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Medieval Art and Architecture at Wells and Glastonbury: the British Archaeological Association Conference Transactions for the Year 1978: V. 4
First published in 1981. Routledge is an imprint of Taylor & Francis, an informa company.
Newcastle and Northumberland
This book is an outcome of the summer conference on the theme Newcastle and Northumberland. It examines the heritage of north-eastern England ranging from the sculpture of the Roman occupation through the monuments and architecture of the Anglo-Saxon and Norman periods.
Westminster
Part I begins with studies of the topography of the area, an account of its Roman-period finds and an historiographical overview of the archaeology of the Abbey. Edward the Confessor's enigmatic church plan is discussed and the evidence for later Romanesque structures is assembled for the first time. Five papers examine aspects of Henry III's vast new Abbey church and its decoration. A further four cover aspects of the later medieval period, coronation, and Sir George Gilbert Scott's impact as the Abbey's greatest Surveyor of the Fabric. A pair of papers examines the development of the northern precinct of the Abbey, around St Margaret's Church, and the remarkable buildings of Westminster school, created within the remains of the monastery in the 17th and 18th centuries.
Medieval Architecture
Medieval architecture comprises much more than the traditional image of Gothic cathedrals and the castles of chivalry. A great variety of buildings--synagogues, halls, and barns--testify to the diverse communities and interests in western Europe in the centuries between 1150 and 1550. This book looks at their architecture from an entirely fresh perspective, shifting the emphasis away from such areas as France towards the creativity of other regions, including central Europe and Spain. Treating the subject thematically, Coldstream seeks out what all buildings, both religious and secular, have in common, and how they reflect the material and spiritual concerns of the people who built and used them. Furthermore, the author considers how and why, after four centuries of shaping the landscapes and urban patterns of Europe, medieval styles were superseded by classicism.
Medieval Art and Architecture at Durham Cathedral
This book contains fifteen essays that synthesize the documentary and archaeological evidence for the development of early medieval Durham and asses its archaeological potential. It systematically extracts the important aspects of materials related to architectural history of the Durham cathedral.
