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How the tools of STS can be used to understand art and science and the practices of these knowledge-making communities. In Art, Science, and the Politics of Knowledge, Hannah Star Rogers suggests that art and science are not as different from each other as we might assume. She shows how the tools of science and technology studies (STS) can be applied to artistic practice, offering new ways of thinking about people and objects that have largely fallen outside the scope of STS research. Arguing that the categories of art and science are labels with specific powers to order social worlds—and that art and science are best understood as networks that produce knowledge—Rogers shows, through a ...
Images of nature abound in the practice of international environmental law but their significance in law is unclear. Drawing on visual jurisprudence, and interpretative methods for visual art, this book analyses photographs for their representations of nature's aesthetic value in treaty processes that concern world heritage, whales and biodiversity. It argues that visual images should be embraced in the prosaic practice of international law, particularly for treaties that demand judgements of nature's aesthetic value. This environmental value is in practice conflated with natural beauty, ethical and cultural values, and displaced by economic and scientific values. Interpretations of visual images can serve instead to critique and conceive sensory, imaginative and emotional appreciations of nature from different cultural perspectives as proposed by philosophers of environmental aesthetics. Addressing questions of value and the visual, this landmark book shows how images can be engaged by nations to better protect the environment under international law.
This collection considers the future of climate innovation after the Paris Agreement. It analyses the debate over intellectual property and climate change in a range of forums – including the climate talks, the World Trade Organization, and the World Intellectual Property Organization, as well as multilateral institutions dealing with food, health, and biodiversity. The book investigates the critical role patent law plays in providing incentives for renewable energy and access to critical inventions for the greater public good, as well as plant breeders’ rights and their impact upon food security and climate change. Also considered is how access to genetic resources raises questions about biodiversity and climate change. This collection also explores the significant impact of trademark law in terms of green trademarks, eco labels, and greenwashing. The key role played by copyright law in respect of access to environmental information is also considered. The book also looks at deadlocks in the debate over intellectual property and climate change, and provides theoretical, policy, and practical solutions to overcome such impasses.
An ancient Koine Greek manuscript is discovered that sheds fresh light on a host of long-held beliefs. History professor, Etienne Naude, discovers that the past, present and future are inextricably linked and intertwined. Things are not always as they appear to be a first glance. This rollercoaster ride accelerates at an alarming pace. Our unlikely team of unlikely heroes uncovers ancient mysteries that are directing present realities. As they peel back the layers that hide the malevolent beast that has systematically burrowed into the fabric of all society from ancient times, they uncover convoluted “wheels within wheels.” At last the hidden enemy is revealed in its true reality. They d...
Michael Antoine Garoutte (1750-1829) was a son of Antoine Garoutte and Lady Anne de Lascour. In 1775 Michael outfitted two ships in Marseilles, and immigrated (along with large crews of men) to New Jersey to aid the colonists in the Revolutionary War. In 1778 he married Sophia Smith at Pleasant Mills, New Jersey, and they later lived at Tuckahoe and then Pemberton, New Jersey. Descendants and relatives lived in New Jersey, New York, Ohio, Indiana, Iowa, Nebraska, Oregon and elsewhere. Includes ancestry and genealogical data to about 1600 in France.
Includes American Farriar's Association newsletter.
Art + Climate = Change II presents the work of Australian and international artists across a broad range of exhibitions, performances and events from Climate's Art + Climate = Change 2019 festival. Essays on the climate emergency by artists, curators and arts writers help us imagine a world where we protect and care for the earth, from the river systems, oceans and lands to the air we breathe. In a world vastly changed by the impact of a global pandemic, these socially engaged artists and writers demand immediate and effective action on the climate crisis. We have no time to lose.
This ground-breaking book is the first to bring an ecological focus to theatre and performance design, both in scholarship and in practice. Ecoscenography weaves environmental philosophies and practices across genres and fields to provide a captivating vision for the future of sustainable theatre production. The book forefronts leading designers that are driving this emerging field into the mainstream through their relational and reciprocal engagement with place, audiences, materials, and processes. Beyond its radical philosophy and framework, Ecoscenography makes a compelling case for pursuing an ecological ethic in theatre and performance design, not only as a moral imperative, but for the extraordinary possibilities that it offers for more-than-human engagement. Based on her personal insights as a leading ecological researcher and practitioner, Beer offers a rich resource for scholars, students and practitioners alike, opening up new processes and aesthetics of theatrical design that enhance the environmental and social advocacy of the field.
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