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This work takes the reader from the city's first professional theatrical presentation in 1820, through the heyday of vaudeville, to the grand reopening of the newly renovated Allen Theatre in 1999 and the return of touring Broadway shows to Cleveland. In 1820 Cleveland was able to draw a visit from a troupe of professional actors. With no theater in which to perform, the troupe made do with Mowrey's Tavern on Public Square, where a standing-room-only audience saw The Purse; or the Benevolent Tar. It was five years before another professional company would visit. As the city grew, theater blossomed and vaudeville flourished. In the early 1920s, five magnificent theaters opened at Playhouse Square - the State and the Palace, for mixed programs of vaudeville and movies; the Hanna Theater and Ohio, for legitimate Broadway-style theater, and the Allen, for movies. Cleveland was also in the vanguard of the little theater movement with the establishment of the Cleveland Play House and the interracial Karamu Theatre. After a period of decline in the 1960s and 1970s, live theater was reborn in Playhouse Square, which is now the second-largest performing arts complex in the country, and a
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A full-length guide to this little-known corner ofEurope, once part of the larger republic of Yugoslavia,but now an independent country in its own right. Inaddition to full practical information and extensivecoverage of the capital, Ljubljana, the Bradt guideexplores those areas off the beaten track including wine-growing regions, ......
The most comprehensive reference book about film actors of major studio films, independent films, made-for-television films, cable films, cameos. Includes credits and contact information as well as a cross-referenced index by film title/actor.
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How was it that America would fund its nascent national radio services? Government control and a subscription-like model were both considered! Soon an advertising system emerged, leading radio into its golden age from the 1920s to the early 1960s. This work, divided into two parts, studies the commercialization of network radio during its golden age. The first part covers the general history of radio advertising. The second examines major radio advertisers of the period, with profiles of 24 companies who maintained a strong presence on the airwaves. Appendices provide information on 100 additional advertisers, unusual advertisement formats, and a glossary. The book has notes and a bibliography and is fully indexed.
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