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As perceived icons of indifferent marginality, disorder, indolence, and parasitism, “Gypsies” threatened the Bolsheviks’ ideal of New Soviet Men and Women. The early Soviet state feared that its Romani population suffered from an extraordinary and potentially insurmountable cultural “backwardness,” and sought to sovietize Roma through a range of nation-building projects. Yet as Brigid O’Keeffe shows in this book, Roma actively engaged with Bolshevik nationality policies, thereby assimilating Soviet culture, social customs, and economic relations. Roma proved the primary agents in the refashioning of so-called “backwards Gypsies” into conscious Soviet citizens. New Soviet Gyps...
Winner of the 2022 Ab Imperio Award Hoping to unite all of humankind and revolutionize the world, Ludwik Zamenhof launched a new international language called Esperanto from late imperial Russia in 1887. Ordinary men and women in Russia and all over the world soon transformed Esperanto into a global movement. Esperanto and Languages of Internationalism in Revolutionary Russia traces the history and legacy of this effort: from Esperanto's roots in the social turmoil of the pre-revolutionary Pale of Settlement; to its links to socialist internationalism and Comintern bids for world revolution; and, finally, to the demise of the Soviet Esperanto movement in the increasingly xenophobic Stalinist...
This book is the first to offer a concise, accessible overview of the evolution of the Soviet Union as a multiethnic empire. It reflects on how the Soviet Union was home to many ethnic minorities, and how their fates, and that of the USSR itself, were bound to the question of how the Soviet state responded variously throughout its existence to the fundamental question of ethnic difference across its vast and diverse territory. The book then examines how the Soviet collapse in 1991 fractured the Union along markedly national lines, leading to a variety of new nation-states – including the Russian Federation – being born. Brigid O'Keeffe explains how and why the Bolsheviks inscribed ethnic...
Is the concept of "race" applicable to Russia and the Soviet Union? Citing the idea of Russian exceptionalism, many would argue that in the nineteenth and twentieth centuries, while nationalities mattered, race did not. Others insist that race mattered no less in Russia than it did for European neighbours and countries overseas. These conflicting notions have made it difficult to understand rising racial tensions in Russian and Eurasian societies in recent years. A collection of new studies that reevaluate the meaning of race in Russia and the Soviet Union, Ideologies of Race brings together historians, literary scholars, and anthropologists of Russia, the Soviet Union, Western Europe, the U...
This book explores the multicultural world of historical Russia through the life stories of 31 individuals that exemplify the cross-cultural exchanges in the country from the late 1500s to post-Soviet Russia.
Nested Nationalism is a study of the politics and practices of managing national minority identifications, rights, and communities in the Soviet Union and the personal and political consequences of such efforts. Titular nationalities that had republics named after them in the USSR were comparatively privileged within the boundaries of "their" republics, but they still often chafed both at Moscow's influence over republican affairs and at broader Russian hegemony across the Soviet Union. Meanwhile, members of nontitular communities frequently complained that nationalist republican leaders sought to build titular nations on the back of minority assimilation and erasure. Drawing on extensive ar...
Representing a crucial intervention in the history of internationalism, transnationalism and global history, this edited collection examines a variety of international movements, organisations and projects developed in Europe or by Europeans over the course of the 20th century. Reacting against the old Eurocentricism, much of the scholarship in the field has refocussed attention on other parts of the globe. This volume attempts to rethink the role played by ideas, people and organisations originating or located in Europe, including some of their consequential global impact. The chapters cover aspects of internationalism such as the importance of language, communication and infrastructures of...
Journeys to a Graveyard examines the descriptions provided by eight Russian writers of journeys made to western European countries between 1697 and 1880. The descriptions reveal the mentality and preoccupations of the Russian social and intellectual elites during this period. The travellers' perceptions of western European countries are treated here as an ambivalent response to a civilization with which Russia was belatedly coming into close contact as a result of the imperial ambition of the Russian state and the westernization of the Russian elites. The travellers perceived the most advanced European countries as superior to Russia in terms of material achievement and the maturity and refinement of their cultures, but they also promoted a view of Russia as in other respects superior to the western nations. Heavily influenced from the late eighteenth century by Romanticism and by the rise of nationalism in the west, they tended to depict European civilization as moribund. By this means they managed to define their own emergent nation in a contrastive way as having youth and promising futurity.
A rare, graphic portrait of Russian life in 1917 immediately after the October Revolution. The heroine struggles with her passion for her husband, and the demands of the new world in which she lives.
New Mexico, 1985. Brigid Long Night, a young half-Navajo painter, goes to work as an assistant for the elderly Georgia O’Keeffe. Haunted by the decision to give up her newborn daughter for adoption, Brigid struggles with the direction and inertia of her life. With O’Keeffe’s encouragement, Brigid develops a powerful style, incorporating language and wordplay as well as image in her portrayal of Native American life and her place in it. Atlanta, 1995. Nancy Diamond, an aspiring playwright, encounters Brigid’s work and begins to understand the hidden truths about her own life as the child born of an affair between her white mother and an African American artist. New York City, 2001. Sasha Hernandez enrolls at Columbia University to study filmmaking. She has only recently discovered that her mother, living in Manhattan, is a celebrated painter and sculptor whose work is installed in the sculpture garden at the World Trade Center. In Liza Wieland’s deeply moving novel, these interwoven stories show how art reveals the depth and complexity of human love, in all its betrayals and losses, beauty and redemption.