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The King of Gravesend, The Trilogy
The three books in the series, are combined into one awesome compendium. This edition contains some of the artworks that I used as inspiration in writing the book and a few teaks on the characters, but only a few. It follows the adventures of Chuds Douglas, recently deported back to the UK and finding himself back in Gravesend, where he was born and raised and, once upon a time, used to be someone in the town. However his old businesses have been taken over by a ruthless family gang who operate in a way that Chuds cannot simply stand by and watch. Can he get his old reputation and business back? Will his actions trigger events that take him abroad and inspire even greater adventures and risks. The three books build to a crescendo, and will keep you enthralled to the last page...
The Formation of English Gothic
In this original account of architecture in England between c.1150 and c.1250, Peter Draper explores how the assimilation of new ideas from France led to an English version of Gothic architecture that was quite distinct from Gothic expression elsewhere. The author considers the great cathedrals of England (Canterbury, Wells, Salisbury, Lincoln, Ely, York, Durham, and others) as well as parish churches and secular buildings, to examine the complex interrelations between architecture and its social and political functions. Architecture was an expression of identity, Draper finds, and the unique Gothic that developed in England was one of a number of manifestations of an emerging sense of national identity. The book inquires into such topics as the role of patrons, the relationships between patrons and architects, and the wide variety of factors that contributed to the process of creating a building. With 250 illustrations, including more than 50 in color, this book offers new ways of seeing and thinking about some of England’s greatest and best-loved architecture.
Nursing Perspectives on Quality of Life
One of the fundamental aims of nursing is to safeguard or promote patients' 'quality of life'. In Nursing Perspectives on Quality of Life, Peter Draper examines existing ways of defining the concept and argues that nurses need to adopt a fresh approach, which more accurately reflects patients' concerns and helps them to develop practical ways of promoting the well-being of people in their care. The text provides an analysis of statistical approaches to quality of life, including social indicators, the Quality Adjusted Life Year (QALY), and the medical outcomes literature. The author proposes an alternative, qualitative approach to organising care, which respects the patients' choice and individuality and presents the findings of new research into the quality of life of older people in hospital wards. Combining original research and a critical analysis of existing models, Nursing Perspectives on Quality of Life is suitable for students at undergraduate and postgraduate levels.
Reassessing Nikolaus Pevsner
Nikolaus Pevsner was one of the most important and influential art historians of the twentieth century. He opened up new areas of enquiry in the history of art, revolutionising architectural studies in England and playing a key role in establishing the discipline of design history. Through his lectures and broadcasts, as well as the remarkable volumes in The Buildings of England series which made him a household name, he did much to encourage greater interest in, and understanding of, art and architecture among a wide public. This wide-ranging collection of essays, based on papers delivered at the conference held at Birkbeck in celebration of the centenary of Pevsner's birth, offers the first sustained critical assessment of Pevsner's achievements. With contributions by leading international scholars, the volume brings together a wealth of new material on Pevsner and his intellectual background, both in Germany in the late 1920s and 1930s and in England, particularly in the 1940s and 1950s.
The Mental Life of the Architectural Historian
Starting with the question concerning the discursive formation of architectural history, the chapters compiled in this book attempt to re-read the historiography of early modern architecture from the point of view of the theoretical work produced since the post-war era. Central to the objectives of the argument are the ways in which, firstly, architectural history differs from the traditions of art history, and, secondly, that the historical narrative works its autonomy through theoretical representation, the discursive flow of which is interrupted by the historian’s urge to support arguments with references to buildings, texts, drawings, and historical events. The historians discussed in ...
