new areas of subject matter that are changing the landscape of knowledge of modern and contemporary Chinese culture: women's literature, theatre (performance), film, graphic arts, popular literature, as well as literature of the Chinese diaspora. These phenomena and the approaches to them manifest interconnected trajectories for new scholarship in the field: the rewriting of literary history, the emergence of visual culture, and the quotidian apocalypse - the displacement of revolutionary romanticism and realism as central paradigms for cultural expression by the perspective of private, everyday experience.
Worlds Apart
Thirteen selected papers from an international conference on contemporary Chinese literature held near Gunzburg, Bavaria, in June-July 1986 constitute both a record of literary writings from the PRC, Hong Kong, and Taiwan, as well as an overview of the broader international role of Chinese writing i
The Subject in Crisis in Contemporary Chinese Literature
Post-Mao China produced two parallel discourses on the human subject in the New Era (1976–1989). One was an autonomous, Enlightenment humanist self aimed at replacing the revolutionary paragon that had dominated under Mao. The other was a more problematic subject suffering from either a symbolic physical deformity or some kind of spiritual paralysis that undermines its apparent normalcy. How do we explain the stubborn presence, in the literature of the 1980s and 1990s, of this crippled agent who fails to realize the humanist autonomy envisioned by post-Mao theorists? What are the anxieties and tensions embedded in this incongruity and what do they reveal? This illuminating and original cri...
A History of Contemporary Chinese Literature
"A thorough overview and analysis of the literary scene in China during the 1949-1999 period, focusing primarily on fiction, poetry, drama, and prose writing"--Provided by publisher.
The River Fans Out
This book presents 18 highly influential essays on Chinese literature and semiotics by Professor Zhao Yiheng, including his analysis and discussions of the development of Chinese literature and its characteristics from traditional to modern times. It is divided into three parts: traditional Chinese literature, contemporary Chinese literature, and semiotics. In the first part, Professor Zhao summarizes the core elements of narrative cultural relations, ethical dilemmas, and narrative features. He also provides a comprehensive description of the formal structures in Chinese traditional literature. Taking the traditional Chinese play White Rabbit as a case, he discusses the connections between the narrative structure and the characteristics of Chinese novels and stratification of Chinese culture.
The A to Z of Modern Chinese Literature
The A to Z of Modern Chinese Literature presents a broad perspective on the development and history of literature in modern China. It offers a chronology, introduction, bibliography, and over 300 cross-referenced dictionary entries on authors, literary and historical developments, trends, genres, and concepts that played a central role in the evolution of modern Chinese literature.
A Companion to Modern Chinese Literature
This wide-ranging Companion provides a vital overview of modern Chinese literature in different geopolitical areas, from the 1840s to now. It reviews major accomplishments of Chinese literary scholarship published in Chinese and English and brings attention to previously neglected, important areas. Offers the most thorough and concise coverage of modern Chinese literature to date, drawing attention to previously neglected areas such as late Qing, Sinophone, and ethnic minority literature Several chapters explore literature in relation to Sinophone geopolitics, regional culture, urban culture, visual culture, print media, and new media The introduction and two chapters furnish overviews of the institutional development of modern Chinese literature in Chinese and English scholarship since the mid-twentieth century Contributions from leading literary scholars in mainland China and Hong Kong add their voices to international scholarship
