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Bridget Christie is a stand-up comedian, idiot and feminist. On the 30th of April 2012, a man farted in the Women’s Studies Section of a bookshop and it changed her life forever. A Book For Her details Christie’s twelve years of anonymous toil in the bowels of stand-up comedy and the sudden epiphany that made her, unbelievably, one of the most critically acclaimed British stand-up comedians this decade, drawing together the threads that link a smelly smell in the women’s studies section to the global feminist struggle. Find out how nice Peter Stringfellow’s fish tastes, how yoghurt advertising perpetuates rape myths, and how Emily Bronte used a special ladies’ pen to write Wuthering Heights. If you’re interested in comedy and feminism, then this is definitely the book for you. If you hate both then I’d probably give it a miss. “Christie is adept at turning on a sixpence between being comical, or serious, or both at once, and at pricking her own earnestness.” Telegraph ‘Christie piles derision and tomfoolery upon everyday sexism, while never pretending that jokes alone will solve the problem.’ Guardian
In a city that has forgotten and erased much of its history, there are still places where traces of the past can be found. Deep histories, both natural and human, have been woven together over hundreds of years in places across Tāmaki Makaurau Auckland, forming potent sites of national significance. This stunning book unearths these histories in three iconic landscapes: Pukekawa/Auckland Domain, Maungakiekie/One Tree Hill and the Ōtuataua Stonefields at Ihumātao. Approaching landscapes as an archive, Lucy Mackintosh delves deeply into specific places, allowing us to understand histories that have not been written into books or inscribed upon memorials, but which still resonate through Auckland and beyond. Shifting Grounds provides a rare historical assessment of Tāmaki Makaurau Auckland's past, with findings and stories that deepen understanding of New Zealand history.
Bridget Quinlan is a spirited 13-year-old when the Irish potato famine of the 1840s shatters her life. Although her home is a hovel with few possessions, her family survives as long as her father can grow a good crop of potatoes on his small piece of land. Tragedy strikes when crops fail and typhus spreads, killing one of the boys in her school and then her brother, Rory. With soldiers evicting the ill and unemployed, the Quinlans are forced to accept the offer of a passage to Canada. Appalling conditions onboard contribute to many deaths so that by the time they reach Grosse Île, Quebec, Bridget and her sister are alone in the world. The two are adopted by a kind farming family and gradually settle into their new life. After all the sadness and loss, a surprising turn of events brings them lasting joy.
'The creative writing bible'C.S. Quinn, bestselling author of The Thief Taker This book is about writing. It's about taking risks, experimenting and giving yourself the freedom to make mistakes. This book is about finding out what kind of writer you want to be and becoming the best writer you can be. 'I recommend this book to all my students, and I recommend it to you. Great stuff.' Alex Pheby, Head of Creative Writing, University of Greenwich.
*PRE-ORDER BRIDGET COLLINS' STUNNING NEW NOVEL, THE SILENCE FACTORY, NOW* LOSE YOURSELF IN THE BREAKOUT SENSATION OF THE YEAR SHORTLISTED FOR WATERSTONES BOOK OF THE YEAR 2019 ‘Spellbinding’ Guardian ‘Magic’ Erin Kelly ‘Immersive’ Sunday Times ‘Astounding’ Anna Mazzola
Published on the occasion of Bridget Riley’s major exhibition at David Zwirner in London in the summer of 2014, this fully illustrated catalogue offers intimate explorations of paintings and works on paper produced by the legendary British artist over the past fifty years, focusing specifically on her recurrent use of the stripe motif. Riley has devoted her practice to actively engaging viewers through elementary shapes such as lines, circles, curves, and squares, creating visual experiences that at times trigger optical sensations of vibration and movement. The London show, her most extensive presentation in the city since her 2003 retrospective at Tate Britain, explored the stunning visu...
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Mercy needs to stand up for herself. She also needs a miracle.Eleven-year-old Mercy lives with her eccentric foster aunts - two elderly sisters so poor they can afford only one lightbulb. A nasty housing developer is eyeing their house, which suddenly starts falling apart - just as Aunt Flora does, too. She's forgetting words, names and even how to behave in public. Mercy tries to keep her head down at school but when a classmate frames her for stealing the school's raffle money, Mercy's teachers decide to take a closer look at her home life. With the help of a neighbour, Mr Singh, who teaches Mercy about Gandhi and his principles of passive resistance, Mercy finds a tool that can help solve her problems. But first, like Gandhi, she needs to stand up for herself. She also needs a miracle. And to summon it she has to find her voice and tell the truth - and that truth is neither pure nor simple. A book that already feels like a classic, Small Mercies holds a strong message for children today. Full of heart, it will shine among the best children's literature for years to come.
The Grief Handbook will take you by the hand and offer empathy and compassion, helping you through what can feel like the worst days of your life. Bridget McNulty lost her mum suddenly. She couldn't find the support that she needed in the rawness of her immediate grief, and the loneliness felt profoundly shocking. The Grief Handbook weaves her personal experience with expert psychological insights and practical advice, to enable you to navigate your grief in your own way. There is no one-size-fits-all recovery process for bereavement. Understanding that each experience of grief is unique, you can stop worrying about how you should be feeling. This interactive journal offers you room to explore your feelings at your own pace, helping you not to shy away from the enormity of your heartbreak. To be able to move through grief we need to understand our emotions, tune into our needs and know that what we are feeling is normal. Grief isn’t something to “get over”, but a loss to honour and live with. This gentle book shows us how
Biographical essays on some three hundred prominent women of New Zealand.