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Perhaps you've invented the next big breakthrough. If so, congratulations. Now the next test begins. How do you protect such an invention? How do you ensure that such protection adds value to your invention? And ultimately, how do you ensure that you get properly compensated for your invention? This textbook will teach these and other core patent concepts. The reader will follow the life of a patent, including how to conduct an inventor disclosure, write a patent application, and respond to actions from the USPTO, to eventually pursuing one or more profit options, such as litigation, brokering, or licensing. The focus of the textbook is on adding value to IP portfolios by implementing patent strategies at every phase of the patent process. The goal is to enable the reader to formulate and carry out such strategies. Keep inventing. Keep protecting.
Joseph Kerman is one of the most eminent, wide ranging, and readable of today's writers on music. Admirers of his many books - on musicology, opera, Beethoven, and Elizabethan music - will find much to interest them in this collection of essays, taken from general journals, such as the Hudson Review and the New York Review of Books, as well as more specialized publications.
Historic accounts and new material illuminate the creation, early history and artistic intentions of Britten's first opera. The premiere of Peter Grimes on 7 June 1945 announced the emergence of the first great composer of opera in English since Purcell. Surviving documents offer evidence of the complex interaction of differing ideas about the possible shape and content of the new work, most notably the composition draft, which these essays are particularly concerned to illuminate. They juxtapose historic material with fresh studies: three items written by members of theteam involved in the 1945 production are set alongside specially-commissioned articles, with the three-fold intention of pr...
American Motorcyclist magazine, the official journal of the American Motorcyclist Associaton, tells the stories of the people who make motorcycling the sport that it is. It's available monthly to AMA members. Become a part of the largest, most diverse and most enthusiastic group of riders in the country by visiting our website or calling 800-AMA-JOIN.
Coming to terms with Britten’s music is no easy task. The complex, often contradictory language associated with Britten’s style likely stems from his double interest in progressive composition and immediate connection with a broad, popular audience – an apparent paradox in the splintered musical culture of the 20th century – as well as from complicated truths in his own life, such as his love for a country that accepted neither his sexuality nor his politics. As a result, the attempt to describe his music can tell us as much about our own biases and the inadequacies of our analytic tools as it does about the music itself. Such audits of our scholarly language and strategies are vital...
E. M. Forster first encountered Billy Budd in 1926. Some twenty years later, he embarked on a collaboration with Benjamin Britten and Eric Crozier, adapting Melville’s novella for the opera stage. The libretto they produced poignantly reaffirmsthe Forsterian creed of salvation through personal relationships.This study presents an extensive exploration of Forster’s involvement in the interpretation, transformation and re-creation of Melville’s text. It situates the story of the Handsome Sailor in the wider context of Forster’s literary oeuvre, his life, and his lifewritings. In detailed readings, Billy Budd becomes a lens through which the themes, patterns and leitmotifs of Forsterian thought and creative imagination are brought into focus. A close re-examination of the libretto sketches serves to shed new light on the collaborative process in which Melville’s story was changed to fit an archetypal array of plot and character types that is central to Forster’s own storytelling.
Investigates cinematic qualities in opera and reveals why Benjamin Britten's operas lend themselves to TV and film interpretations. Benjamin Britten's 1954 opera The Turn of the Screw, based on Henry James's ghost story, has been described by many critics and commentators as cinematic. Along with Peter Grimes, The Turn of the Screw is one of the most frequently televised or filmed of Britten's operas. Some of these productions have used location footage and/or studio work, and others are based on theatrical settings. This book explores the notion of cinematic opera in the context of The Turn of the Screw and filmed opera in general, and questions what inherent cinematic qualities exist in th...
Sir Humphrey Burton is one of Britain's most influential post-war music and arts broadcasters. Witty, humorous and full of humanity, Burton's account presents us with never before recorded perspectives on the world of British cultural broadcasting and classical music. Burton worked with such outstanding directing talents as Ken Russell and John Schlesinger, before becoming the BBC's Head of Music and the Arts. Already in the 1960s, in conversations with Glenn Gould for instance, Burton helped to create innovative ways of presenting music to new audiences. Following Sir David Frost's call to LWT/ITV, Burton rose to prominence with presenting the award-winning arts series Aquarius (1970-1975)....
The shock of exile / Paul Kildea -- Britten, Paul Bunyan, and American-ness / Vicki P. Stroeher -- Collaborating with Corwin, CBS, and the BBC / Jenny Doctor -- An empire built on shingle / Justin Vickers -- Save me from those suffering boys / Byron Adams -- Britten's (and Pears's) Beloved / Louis Niebur -- Notes of unbelonging / Lloyd Whitesell -- Take these tokens that you may feel us near / Colleen Renihan -- Traces of Nō / Kevin Salfen -- Britten and the augmented sixth / Christopher Mark -- Quickenings of the heart / Philip Rupprecht -- Reviving Paul Bunyan / Danielle Ward-Griffin -- Striking a compromise / Thornton Miller -- From Boosey & Hawkes to Faber Music / Nicholas Clark -- The man himself / Lucy Walker -- Epilogue / Vicki P. Stroeher and Justin Vickers