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This richly illustrated volume celebrates six decades of the sculptor Bruce Beasley’s works in a wide range of media and will serve as the definitive treatment of his distinguished career. For six decades, sculptor Bruce Beasley has worked in a range of media to build complex, resonant sculptures that communicate the primacy of form and express the emotional language of shape. Bruce Beasley: Sixty Year Retrospective is an elegant survey of his illustrious career: from early experiments in scrap iron during the 1960s; aluminum works of the 1970s; cast acrylic sculptures of the 1970s and 80s; and stone, stainless steel and bronze works of the 1990s to the present day. The catalog also features Beasley’s latest venture into two-dimensional media.This richly illustrated book includes Beasley’s reflections on his career. In a conversation, Beasley and Lawrence Weschler discuss art and activism. Essays discussing his processes and appraising his impact are written by curator Tom Moran and Marlena Doktorczyk-Donohue, Director of the Bruce Beasley Foundation and Professor of Art History at Otis College of Art and Design, Los Angeles.
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"Bruce Beasley was discovered in 1960 by Dorothy Miller, the curator of painting and sculpture at New York's Museum of Modern Art. Miller included Beasley in MOMA's 1961 seminal exhibition The Art of Assemblage, which featured such luminaries as Willem de Kooning, Jasper Johns, Louise Nevelson, and Robert Rauschenberg. The following year MOMA acquired one of Beasley's sculptures, making him at age twenty-two the youngest artist to be included in the museum's permanent collection. In 1963, André Malraux, the French minister of culture and famous writer and philosopher, awarded Beasley the Purchase Prize in the Paris Biennale. Beasley followed this auspicious beginning by becoming one of his ...
This exquisite new publication celebrates how Japanese contemporary artists push traditional washi paper beyond its historic uses to create innovative, highly textured two-dimensional works, expressive sculptures, and dramatic installations. Historically, washi paper has been used as a base for Japanese calligraphy, painting, and printmaking as well as a material in architecture, religious ritual and clothing. In recent years, contemporary Japanese artists have turned this supple yet sturdy paper into a medium for expressing their artistic vision – layering, weaving, dyeing, shredding, folding, or cutting the paper to form abstract sculptures, lyrical folding screens, highly textured wall ...
Featuring exquisite photos of more than 800 contemporary and historic works, this first-of-its-kind book reveals how the process of casting--pouring material into a mold--has transformed our world through its history and omnipresence. In these image-rich pages, craft, fine art, design, and everyday objects offer us perspectives on casting's unique possibilities, its place in history, and its role in contemporary object creation. Comprehensive and insightful, the book includes writings on casting as it relates to Art History (by Suzanne Ramljak), Large-Scale Metal (by Joseph Becherer), Ceramics (by Ezra Shales), Glass (by Susie J. Silbert), Jewelry (by Jen Townsend), and Alternative Materials (by Elaine A. King). A multi-disciplinary approach--including everything from traditional lost wax casting in non-ferrous metals to casting rubber, glass, porcelain, plaster, and some very unexpected materials--makes this an essential resource for artists, craftspeople, historians, designers, and everyone interested in the objects that populate our world.
"All of the 90 pieces selected from more than 350 works in the collection are presented here in full color, each accompanied by a brief discussion of the artist and his or her work by leading scholars in the field as well as authorities on the collection. The essays examine the works of sculptors represented in the Sheldon's collection, including Barlach, Brancusi, Calder, Duchamp, Moore, and Rodin, and present a concise yet comprehensive overview of pertinent scholarship that will be of value to both students and experts in the field."--BOOK JACKET.
In The Work of Creation, poet, editor, and translator Luke Hankins explores literature, art, aesthetics, ethics, religion, and the life of the spirit in a number of genres, including literary criticism, meditations on art and aesthetics, personal essays, and interviews. Collected in this volume are pieces that have appeared in such places as Books & Culture, Contemporary Poetry Review, Image, The Writer's Chronicle, and the American Public Media national radio program "On Being."
The possibilities for creation are endless with 3D printing, sculpting, scanning, and milling, and new opportunities are popping up faster than artists can keep up with them. 3D Technology in Fine Art and Craft takes the mystery out of these exciting new processes by demonstrating how to navigate their digital components and showing their real world applications. Artists will learn to incorporate these new technologies into their studio work and see their creations come to life in a physical form never before possible. Featuring a primer on 3D basics for beginners,interviews, tutorials, and artwork from over 80 artists, intellectual property rights information, and a comprehensive companion ...
"Modern and Contemporary Art at Dartmouth focuses on post-1945 painting, sculpture, works on paper, photography, and new media, including interactive and multimedia works. The catalogue comprises several extensive entries on areas of strength in the Hood Museum of Art's modern and contemporary collections as well as over one hundred color illustrated entries on individual works, many of which have never before been published. Featured artists include El Anatsui, Romare Bearden, Alexander Calder, Bob Haozous, Juan Munoz, Alice Ned, Amir Nom, Mark Rothko, Ed Ruscha, Alison Saar, Richard Serra, and Lorna Simpson." --Book Jacket.